Maska

Maska does not live up to the hype that's surrounding it as a feel good movie... the constant overacting of the cast to portray the lifestyle of a Parsi family and it's dialect is quite a poor show... the storytelling is quite weak and let down by the lead actor, couldn't really differentiate between his acting as a bad actor inside the film and the film itself.

Good story, nice screen play but poor acting of main characters. Manisha was quite good but didn't find good chemistry with other characters.

"Maska" is a sweet yet scattered sort of coming-of-age film that tries to combine the taste of the Parsi community in Mumbai with the universal quest of identification and dreams. Then it really broke down with the very effective and authentic performances by Manisha Koirala and Shirley Setia, who really brought great depth and authenticity to their roles. There is a visual appeal to the film, and the nostalgic ambiance does give it a comforting touch to make it an easy watch. However, for the most part, the storyline reads in most places as though it were predictable and just not layered enough to really work on the audience completely. While Prit Kamani does give an earnest performance as the lead, Rumi, at places, the writing makes him come across a tad one-dimensional, and the cliché screenplay does not hold much ground. Nonetheless, "Maska" offers a delightful-if highly formulaic-exploration of family, tradition, and the courage to pursue whatever it is one really wants.

Maska (Netflix) - Rumi Irani (Prit Kamani) dreams and aspires to be an actor, but has limited talent. What he does have is a traditional, family owned Parsi cafe in South Mumbai that once boasted of an extensive menu and loyal clientele, which he doesn't think much of. Rustom Cafe is currently managed by his mother, the spunky and fiery Diana Irani (Manisha Koirala), who has been able to run it on a skeletal basis with a limited menu who is waiting for her son to take charge and return the cafe to its original glory.

But Rumi has to realise his dreams at any cost and therefore, brokers a deal to sell off the property to a prominent chain for a price that will fund his launch vehicle into the silver screen. He has magic fingers and invests time and effort into the cafe to rebuild its reputation and win back the clientele with the agenda of convincing his mother to sell it off. She agrees under duress and for the love of her son, but is heartbroken.

Maska had a massive potential of becoming an emotional sojourn sans the melodrama. The premise and build up were also pretty strong, with Manisha Koirala, Prit Kamani and Javed Jaffri creating a perfect stage for telling the story of a turnaround. Unfortunately, director Neeraj Udhwani spends far too long on the prologue and Rumi's dalliance with acting and his love for Mallika (Nikita Dutta). He should have made more efforts to showcase Rumi's disillusionment with his acting career, realization of his culinary and entrepreneurial skills, attachment with the family business, appreciation for his mother's expectations and the development of his love for Persis (Shirley Setia), the girl who is instrumental in turning him around. But all of the above is encapsulated in about 20 minutes which makes it a suboptimal and underwhelming climax, albeit predictable right from the beginning.

But do give Maska a chance, it surely makes for a one time watch and appreciation of the fact that it could have been handled better.

No doubt it's a feel good movie.But somewhere it was lacking a bit of unstrategic delivery to the audience like you know in the movie like Runaway bride where it felt like everything happened suddenly and not planned. But ya I have never been to any Iranis cafe but now I am definitely gonna make a plan after Quarantine days.