Hot Skull

The series is adopted from a Turkish novel written by Afsin Kum, published in 2016, which I was not aware of it before watching the series. I finished the first season 15 minutes ago, and really enjoyed watching it. It needs a lot of thinking, sense of humor and open minds. I admired the "abuks" and congratulate the writers.

All the characters, acting and directing are incredible. The story takes place in Istanbul. There is an outbreak going on which spreads by hearing nonsense talking of affected people. The main character the hot skull, is the only immune person who is a linguistic scientist, but has a side affect of the immune response.

Hope to see the second season soon.

I was reminded of Pontypool and various story plots of Charles Stross and Greg Bear regarding mental virus ideas.

It was a nice change of pace from Zombies and the actors all looked "real".

A pleasant edition was no sex instead of love character plotting.

And older people were actually depicted as stars and not simply incompetent bystanders as one finds in most US productions.

I'm always surprised at the respect and wide characterization foreign media allows older adult roles. There is no pandering to the youth market or excessive gore and sexuality.

Either way everyone should watch and create their own opinions instead of following someone else's.

That includes mine.

Hot Skull is a good Turkish dystopia travelling around contemporary social issues pandemic, state pressure, totalitarianism, resistance, individualism, and search for hope. Presented in a gloomy Istanbul atmosphere portrayed in brown, yellow and green colors, this eight part series tells us the story of Murat Siyavus, a linguist and an intellectual who is immune to the a social-medical pandemic, yet prone to another illness related to (his) bodily reactions. Around social and medical issues, Hot Skull presents a dark future, where the cities are wound round with walls and law enforcement forces. It is a good series since it is a dystopia that is not common in Turkish popular culture and it presents contemporary social-medical issues with good visuals, and credible storytelling. The acting of Osman Sonant, Sevket Coruh, Haluk Bilginer and especially Tilbe Saran are notably good, the rest is unfortunately below average. However, since it is within the boundaries of popular culture (yes Netflix) the series limits itself and almost always stops where it can say something more, and become critical and notable.

Having watched the first episode it is fairly obvious that this is a re-imagination of the 2008 Canadian film Pontypool with a COVID like setting/analogy.

That film had the exact same premise, a diseased state with the same symptoms and spread the exact same way, verbally (speech to hearing). Having said that, the production values are good, and the lead actors are good as well. I haven't watched too much Turkish cinema, but this seems to be a quality production even if the idea is not entirely original. Yes, it is Turkish, but the video I watched had a dual English Audio component and subtitles as well. I'm interested to see where they take this and will continue to watch. BTW, check out the original movie, Pontypool, it is quite good.

It has many similarities from many other series, such as: stranger things, dark, matrix, you etc...

It started with a curiosity but cannot keep that momentum all the way to the end. There is no surprise on any of the episode except that one scene.

Sometimes main character behaved like a really childish, selfish but without any good valid background, therefore you cannot make the connection with him.

Topic is okeyish, but could be way better with a little bit intelligence. It turned out a classic Turkish series, which has long lasting dialogs without any meaning, very very slow scenes, meaningless moments. Especially i really looked for a 2x or 3x fast forward option on Netflix to be able watch it.