Ambientato nel sud-ovest degli anni '70, la vita di un coraggioso autista di fughe per un'organizzazione criminale in espansione passa da terribile a selvaggiamente, stupidamente e pericolos... Leggi tuttoAmbientato nel sud-ovest degli anni '70, la vita di un coraggioso autista di fughe per un'organizzazione criminale in espansione passa da terribile a selvaggiamente, stupidamente e pericolosamente terribile.Ambientato nel sud-ovest degli anni '70, la vita di un coraggioso autista di fughe per un'organizzazione criminale in espansione passa da terribile a selvaggiamente, stupidamente e pericolosamente terribile.
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All the characters, both major and minor, are interesting and have their moments across the eight episodes. The script writing keeps you engaged through the main plot along with the various subplots. If you came of age in the early 1970s, then alot of this will resonate with you one way or another. That said, youngsters should also check this out because of the quality writing and great filmography of the Southwest desert. Again, the storytelling is key here and keeps things moving pretty fast. Also, a special callout to the "retro" Vegas episode. It was cool to be reminded how Sin City once looked before major corporations overdeveloped the place. Finally, pay attention to the opening of each episode. The Hot Wheels cars ripping through the desert bring a smile to your face each time. AND: each subsequent intro has an Easter egg for the upcoming episode. So, make sure you do not skip the intros.
I've never written a review although I have wanted to on many series n movies. I recently finished the season and recently saw an article where they say they will not have a 2nd season. What troubles me is that a so-so, 5 star rated show will get multiple seasons, but shows that receive 7 stars n above do not get a chance at a 2nd season. There's not much not to like about this series, unless you just can't stand the underlying racial undertones on what this country thought about and as we are living in now, people of color and women. I found the storyline pretty good along with the artwork and period correctness stunning...I truly hope they can rethink and develop a second season.
I am enjoying this series! I admit that I always enjoy stuff set in the 70s and 80s and they do a good job of recreating the period here.
Josh Holloway is always good value and, in my opinion, doesn't get enough leading roles. He's got a great screen presence. The supporting cast also do a great job. Special mention for Keith David, too.
The locations are good and it's great to see some great old cars in all their glory.
So ignore the artificial low scores here because they are just not justified. Give the show a chance and I reckon you'll enjoy it!
Let's hope the network gives it a fair chance, as I am fed up of investing time in new series only to see them dumped after one season.
Guess what? They've cancelled it, even with 93% on Rotten Tomatoes and every episode making the Top 10 ranked shows of the week. Absurd decision.
Josh Holloway is always good value and, in my opinion, doesn't get enough leading roles. He's got a great screen presence. The supporting cast also do a great job. Special mention for Keith David, too.
The locations are good and it's great to see some great old cars in all their glory.
So ignore the artificial low scores here because they are just not justified. Give the show a chance and I reckon you'll enjoy it!
Let's hope the network gives it a fair chance, as I am fed up of investing time in new series only to see them dumped after one season.
Guess what? They've cancelled it, even with 93% on Rotten Tomatoes and every episode making the Top 10 ranked shows of the week. Absurd decision.
From the very first episode, it's clear that this isn't your typical throwaway series. There's real production value here-everything from the lighting to the costume design and soundtrack screams attention to detail. The show captures an atmosphere that's both grounded and stylized, which is no easy feat. It's good-really good. And what's more impressive is how it manages to feel fresh while still borrowing heavily from familiar genres and eras.
Season 1 sets the bar incredibly high. That's not just lip service-it establishes characters with depth, pacing that never drags, and plotlines that keep you invested without being overly complicated or forced. It leaves just enough questions unanswered to build momentum into a second season, while still offering satisfying story arcs along the way. If the showrunners can keep up the quality, I truly hope we'll see a few more seasons. That said, following up such a strong opener will be a tall order. Season 2 will need to honor the foundation without falling into the trap of repetition or gimmickry. But based on what we've seen so far, I'm optimistic.
I'll definitely be watching this one again. It's the kind of show that invites a second viewing-not because it's confusing, but because there are layers to it. Little visual cues, background details, bits of dialogue-all the things you miss when you're focused on the main plot. The acting across the board is strong. Not overdone. Not flat. Just right. The cast clearly understood their characters, and you get the sense that even supporting roles were thoughtfully cast and directed.
The props, set design, and cinematography are outstanding. They're not flashy for the sake of it. Instead, they serve the narrative, anchoring the story in a very specific time and place that feels both real and nostalgic. What really stood out for me, though, was the writing. It walks a fine line between sharp and sentimental, between commentary and storytelling. The dialogue feels natural, never preachy or on-the-nose, and the themes-while clearly reflecting modern issues-are delivered through a 1970s lens that gives everything a certain timelessness.
