Cellar Door

I had not heard about this 2024 thriller titled "Cellar Door" prior to sitting down to watch it, so I didn't know what I was in for. But that is how it is with the vast majority of the movies I watch, as I don't watch trailers, nor keep up with upcoming movies. If I stumble upon a movie that I haven't already seen, such as the case with "Cellar Door", I sit down to watch it.

Writers Sam Scott and Lori Evans Taylor put together a rather generic and stereotypical script and storyline here. Sure, it was a watchable enough movie, but there wasn't much of any great thrills to be had throughout the course of the movie. And that sort of made sitting through "Cellar Door" a somewhat bland and mundane viewing experience.

Of the entire cast ensemble, I was only familiar with Scott Speedman and Laurence Fishburne. It should be noted, though, that the acting performances in the movie were good.

I suppose that if you are a diehard thriller fan, then you might be getting a bigger kick out of watching "Cellar Door" than I did. Something I was finding to be missing from the movie was that I was never pushed to the edge of my seat out of sheer thrill and excitement. It was a rather mundane movie, to be honest.

This is not a movie that will find its way back to my screen a second time.

My rating of director Vaughn Stein's 2024 thriller "Cellar Door" lands on a four out of ten stars.

In the beginning I thought that the premise was something psychological or allegoric and the pitch was something in the lines of, Adam and Eve meet Alex Forrest, for those of you that don't know who she is, it is the character of Glenn Close in Fatal Attraction, by the end I realized that I was wrong, that there wasn't a metaphor and that the twists and turns were so forced that what could have been great idea didn't go anywhere.

Personally I hate open endings and I find them disrespectful to the audience and frustrating.

Two hours is too much time to invest in a movie without a conclusion or a clear ending.

John and Sera are looking for a fresh start after Sera miscarries. The pair struggle to find a house in their price range, but their luck changes when they're told to visit Emmett, a wealthy man in a beautiful house. Emmett offers the couple the house, on condition that they never go into the basement.

I thought this started off pretty well, I enjoyed the first half an hour or so, I loved the suspense and intrigue, that whole question of what's in the basement, unfortunately it tails off badly.

The second half of the film is poor, it just didn't fit, it went from being an intriguing thriller into a bizarre and clunky slog, I could almost believe the story of the cellar, the Alissa storyline....never in a million years.

What is going on with Laurence Fishburne, he seems to be signing up for the most random films, films that let's be honest, aren't quite at his level.

Jordana Brewster and Scott Speedman were both pretty good, they made a cute couple, they worked well together.

A decent start, shocking second half.

5/10.

I cannot believe that I watched that movie twice. First at the beginning of November and today again. I watched it and thought: "Kind of familiar." Well, I continued to watch it.

After the movie wrapped up, I was like: "Dang, I watched it already."

It's how forgettable this movie is. Oh my God, I was so dumb wasting the same amount of time twice. It's a very bad movie. Forgettable, basically background noise. I wouldn't wonder if my troglodyte-brain sees that movie in the "what to watch"-list and I choose that movie again at the beginning of January.

It's really bad. And I cannot believe how dumb I am for watching it twice... 🙄

The premise for 'Cellar Door' intrigued me. When you name your movie that and then make the movie about the mystery of what is behind the cellar door, then it should be a fun ride to go on and hopefully have a good pay off. Unfortunately the film wasn't as much about that as it had implied, and the ride wasn't as fun as it should've been.

This was more of a regulation thriller with a side story revolving around the cellar door. Now I've got no problem with regulation thrillers - if they're done well. This one however was a bit flat. In fact the whole movie was a bit flat. It was lacking some punch and some X-factor.

I found myself really having to strain to keep my attention on the film and that's a shame. There were a lot of little tweaks that I think could've made this a better experience. 5/10.