Albatross

Albatross is a stunning slice of cinema appealing to both the viewer's visual sensibilities and musings of the mind. It's themes are varied and provocative and director Myles Yaksich succeeds in communicating complex subjects in an elevated and intriguing artistic manner. Moments of comedy alleviate stronger themes with light-hearted reprise and overall the piece stylistically presents an opportunity to challenge one's own perspective's of the present by experiencing the questions of characters from another time.

Toss in some vintage Douglass Sirk, a dash of Todd Haynes, a dollop of Mamet'esque/James Ellroy snappy dialogue & you have the Albatross aesthetic:)

This is a brilliant, original film that manages to achieve a varied array of tonal shifts that go from creepy & hallucinatory to Merchant/Ivory class study... Obviously, others will have problems with the fact the film isn't declaring itself as just 'one thing': thriller, horror, LGBT, romance, etc. The filmmaker has created a most fascinating mise en scene in this multi-character study, which vacillates from a 'coming out of the closet' to Cassavetes- like journey of personal discovery with Katherine Gauthier (a star in the making, her performance is brilliant here) as the Gena Rowlands like heroine... Combine that w/ an almost Mamet-esq cadence & witty banter, however Boston Brahmin instead of Chicago. Yes, after a few viewings, once the clever tonal audacity has settled, one can easily spot a plot hole or two, but it should not deter any cinephile from really discovering a new voice in Film.

It's my sincerest hope Director (obviously w/ an incredible background in Production Design as he put his talents to work turning his parents humble abode in Ontario to a swank mansion of sorts... all on a shoestring during COVID), Myles Yaksich gets to make another film w/ more tools at his disposal. He's an amazing talent & can't wait to see what he does next!

The movie "Albatross" is in simple words a disaster. The plot doesn't make sense, the dialogues are empty and laughable, and the acting could not be better due to such a poor script.

Director and writer Myles Yaksich tries to create a complex, dramatic, and suspenseful movie but gets lost in the excess. All the characters seem so out of place that it's impossible to create a relationship between them. It's really hard to understand why a young couple ends up having dinner with a dysfunctional family and worst how the young author ends up having a psychiatry session during their dinner. Those are just some examples of absurdities in the movie. The director also fails miserably to discuss the themes of homosexuality and racism during the 50s in America.

NOT recommended at all.

The bad: C-listed actors. Yes, that's the really bad part about this "movie".

More bad: this is simply yet another cheaply made television product sold to us viewers as a "movie", but it doesnt even come close to being a movie.

No suspense. No drama. No spark or punch. Totally BLAND.

I found this film to be quite bizarre at first. Wasn't sure where it was going in the first segment of it.

But as it continued, I began to understand that the film is a bit like peeling an onion. You find more and more layers, and begin to see how these people are each connected to each other. I definitely enjoyed that aspect of it. It all takes place in one night in one location. Not sure if that's due to the budgetary or what, but it didn't feel claustrophobic on my viewing.

The themes seem to resonate with topics that we are all chatting about today. I enjoyed getting a perspective on those topics from the past.

The performances were fun even though I didn't recognize any of the actors... I still got into the story.

Visuals were fun and impressive despite being in one house. Reminded me of Who's afraid of Virgina Wolf.

Sound and music were excellent.

Perhaps not a film for everyone, but I very much enjoyed it.