Jenayat-e bi deghat

Venice 2020 Vol.1: In this shiveringly sinister, darkly multi-layered Iranian film with vomittingly asphxiating long-takes, featuring on 4 ordinary men who take a hateful plot, a cinema full of audiences isn't connected to amicable nostalgia which we desire for under the Coronavirus disaster, but abominable darkness between film and Iranian history, setting a hell fire on our abysmal despair because of Coronavirus.

Do not waste your time on watching this movie. Shahram's worst movie ever. There is no storyline in this movie. Just some plots and a annoying music which makes you play with the remote's control volume all the time.

I am really disappointed.

Careless crime is a step forward for the director Shahram Mokri towards storytelling cinema. It revolves around a controversial tragic event in Iranian modern history and at the same time pays tribute to Iranian art and cinema. Similar to his previous works, the movie starts with a realistic setting in current Iran and points out multiple social and political references, but gradually loses its realism foundations by traversing through time, connected narratives, and time loops. The movie not only shows off Mokri's technical trickery but also manages to keep a deep meaningful connection to social matters in Iran and the middle east. Although the story behind the movie is known and vicious, careless crime suggests the actual winner is always love and cinema.