Frank e Lola

I've heard of this film but never decided to check it out. Now that I sometimes go the library (who even does this?) to rent movies I saw it and picked it up. The first intriguing thing about this film were all the very positive reviews for the director, the cast, the style and the deliver of the plot. I don't see Imogen Poots in many things but there is definitely talent there. Don't get me started on Michael Shannon. He blows you away in Take Shelter, and did a fantastic job on Boardwalk Empire. The pairing seemed a little odd at first but you soon realize how greatly they are able to complement each other.

This film is about a jealous and possessive man and a damaged and lonely girl who fall for each other and their oft volatile relationship when its being tested. Frank (Shannon) starts suspecting Lola of an affair and it starts to consume him, while Lola (Poots) tries to cover what she's doing by not being straight up with Frank. Problems ensue, and we are in for a pretty riveting time. I'm not going to praise Shannon anymore but I do have to say he is great in a inquisitive and jealous lover role. Lies are exposed and you can't help but feel a connection with both leads despite their very overt flaws.

Director Matthew Ross is clearly influenced by a few directors works and it shows. I got a few Brian De Palma and Hitchcock feels although many others would probably claim different influences. The films is slightly erotic, moody, and makes you question what the truth is. Ross never really outwardly lays the plot in front of you and let it marinate. Each minute that goes by you can't help but second guess what you previously thought.

Its a really promising debut for someone that I've previously never heard of. The film is quite short but a satisfying portrayal of a relationship that is marred by jealousy, paranoia, and angst. It's not exactly what I expected but I did really enjoy this outlook. Relationships are not always easy peasy and sometimes its nice to get a take of a film that revolves around sex and the possibility of cheating, Seek this one out and watch it, its worth your time.

7.5/10

I'm a fan of Michael Shannon, but he is nobody's idea of a sex symbol. While a fantastic character actor, he doesn't do well in leading roles.

This film is full of cliche's yet manages to go exactly nowhere -- and slowly.

Michael Shannon, one of my favorite actors, works a lot and takes chances with inexperienced directors so there are bound to be some misfires. Frank and Lola is definitely one of the misfires.

Director and writer Matthew Ross blew the beginning and tried to compensate for this early mishap in the editing room. The first twenty minutes, improperly composed, distract from essential character and relationship development necessary to the story's foundation. It is as though a slingshot is never quite pulled back and so the stone simply dribbles to the ground, missing its target.

The actors can not be faulted, the premise is intriguing and the potential for an unusual, impactful film exists here. It is just a disappointment that it never comes together despite the great actors involved.

I do not recommend this film. The theme of trust in relationships in a story involving jealousy and sexual intrigue should be much more compelling.

Frank & Lola is essentially a story about the relationship between the two main characters, Frank and Lola. To give anymore details about the plot would be to spoil major events in the film, which are better left unexpected.

Having seen a fair share of thrillers, this movie does not have a lot of new plot points to show. However, the way characters play them out is what brings this movie above an average thriller. Michael Shannon and Imogen Poots understand their characters quite well and have great on-screen chemistry. Even the secondary characters all play their roles convincingly. When I saw Justin Long had a small part in this movie, I thought I would hate his character since he usually cannot play a dramatic role well. But he plays a sleazy business man and does a fine job.

To pinpoint the genre of this film is nearly impossible. It is definitely a thriller on some levels, but not wholly. There are good romance scenes but also heavy dramatic dialogue. There are traces of film-noir but not enough to consider it a modern noir. The film struggles a bit because it tries to fit so many elements in such a short time.

From a technical standpoint, the team did not try to do anything out of the ordinary. The direction was good. Cinematography was quite basic. The editing was standard except for one scene where there was a strange editing choice that didn't seem the fit with the flow of the movie. If you don't normally pay attention to the technical side of film, you probably won't notice anything inherently wrong.

Overall, if you like thrillers in general or character-driven stories with some depth to them, this is a good indie film to check out.

Greetings again from the darkness. Michael Shannon continues to be one of the most interesting actors working today. In this first feature from writer/director Matthew Ross, Mr. Shannon is the titular Frank, and his pained facial expressions elevate this neo-noir into a dark and intriguing exposition on male obsession and sexual jealousy.

The abrupt opening scene finds Frank and Lola (Imogen Poots) frolicking in bed after obviously just meeting for the first time that evening. We (and Lola) know we are in for something a bit different when Frank slams on the breaks and states, "Maybe we should wait until next time." Lola is taken aback, and we are soon watching this relationship develop … while simultaneously noting the subtle signs of troubled pasts for each of them.

Frank is a talented French chef and Lola is just starting her career as a fashion designer. His dark side flashes a bit more often, but before Lola ever comes clean, we realize there is unhappiness in her past. They seem to be two tortured souls in a jinxed relationship.

Filmmaker Ross keeps us (and Frank) on our toes as the script seems to continually offer yet another deeply held secret or mysterious character. Justin Long plays Lola's new employer, while the rarely-seen-these-days Rosanna Arquette plays Lola's name-dropping mother. However, it's Michael Nyquist (so great in The Girl with the Dragon Tattoo) as the suave Frenchman with ties to Lola's past and present that really makes things interesting … and somehow even darker. His wife is played by the terrific French actress Emmanuelle Devos. Her screen time is limited, yet crucial.

The film was well received at Sundance, and it shares the creepiness of such films as Basic Instinct, Body Heat and Night Moves. Rarely do contemporary movies go as deep into the male psyche of obsession as this one, and the throw-back atmosphere is a perfect fit for the tone. Not many actors simmer like Michael Shannon, and the story offers him the perfect vehicle to remind us that everyone longs to be loved - even when we aren't sure we deserve it.