Il morso del coniglio

What a waste of talent. It's just a silly stupid movie. It was definitely not horrifying, it was just in bad taste. There is a difference. I don't for a minute believe Elizabeth Moss was ever going to make this movie. I think they used that to snooker Sarah Snook into doing the movie and shame on them. I'm sure she was probably also enticed by it being made in her homeland and she was expecting a baby, I think, about that time or just had a baby so there was a lot going on as well as wrapping up "Succession". Anyway I look forward to her future work in worthy pieces.

Be smart. Don't get suckered into lesser works.

I usually like this kind of film and I wholeheartedly went into it since there were only 2 reviews at the time! If I had known that this film is so slow and makes you hoping something, just something please happen, I wouldn't have wasted my time! That's essentially how I feel , that I wasted my time! Even though I have to applaud the acting abilities of the main character and even her daughter the movie just stretched on and on. The film deals with the concept of something bad happened in the past but the main protagonist doesn't remember ( or does she?) We are made believe that the grand mother is evil ( but is she , really?) What role does the grand father play in all this? Without giving anything away there was not much horror and suspense, not enough to keep me from pausing and getting up several times to do chores ! The ending also is very disappointing! Overall the whole film feels spliced together with different people popping in and out at different times and having no impact on the story! I don't think it's worth watching but if you don't mind the slow pace go ahead!

Saw this back at the 2023 Sundance Film Festival.

The story is about a Fertility doctor named Sarah begins her beloved daughter Mia's seventh birthday expecting nothing amiss. But as an ominous wind swirls in, Sarah's carefully controlled world begins to alter. Australian director Daina Reid takes influence on slow-burn artsy style horror movies like "The Babadook" and tries to create a chilly horror story about ghosts, children, and past. However, despite gorgeous camerawork and a great performance from Sarah Snook, "Run Rabbit Run" suffers from inconsistent narrative and uneven pacing. Reid no doubt does offer some interesting ideas and her talents are exposed. But the problem is that the film doesn't have a clear tone what it wants to be and the positive moments are overshadowed by dull writing and really unlikeable characters.

The production design is pretty simple but it helped to create the Australian landscape setting and creepiness. The performances are a mix of good and bad. As I mentioned Snook's performance was excellent as she was able to capture the emotions of her character but the performances from Lily LaTorre and Damon Herriman while they try their best, it didn't work as their performances were over or underacted. None of the characters were really investing and some of them really comes off as frustrating and I wish they were given enough depth but unfortunately had no emotionally barring to connect with. The story provides an interesting concept and scenario but the writing struggles to maintain itself and becomes really bland and predictable. I don't mind slow pace films as I enjoy art-house and slow pace films if the writing was done well. But here, the pacing ruins much of the films tension as the uneven pacing creates more of a dullness experience rather than feeling of being scared. Australian cinema is no strange to horror films as there are some great ones out there but there are also some really garbage ones as well. Here, it's not terrible but it just didn't work for me.

Rating: C.

The writers tried to commingle supernatural elements with psychological thriller elements, in what ended up being a terrible sequence of events. Ultimately I found the story flat and nondescript. With a different set of hands, I think this movie could have been fulfilling and exciting.

Sarah Snook delivers a good, but perhaps unmemorable performance as the troubled mother. It got annoying to hear her shout "Mia!" every five minutes and to see her scold, physically hurt, and discipline her daughter.

Any scenes with Joan or Denise were unsubstantial. Also Mia's drawings added nothing of horror to this picture. It's a rudimentary Netflix-produced movie with a poor script and unexplained symbolism.

While the premise may not have been anything groundbreaking as it resembles films and themes we've seen before, Sarah Snook delivers a sensational and captivating performance that is well worth it. An absolute joy to watch and definitely an actor to keep your eye on in the years to come as she continues to prove herself as one of the most talented actors of her generation. The cinematography is another strong point in this film with Australia playing an impressive part in the mise-en-scene. And hats off to the young Lily LaTorre for her eerie and dedicated performance. It may not be as fast paced of a film as a lot of moviegoers hope for but it offers ample space for the nuanced performances by our two leads.