La promesse

I read a review comparing this to Spiral and began watching in high hopes. It becomes clear very quickly that this isn't going to attain that high standard. Spiral built up tension and sucked you in. This dissipates tension as unlikely actions and reactions increase in number, eventually rendering the whole thing rather laughable.

We did watch it to the end as our decision to cease came with only 1 episode left. We should have decided sooner!

I did enjoy this series over all, it was engaging with good characters and was at times tense. I do agree with others that the ending was somewhat disappointing. But it was well acted and directed throughout and I will watch the next series.

Sofia Essaïdi and Elisa Ezzedine were both good as Sarah Castaing. Leslie Medina as Lilas Castaing was full of character and a little underused in the story. Olivier Marchal as Pierre Castaing was good until the last episode as others have said, but that was the writing, not his acting.

Influenced by the, in my opinion, relatively low rating (7.0/10 out of 116 ratings at Aug 28 2021), this series positively surprised me in quite a few matters: reasonable plot (not a whodunit but about the hunt on a horrible child kidnapper), as well as the acting. Very good camera work and direction and some fine music. Exiting and tensive till the end... A recommendation to everyone who likes a solid and firm thriller.

This really can't be compared to Spiral which apparently is from same production team and the reason I watched.

A female police detective who's bad at her job surely isn't the ideal protagonist for this flawed series.

It just about gets to episode five with some credibility before bringing on a series of risible belly laughs - which is obviously not the audience response the producers are hoping for.

Maybe just one day there will be a detective who has a supportive partner, that would be radical. And that is just one of the many cliches that abound in the poor script.

There are many improbable plot twists in French police thriller 'The Promise', but that's just par for the course. Even before things get silly, however, the basic conceit lost me, due to its essential laziness: a policewoman starts digging into crimes her father, also a cop, had previously investigated; and because she cares, she is also right (or at least, more right than anyone else) about everything and thus justified in doing absolutely nothing by the book. There's a good reason we expect our real detectives to be dispassionate, but the opposite state of affairs is so common in television series it's not only inaccurate, but cliched. For me, 'The Promise' never rises about its hackneyed premise.