VALUTAZIONE IMDb
6,4/10
8009
LA TUA VALUTAZIONE
C'è un solo sogno per le donne di Ballygar per assaporare la libertà: vincere un pellegrinaggio nella sacra città francese di Lourdes.C'è un solo sogno per le donne di Ballygar per assaporare la libertà: vincere un pellegrinaggio nella sacra città francese di Lourdes.C'è un solo sogno per le donne di Ballygar per assaporare la libertà: vincere un pellegrinaggio nella sacra città francese di Lourdes.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 candidature totali
Eric D. Smith
- Daniel Hennessy
- (as Eric Smith)
Brenda Fricker
- Maureen
- (voce)
Luke Jackson Smith
- Patrick Dunne
- (as Luke Smith)
Rosemary Henderson
- Nun 1
- (as Rose Henderson)
Recensioni in evidenza
The Miracle Club is a well-made movie about three generations of women coming to terms with the past. As part of their pursuit of healing from physical or emotional wounds, they take advantage of winning tickets for a journey to Lourdes, the beautiful city at the base of the Pyrenees Mountains. Many people, especially Roman Catholics, believe that miraculous healings take place at Lourdes. And our three women have high expectations that they will experience their own miracles.
The movie approaches the story with restraint, and it intimately explores the relationships between the women. Faith and forgiveness are solid themes; consequently, the tone is often sombre and reflective. But moments of humour and warmth peek through, avoiding excessive melancholy.
The best thing about The Miracle Club is the actors who portray the three women - Laura Linney, Maggie Smith, and Kathy Bates. These three seasoned actors never miss a beat. You can feel the chemistry between them. Their characters are well-developed and relatable, and each one of them gives an outstanding performance.
The direction makes the most of the intimate setting, and the musical score is understated but effective, adding to the sombre tone of the story. The cinematography provides stunning backdrops to the drama going on with the three women. The use of colour is subtle and effective, and the story moves along at a steady pace. The dialogue is well-written, natural, and feels authentic.
After watching The Miracle Club, I felt reflective and introspective. The movie's exploration of faith and healing was well-handled and made some subtle points about what it might mean to be healed in ways that were not miraculous but were more focused on forgiveness. Too many people look for miracles rather than focusing on their close-to-home relationships that, if healthy, can bring emotional healing. And sometimes, we need to accept that not everything can be rectified, and we need to accept what we cannot change.
The Miracle Club had the potential to tip over into saccharine and sentimental drama. But fortunately, this is avoided and is, overall, a well-made, well-acted movie with a solid plot and relatable characters. While it doesn't reach the level of greatness, I'd recommend it to anyone who loves character-driven drama and solid storytelling.
The movie approaches the story with restraint, and it intimately explores the relationships between the women. Faith and forgiveness are solid themes; consequently, the tone is often sombre and reflective. But moments of humour and warmth peek through, avoiding excessive melancholy.
The best thing about The Miracle Club is the actors who portray the three women - Laura Linney, Maggie Smith, and Kathy Bates. These three seasoned actors never miss a beat. You can feel the chemistry between them. Their characters are well-developed and relatable, and each one of them gives an outstanding performance.
The direction makes the most of the intimate setting, and the musical score is understated but effective, adding to the sombre tone of the story. The cinematography provides stunning backdrops to the drama going on with the three women. The use of colour is subtle and effective, and the story moves along at a steady pace. The dialogue is well-written, natural, and feels authentic.
After watching The Miracle Club, I felt reflective and introspective. The movie's exploration of faith and healing was well-handled and made some subtle points about what it might mean to be healed in ways that were not miraculous but were more focused on forgiveness. Too many people look for miracles rather than focusing on their close-to-home relationships that, if healthy, can bring emotional healing. And sometimes, we need to accept that not everything can be rectified, and we need to accept what we cannot change.
The Miracle Club had the potential to tip over into saccharine and sentimental drama. But fortunately, this is avoided and is, overall, a well-made, well-acted movie with a solid plot and relatable characters. While it doesn't reach the level of greatness, I'd recommend it to anyone who loves character-driven drama and solid storytelling.
The Miracle Club is a small movie about several ladies from Ireland set during the 1960's who win a pilgrimage trip to Lourdes in France. Maggie Grace, Kathy Bates, and Agnes O'Casey have great chemistry to come together in order to win a trip of a lifetime meanwhile Laura Linney returns home to attend her mother's funeral. Each of the ladies are looking for a miracle to either cure a physical ailment or to help with their emotional breakdown. These academy award nominated and winning actors were enjoyable to watch, the movie was well received with great direction and cinematography. Stephen Rea also joined the cast as Gates no good husband who took his wife for granted. I would definitely recommend this Thaddeus O'Sullivan film for the whole family to enjoy.
