Un gruppo di studenti delle scuole superiori con ottimi risultati che affrontano la sfida più grande: un insegnante che vuole che si concentrino meno sui voti e più sull'esperienza della vit... Leggi tuttoUn gruppo di studenti delle scuole superiori con ottimi risultati che affrontano la sfida più grande: un insegnante che vuole che si concentrino meno sui voti e più sull'esperienza della vita.Un gruppo di studenti delle scuole superiori con ottimi risultati che affrontano la sfida più grande: un insegnante che vuole che si concentrino meno sui voti e più sull'esperienza della vita.
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The biggest loss of this show, it's presentation is that it isn't set in NYC any longer. It's moved to the Bay Area, so it might as well be Saved by the Bell: The HBO Years. Actually, I'll take it back, Saved by the Bell reboot is lightyears ahead of this.
The kid characters are just bland, they are all interchangeable with one another.
As for Isabella Gomez, as great as she was on the reboot of One Day At A Time, she is so much bleh here. And the go to woman when you need mean on a sitcom Christa Miller, she just falls flat. And bringing in Robin Givens for a single episode and her character is sooooooo far away from Darlene in the original series, it just hurts, yes, people change over the years, but not to the point they would be totally unrecognizable as the same character 30 years later.
At the end of the day, whoever at Warner approved this, needs to be taken out back and shot. Either that, or you pull the series for a year, rework it. Put it back in NYC, besides the fact the city lends itself more to diversity than the Bay Area, used correctly, NYC in and of itself is a character. Plus it makes it easier to have various character call backs even if they don't appear on the show.
Seth Cohen, Michael Elias. And Rich Eustis dropped the ball on this reboot. They don't get the good of the series, and have written episodes that aren't even memorable in any way, shape or form.
The kid characters are just bland, they are all interchangeable with one another.
As for Isabella Gomez, as great as she was on the reboot of One Day At A Time, she is so much bleh here. And the go to woman when you need mean on a sitcom Christa Miller, she just falls flat. And bringing in Robin Givens for a single episode and her character is sooooooo far away from Darlene in the original series, it just hurts, yes, people change over the years, but not to the point they would be totally unrecognizable as the same character 30 years later.
At the end of the day, whoever at Warner approved this, needs to be taken out back and shot. Either that, or you pull the series for a year, rework it. Put it back in NYC, besides the fact the city lends itself more to diversity than the Bay Area, used correctly, NYC in and of itself is a character. Plus it makes it easier to have various character call backs even if they don't appear on the show.
Seth Cohen, Michael Elias. And Rich Eustis dropped the ball on this reboot. They don't get the good of the series, and have written episodes that aren't even memorable in any way, shape or form.
Once again Hollywood proves theres nothing new under the sun. They took a good show from the 80's with Howard Hessman, and they ruined it with bad acting and bad jokes. Not that the old Head of the Class show was the best acting, but it was waaaaaay better than this. It feels like youre watching a bad Disney tv show for eleven year olds. Its a good premise for a show in my opinion. I loved Head of the Class in the eighties because I was also in a gifted program and we all enjoyed watching the show back then. But this stuff theyre making now.... It seems like its all about making bad jokes with bad timing and bad acting. I was so excited when I saw a new Head of the Class was coming out. But this was unwatchable.
Alicia Gomez is the new young teacher of a honors class at Meadows Creek High School. It's a group of young smart students struggling to find their place in the world.
The original 80's show was one of my favorites for a short time. I love Simone and just about everyone in the class. I love Howard Hesseman from WKRP and his teacher-knows-best character. I love them so much that the show started losing me when they slowly lost some of the kids. Quite frankly, these new kids are all various shades of annoying. They are all cut from the same Disney-Nickelodeon teen character mold. It takes a few episodes to get used to their friendships. Robin Givens has a cameo in this one as a mom. At the end of the day, these are not appealing characters and therefore non of this is compelling. Even the teacher is almost as childish as the kids. Then there is the pilot trying to tackle cancel culture. I don't think anybody wants that... on both sides. The show keeps trying to annoy me more than entertain me. Its only hope is the tween audience of its target. I don't think that they would like this either and I don't think HBO is the place for them. Some exec must have the idea of scattershot programming.
The original 80's show was one of my favorites for a short time. I love Simone and just about everyone in the class. I love Howard Hesseman from WKRP and his teacher-knows-best character. I love them so much that the show started losing me when they slowly lost some of the kids. Quite frankly, these new kids are all various shades of annoying. They are all cut from the same Disney-Nickelodeon teen character mold. It takes a few episodes to get used to their friendships. Robin Givens has a cameo in this one as a mom. At the end of the day, these are not appealing characters and therefore non of this is compelling. Even the teacher is almost as childish as the kids. Then there is the pilot trying to tackle cancel culture. I don't think anybody wants that... on both sides. The show keeps trying to annoy me more than entertain me. Its only hope is the tween audience of its target. I don't think that they would like this either and I don't think HBO is the place for them. Some exec must have the idea of scattershot programming.
I try every now and again to watch- or should I say come across- today's "sitcoms" like most today this one is woefully unfunny with terrible acting and direction. Obviously there are just no jokes or situations to write anymore for laughs. So sitcoms or their attempts should just die a quick death - please!
Who Da f comes with these and actually spend millions of dollars to produce drives like these. Even I don't bull**** this much on my university papers. 🤣
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- ConnessioniRemake of Segni particolari: genio (1986)
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