Cinque amici d'infanzia si ritrovano per una scorribanda attraverso i pub della loro città natale, ma presto scoprono di dover lottare per la propria sopravvivenza.Cinque amici d'infanzia si ritrovano per una scorribanda attraverso i pub della loro città natale, ma presto scoprono di dover lottare per la propria sopravvivenza.Cinque amici d'infanzia si ritrovano per una scorribanda attraverso i pub della loro città natale, ma presto scoprono di dover lottare per la propria sopravvivenza.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 vittorie e 28 candidature totali
Recensioni in evidenza
I was lucky enough to score some tickets to the NZ premier of this. We were pumped full of food and booze before the movie and i realized not ten minutes in that i needed the bathroom. Only i found the movie far to funny to want to leave at any point.
There were some real classic moments in this movie, honestly, the whole theatre was in fits of laughter almost the whole way through the film. There was even some cheering (more than once)
Edgar really has his business sorted with the directing thing, and Pegg, Frost and Freeman really help to bring this movie together!
I recommend this film, especially if you just want a good laugh! Personally, Frost was my fave in this one, he had the greatest moments!! In regards to the acting, It was all wonderful, i believed every second. This film was on par!
I feel really privileged to have been lucky enough to see it before a whole lot of people, and I hope that everyone else likes it as much as everyone in our theatre did :)
10/10
There were some real classic moments in this movie, honestly, the whole theatre was in fits of laughter almost the whole way through the film. There was even some cheering (more than once)
Edgar really has his business sorted with the directing thing, and Pegg, Frost and Freeman really help to bring this movie together!
I recommend this film, especially if you just want a good laugh! Personally, Frost was my fave in this one, he had the greatest moments!! In regards to the acting, It was all wonderful, i believed every second. This film was on par!
I feel really privileged to have been lucky enough to see it before a whole lot of people, and I hope that everyone else likes it as much as everyone in our theatre did :)
10/10
The movie-making team of Simon Pegg, Nick Frost, and Edgar Wright has been one of the biggest success stories of British cinema of the past decade. With "Shaun of the Dead" (2004) and "Hot Fuzz" (2007), the trio demonstrated originality, ingenuity, and most significantly, capable of drawing a large, appreciative audience. Now they're back with the long-awaited third movie of what's become unofficially known as the "Cornetto trilogy." Like it's predecessors, director Edgar Wright loves paying homage to American cinema; "Shaun" pays its respects to George Romero, "Fuzz" nods its head to over the top action, buddy flicks, and "World's End" takes a page from our classic American sci-fi films.
In "The World's End," 20 years after attempting an epic pub-crawl, five childhood friends reunite when one of them becomes hell-bent on trying the drinking marathon once again. Once convinced to stage an encore by Gary King (Simon Pegg), a 40-year- old man trapped in the mindset of his mid 20's, drags his reluctant friends back to their hometown, and once again attempt to reach the fabled pub - The World's End.
"The World's End" plays on the notion that any time you return to your old stomping grounds, changes are inevitable. Upon returning to their small town roots—a place so boring it boasts about having the first roundabout in all of England—the crew notices that things are a little strange. As it turns out, the town residents are now blue- blooded alien robots. Pretty soon, the group of friends find they are not only fighting to recapture who they once were, but to preserve who they are.
"The World's End" follows similar thematic and structural paths as the other films in the trilogy. While it is definitely intended as a satirical spoof on one level, it also works just as well as a fully functional sci-fi story. You have elements of body snatching, invasions, and more than a few overt nods to John Carpenter's classic "They Live" (1998), in the way the aliens integrate into their society and take over. It's satire in such a loving fashion that it comes across as infectiously charming.
If there is anything to criticize here, maybe it's that the genre is a bit more skewered and less defined than in its predecessors. However, "The World's End" does cap an unofficial trilogy, and the grievance is overly critical given the nature of the movies. Long-time fans of the trilogy will appreciate the reversal of roles, casting Pegg as the selfish screw-up, and Frost as the one who has it together. This allows Pegg to fully unleash his gift for gab, and for Frost to show off his considerable skill for physical comedy.
With great gags, better fights, and fan pleasing cameos, "The World's End" is exactly the sort of British-accented, genre-blending pleasure we've come to expect from its creative trio, and we can only anticipate to what the future holds.
