Yin mi de jiao luo

It's a fascinating and intricate story centred around three children from poor families in southern China. The production values are high. The three young actors do a great job as they navigate the many complexities of the real world: educational pressure, marital bliss, financial and health crises. There are no easy choices between right and wrong.

Unfortunately - as other have commented - the editing and storyline drop inexplicably in the last three episodes. I'd happily watch it again in a few years time as the characters and themes were so endearing, but I'd hesitate to recommend it to anyone because of the mangled ending. Perhaps the producers ran out of time or money.

Human nature in vivid display. There are no true goodness or true evil. It is about the restraint of our inner sin that prevents us from unleashing our devilsh self.

Def one of the best serials and I literally registered my freaking IMDb account just for reviewing this fascinating serials. It presented delicate plots which conducted by 15-year-old kids and every frame of the serials indicated dedicated work provided by the director. I would say this is one of the best serials of the 2020! I mean, just watch it, or you would never know what you are missing!!

What amazed me most is not how fascinating the assassinations occurred but how the real life of China of 15 years ago was vividly presented in the series and how the life of 1 self-abased teacher, 2 eye-half-shut parents and 3 sensitive kids accidentally mix together and obscures the boundary between good and evil.

Nevertheless as a student of Chinese I persevered to the end, 12 sessions. Lots of technical flaws, and an unbelievable plot. Acting of the three central characters, teenagers/children pretty convincing in frankly silly situations.

Cinematography and settings are pretty good, but the succession of deaths and murders and lack of involvement of the police were too much of a stretch of the imagination. Yet I enjoyed some of the family relationship portrayals, and the grey mean streets and quarters and dockyards.

The series was notably lacking in smiles and humour and similarly grey in setting and tone, but a special commendation goes to the actor who portrayed Pupu, a professional performance for one so young.

Definitely not recommended unless you are a Chinese language study freak (as I am)