Capra cu trei iezi

A very good film with few actors.

Very well played, the script is simple and effective.

Maybe for some who watch the movie it seems too harsh.

Ion Creanga's story is really hard, many have probably overlooked it.

I read again the story, the text in the movie is almost identical to the one in the story.

Maybe some people want spectacular effects, this movie is not for them.

I hope more films like this are made, it is needed.

The footage is very good, of high quality, despite the low budget of the film.

It is only a beginning for such films, it has been shown that it is also possible.

I watched the director's interview, it has potential.

Of course, there will also be active hatters, who probably criticize any film, nothing satisfies them.

Saw this movie at the cinema last night with my wife and we wore absolutely mesmerized by the amazing nature shots, the overall mood of this movie. I think this is more than just a horror story, it's a slice of the Romanian life in the mountains in the middle of nature.

I'd categorize this movie in the Folk Horror genre and it's a fresh approach for the romanian cinematography.

As a foreigner you will feel even more intrigued not knowing the centuries old folk story that we wore told as kids from generation to generation.

Enjoy this gem ! And remember: never open the door to a stranger, you'll never know what can happen.

Movie trigger warnings: bullying, sexism, (mild) domestic abuse, sexual assault.

Number of jumpscares: 0.5 (literally barely a jumpscare once)

Review: Honestly one of the best pieces of Romanian cinema I've seen until now, and just a really good horror/thriller movie. It captures really beautifully what it meant to live in the 19th century rural Romania, along with the accurate traditional house, cutlery and clothes.

The two main actors are absolute legends, and the kids do an amazing job.

The filming is pretty well done, with very desaturated colors pushing the difficult lifestyle of the poor family.

Editing is decent, a few fast cuts here and there, but nothing to be offended by.

Sound design is pretty good, the soundtrack being played on traditional instruments, only note would be that at times you can't hear the dialogue due to the music being quite loud.

All in all, a pretty dope watch, biases aside, a solid 8/10.

One of few romanian horrors, but exceptional. The director knows exactly what he wanted: to show everyone how romanian people were struggling to live everyday, in the 19th century (but no difference even with earlier times), surrounded with traitors and enemies. Even if it's inspired from a romanian story, the caracters are transformed into humans and reveals that we are the most dangerous beings, and human nature goes hand in hand with destruction (and revenge). For a romanian who knows the story, the movie can be boring - i think, BUT, for someone who doesn't - i recommend. It's one of those horrors that u will never forget, even if it's a low budget movie without great effects. It's one for the foreigners, so if u are NOT a romanian, press play, and u won't regret it!!!

In my case, the kick to see this film was the hard work , the impressive perseverance of Victor Canache to make it. A beautiful effort, two well known Romanian actors, two local boys from village offering a decent job, one , Antonio Gavrila offering a nice surprise for his good acting and inspired music and cinematography.

It is adaptation, faithfull in good way to a so familiar folk story by Ion Creanga. A story absolutely creepy in details, part of many Romanian childhood memories.

I am far to consider this film a masterpiece or be very critic about it. I am doubts than it is a real horror. Yes, the dialogue sounds not so good but , being a familiar one, it is just difficult to impress. But it represents more than good intentions. It is, in essence, a good first step , the potential of Romanian folk literature, fairy tales or balads being just generous.

Is it a orror ? I am not real convinced about this few scenes being more crowned by my smiles.

But it is more than a decent film and, for few reasons, it can be defined as temerary.

It is a honest perspective about social realities, offering decent portrait of single mother of isolated place, the realistic image of alliance relative hoping conquer the heart of widow and, rejected being, his terrible, sadistic revenge.

In some measure, the revenge, against fate, against the answer of woman affecting the ego of pretender, the revenge of painful mother are the basic pieces defining this film.

The good memory, for me, about the film, is represented by the first scenes - the fire affecting the grenary as first sign of a story of sufference.

The kids are just good, maybe better than Maia Morgenstern and Marius Bodochi, captives of their theatral skills and front to not very easy text for its stringency.

Critics - the mixture of pieces of popular clothes from different regions of Romania. The cross on wall, covered by blood and Lupul making a gesture who reminds shfeshtania in Greek Orthhodox confession , having the status very closed by blasphemia in this case.

In hort, with not so reduced reserves, a sort of well done for Victor Canache and his team, for their significant sacrifices to made this film .