In "The World's End," 20 years after attempting an epic pub-crawl, five childhood friends reunite when one of them becomes hell-bent on trying the drinking marathon once again. Once convinced to stage an encore by Gary King (Simon Pegg), a 40-year- old man trapped in the mindset of his mid 20's, drags his reluctant friends back to their hometown, and once again attempt to reach the fabled pub - The World's End.
"The World's End" plays on the notion that any time you return to your old stomping grounds, changes are inevitable. Upon returning to their small town roots—a place so boring it boasts about having the first roundabout in all of England—the crew notices that things are a little strange. As it turns out, the town residents are now blue- blooded alien robots. Pretty soon, the group of friends find they are not only fighting to recapture who they once were, but to preserve who they are.
"The World's End" follows similar thematic and structural paths as the other films in the trilogy. While it is definitely intended as a satirical spoof on one level, it also works just as well as a fully functional sci-fi story. You have elements of body snatching, invasions, and more than a few overt nods to John Carpenter's classic "They Live" (1998), in the way the aliens integrate into their society and take over. It's satire in such a loving fashion that it comes across as infectiously charming.
If there is anything to criticize here, maybe it's that the genre is a bit more skewered and less defined than in its predecessors. However, "The World's End" does cap an unofficial trilogy, and the grievance is overly critical given the nature of the movies. Long-time fans of the trilogy will appreciate the reversal of roles, casting Pegg as the selfish screw-up, and Frost as the one who has it together. This allows Pegg to fully unleash his gift for gab, and for Frost to show off his considerable skill for physical comedy.
With great gags, better fights, and fan pleasing cameos, "The World's End" is exactly the sort of British-accented, genre-blending pleasure we've come to expect from its creative trio, and we can only anticipate to what the future holds.
If you seen the other two movies in the so-called Cornetto Trilogy ("Shaun of the Dead" & "Hot Fuzz") then you already know what to expect from "The World's End". Like the others it is funny and full of unexpected and crazy twists and turns. The story follows five friends who decide to reunite and finish the pub crawl they were not able to complete 20 years ago. Everything is going fine and then all hell breaks loose. You know you're probably in for a wild and fun ride and that is exactly what you get. Simon Pegg and Nick Frost kind of switch roles from their previous movies, Frost is the one that has it together and Pegg doesn't. It works well and they still maintain their great humor and wit. The supporting cast is equally funny with Eddie Marsan being a highlight. The movie if full of great one liners and some absolutely hilarious moment. If you liked "Shaun of the Dead" and "Hot Fuzz" or if you just like wild and fun movies then you'll like "The World's End". It is funny, clever, and a hell of a ride.
I must start by admitting to have reviewed this previously and removed it, last time round I must have been in a bad mood, I criticised it for going off the boil, however in recent times I've gotten so into it, it's meant to be bonkers, outrageous and utterly over the top and it sure is. I think there's something incredibly British about the humour, the world could come to an end, but there's still time for nostalgia, and more importantly there's still time for a pint. It's still perhaps my least favourite of The Three Flavours Cornetto trilogy, but the other two are that good, and hard acts to follow. It is clever, it's witty, and which of us doesn't know a Gary? If only it didn't have to be a trilogy, would have loved more from this successful group, it's an underrated gem.
Five friends return to their hometown to relive a pub crawl they never finished in their youth, however, they find their town has been invaded by interstellar beings 'Blanks' and the crawl could literary kill them.
Director/writer Edger Wright returns with this British set, sci-fi, beer-fuelled pub crawl yarn. Once again like Shaun of the Dead (2004) and Hot Fuzz (2007) what makes this so likable is the Simon Pegg and Nick Frost combination - the two have great chemistry, they're not only funny but warm too. There's plenty of camaraderie between the five friends mixed with the humorous restlessness of a school reunion.
The on location feel gives it an air of realism and captures a current British small town perfectly. Wright once again shows that he's at the top of his game, the action scenes are wonderfully executed and the effects are superb. The soundtrack oozes nostalgia and accompanying music score is fitting. Some jokes my go over some international viewer's heads, but the majority cater for all.
The first half of the film injects the most one liners and comedy output with the old gang rejoining and their return to the town, while the second is more action orientated when they go head to head with the invaders. The beings glowing eyes are reminiscent of Demons (1985) while the set up feels like Invasion of the Body Snatcher (1956/78) only with a twist and the closing confrontation plays out like an episode of Star Trek/Doctor Who followed by an outlandish flash-forward.