It's like someone took fragments of recent history-political tension, social unrest, economic anxiety-and reimagined it as a retro drama set in the '70s. But rather than being stuck in the past, it uses that era to reflect on the present. That kind of writing takes skill, and I think it's what makes the show especially appealing to a broader audience. It doesn't try too hard to be edgy or nostalgic-it just is.
As someone who genuinely loves the 1970s aesthetic-the fashion, the music, and especially the muscle cars-this show checked a lot of boxes for me. So yes, maybe I'm a bit biased. But even setting that aside, I think the show earns its praise. It balances mood and message, plot and personality. It's entertainment that respects the viewer's intelligence.
If you're a fan of high-quality TV that doesn't insult your attention span, this is absolutely worth your time. Whether you're in it for the drama, the world-building, or just to hear a V8 engine roar beneath a perfectly restored hood, you'll find something to enjoy. Here's hoping Season 2 doesn't keep us waiting long.
Season 1 sets the bar incredibly high. That's not just lip service-it establishes characters with depth, pacing that never drags, and plotlines that keep you invested without being overly complicated or forced. It leaves just enough questions unanswered to build momentum into a second season, while still offering satisfying story arcs along the way. If the showrunners can keep up the quality, I truly hope we'll see a few more seasons. That said, following up such a strong opener will be a tall order. Season 2 will need to honor the foundation without falling into the trap of repetition or gimmickry. But based on what we've seen so far, I'm optimistic.
I'll definitely be watching this one again. It's the kind of show that invites a second viewing-not because it's confusing, but because there are layers to it. Little visual cues, background details, bits of dialogue-all the things you miss when you're focused on the main plot. The acting across the board is strong. Not overdone. Not flat. Just right. The cast clearly understood their characters, and you get the sense that even supporting roles were thoughtfully cast and directed.
The props, set design, and cinematography are outstanding. They're not flashy for the sake of it. Instead, they serve the narrative, anchoring the story in a very specific time and place that feels both real and nostalgic. What really stood out for me, though, was the writing. It walks a fine line between sharp and sentimental, between commentary and storytelling. The dialogue feels natural, never preachy or on-the-nose, and the themes-while clearly reflecting modern issues-are delivered through a 1970s lens that gives everything a certain timelessness.
It's like someone took fragments of recent history-political tension, social unrest, economic anxiety-and reimagined it as a retro drama set in the '70s. But rather than being stuck in the past, it uses that era to reflect on the present. That kind of writing takes skill, and I think it's what makes the show especially appealing to a broader audience. It doesn't try too hard to be edgy or nostalgic-it just is.
As someone who genuinely loves the 1970s aesthetic-the fashion, the music, and especially the muscle cars-this show checked a lot of boxes for me. So yes, maybe I'm a bit biased. But even setting that aside, I think the show earns its praise. It balances mood and message, plot and personality. It's entertainment that respects the viewer's intelligence.
If you're a fan of high-quality TV that doesn't insult your attention span, this is absolutely worth your time. Whether you're in it for the drama, the world-building, or just to hear a V8 engine roar beneath a perfectly restored hood, you'll find something to enjoy. Here's hoping Season 2 doesn't keep us waiting long.
So let's start off with a question. Is this for everyone? The answer: probably not. In saying that it does have all the things you'd expect of a period piece that takes place in the 70's. Long hair, muscle car, afro. Cheap cinnamon chips! Ok the last one not necessarily the case. Mr. Holloway has his charms and the lovely young woman FBI agent is a trailblazer which seems stereotypical these days while Hollywood tries to convince us that there empowering women at the cost of losing historical accuracy in the process which is unfortunate to a degree. The relationships aren't fully fleshed out in the first episode. I'm still unsure who the little girl's mother is in relation to the main character. Ex, friend, family member? Who knows! If you enjoy a little action and drama with a backdrop of crime/70's. Then you can't go wrong with Duster.
Renewed, Canceled, or Ending?
Renewed, Canceled, or Ending?
Check out our list of renewals and cancellations to see if your favorite show made the cut.
Lo sapevi?
- QuizShow filmed the pilot in Tucson, AZ in the Fall 2021. HBO/Max retooled the show adding Rachel Hilson and Corbin Bernsen in Feb 2023. They subsequently moved the production of the show from Tucson to Albuquerque, and re-shot the pilot and the remaining episodes of Season 1 ending production in March 2024.
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Dettagli
- Tempo di esecuzione
- 1h(60 min)
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- 2.00 : 1
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