I wasn't sure what to expect from The Miracle Club, I just knew with a cast that included Maggie Smith, Kathy Bates and Laura Linley that I had to watch it. I was not disappointed in the slightest.
It is a lovely story about a friendship, past mistakes, love and forgiveness.
The casting is brilliant and as usual Smith, Bates and Linley give magnificent performances.
It tells the story of woman who returns to her home village after 40 years away, to attend the funeral of her mother whom she has not seen in all those years. She is met with hostility from her old friend and the mother of her long lost love.
It culminates with them taking a trip to Lourdes all in search of their own miracle.
I really feel honoured to have watched this film and really did not want it to end.
It is a lovely story about a friendship, past mistakes, love and forgiveness.
The casting is brilliant and as usual Smith, Bates and Linley give magnificent performances.
It tells the story of woman who returns to her home village after 40 years away, to attend the funeral of her mother whom she has not seen in all those years. She is met with hostility from her old friend and the mother of her long lost love.
It culminates with them taking a trip to Lourdes all in search of their own miracle.
I really feel honoured to have watched this film and really did not want it to end.
Four ladies from Balllygar, Ireland join a travel group going to Lourdes hoping for personal miracles to happen. That's it in a nutshell, but on the other hand it says almost nothing about the substance of this warm and mostly gentle film. An exceptional cast (Maggie Smith, Laura Linney, Kathy Bates, Agnes O'Casey and many fine supporting players) leads the way. These four have a complicated mutual history the threads of which intertwine and finally resolve in unlooked-for mutual forgiveness which, if there is one, is the actual miracle. They heal each other, and that's the message.
Kathy Bates and Maggie Smith do their best with strong Irish accents -- though I was left wondering why native Irish actors weren't picked (maybe the producers just wanted the star power). You might expect that Maggie Smith would steal the show, as she can do with almost anything, but she turns out to have the restraint necessary to make this a true ensemble piece. And it's actually Chrissie (Laura Linney's part) who turns out to be the crucial role in the story. Enjoy.
Kathy Bates and Maggie Smith do their best with strong Irish accents -- though I was left wondering why native Irish actors weren't picked (maybe the producers just wanted the star power). You might expect that Maggie Smith would steal the show, as she can do with almost anything, but she turns out to have the restraint necessary to make this a true ensemble piece. And it's actually Chrissie (Laura Linney's part) who turns out to be the crucial role in the story. Enjoy.
Unusually positive movie of happy endings without becoming syrupy or preachy. Starts a bit slow and contrived, but becomes engaging after the bus to Lourdes departs and a web of hidden relationships and past sins are gradually are explained. Unusual film in that it displays almost an overdose of vivid Catholic imagery. Includes a priest who's a likeable, normal guy. Its portrayal of 1960's Ireland was a fascinating historical throwback. Irish accents were pretty thick. I wish I could have watched with subtitles on because I could not understand some key moments of dialogue. Based on others reactions in the theater, I don't think I was alone in this.
Lo sapevi?
- QuizProducers Joshua D. Maurer and Alixandre Witlin have been trying to make this project for over 18 years. The project was originally sold by Maurer to HBO in 2005 with writer James Smallhorne also attached to direct with a cast that included Maggie Smith, Kathy Bates, Joan Allen, Claire Danes and Brenda Blethyn, but the project did not go forward. Maurer and Witlin never gave up hope or faith in the film and continued year after year after year to find the financing to make this movie. After getting constant rejections, Maurer and Witlin finally found interest from Lionsgate UK and Embankment to finance based on an extensive rewrite that Maurer authored in collaboration with Tim Prager, whom Maurer hired. Maurer and Witlin then used this new draft to get commitments from Smith, Bates and Linney. In addition, Maurer and Witlin then hired director Thaddeus O'Sullivan and UK producer Chris Curling and together they brought on and hired Irish producers ShinAwil and BCP. The film was then further delayed due to COVID three more times.
- BlooperThe characters are said to live in Ballygar. Yet, Lily walks to a seaside shrine to the son drowned in the sea. Ballygar is more than 30 miles from the sea.
- Citazioni
Father Dermot Byrne: You don't come to Lourdes for a miracle ... You come for the strength to go on when there is no miracle.
- ConnessioniReferences Bernadette (1943)
- Colonne sonoreHe's So Fine
Words and Music by Ronald Mack (as Ronald L Mack)
Performed by Kathy Bates (uncredited)
Published by Harrisongs Ltd
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Dettagli
Botteghino
- Budget
- 8.900.000 € (previsto)
- Lordo Stati Uniti e Canada
- 2.402.780 USD
- Fine settimana di apertura Stati Uniti e Canada
- 664.607 USD
- 16 lug 2023
- Lordo in tutto il mondo
- 7.498.671 USD
- Tempo di esecuzione1 ora 30 minuti
- Colore
- Proporzioni
- 2.35 : 1
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