There's plenty of homage's thrown in just for fun, Pegg as washed up excitable alcoholic/drug intoxicated Gary King plays against the usual nice guy, here he's a man you love to hate, you really want him to succeed. Frost is kick-ass lovable. It's strength is that you care about the fate of the characters. The supporting cast are excellent including (surprisingly well cast) Rosamund Pike, Martin Freeman to name a few and a surprise cameo by an ex-Bond.
If Shaun was on the money, and Hot Fuzz was wordy, The World's End is somewhere in between. Highly recommended.
Director/writer Edger Wright returns with this British set, sci-fi, beer-fuelled pub crawl yarn. Once again like Shaun of the Dead (2004) and Hot Fuzz (2007) what makes this so likable is the Simon Pegg and Nick Frost combination - the two have great chemistry, they're not only funny but warm too. There's plenty of camaraderie between the five friends mixed with the humorous restlessness of a school reunion.
The on location feel gives it an air of realism and captures a current British small town perfectly. Wright once again shows that he's at the top of his game, the action scenes are wonderfully executed and the effects are superb. The soundtrack oozes nostalgia and accompanying music score is fitting. Some jokes my go over some international viewer's heads, but the majority cater for all.
The first half of the film injects the most one liners and comedy output with the old gang rejoining and their return to the town, while the second is more action orientated when they go head to head with the invaders. The beings glowing eyes are reminiscent of Demons (1985) while the set up feels like Invasion of the Body Snatcher (1956/78) only with a twist and the closing confrontation plays out like an episode of Star Trek/Doctor Who followed by an outlandish flash-forward.
There's plenty of homage's thrown in just for fun, Pegg as washed up excitable alcoholic/drug intoxicated Gary King plays against the usual nice guy, here he's a man you love to hate, you really want him to succeed. Frost is kick-ass lovable. It's strength is that you care about the fate of the characters. The supporting cast are excellent including (surprisingly well cast) Rosamund Pike, Martin Freeman to name a few and a surprise cameo by an ex-Bond.
If Shaun was on the money, and Hot Fuzz was wordy, The World's End is somewhere in between. Highly recommended.
Lo sapevi?
- QuizFelicity, Andy's assistant from the start of the film, is named after a young woman from Stockport, called Fliss, who tragically passed away. She was a massive Simon Pegg fan and he had sent her signed pictures at the request of her dad when she was ill. She passed before she could receive them. When Simon Pegg found out, he wrote the character into the movie in her memory.
- BlooperWhen Gary crosses off the 10th pub on the map, the figure of the "modern art" statue can be seen on the map just below the second and third pubs. But since this is the same map he used for the original crawl before The Network arrived, and since the statue is apparently part of The Network, it should not appear on the map. It is also apparent that the statue was not there at the time of the original Golden Mile since they wonder about what it is when they pass it earlier in the night.
- Citazioni
Oliver Chamberlain: WTF, Gary. WTF.
Gary King: What the fuck does WTF mean?
Peter Page: [getting out the cubicle] What the fuck?
Gary King: Ooohh yeah!
- Curiosità sui creditiPeople going to see the film at the Broadway Cinema in Letchworth, the location for the outside of The Mermaid, were shown a short clip beforehand featuring Simon Pegg, Edgar Wright and Nick Frost, welcoming them to the cinema and hoping they enjoyed watching it from inside one of the filming locations.
- ConnessioniFeatured in Projector: The World's End (2013)
- Colonne sonoreSummer's Magic
(Luc Aulivier, Jacques Charriere, Serge Danot, Alain Legrand, Mark Summers)
Performed by Mark Summers
Courtesy of Island Records Ltd
Under license from Universal Music Operations Ltd
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Bienvenidos al fin del mundo
- Luoghi delle riprese
- The Cork Public House, Welwyn Garden City, Hertfordshire, Inghilterra, Regno Unito(The Famous Cock pub)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 20.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 26.004.851 USD
- Fine settimana di apertura Stati Uniti e Canada
- 8.811.790 USD
- 25 ago 2013
- Lordo in tutto il mondo
- 46.092.117 USD
- Tempo di esecuzione
- 1h 49min(109 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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