Una raccolta in tre capitoli della vita di un uomo comune di nome Charles Krantz.Una raccolta in tre capitoli della vita di un uomo comune di nome Charles Krantz.Una raccolta in tre capitoli della vita di un uomo comune di nome Charles Krantz.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 4 candidature totali
Saidah Arrika Ekulona
- Andrea
- (as Saidah Ekulona)
Recensioni in evidenza
There is a concept here about the truth: we live, and then we die, and because I know it's a movie based on a story by Stevn King it has me asking the question: which am I more afrriad of?
I know the ambiguous trailer did not seem like anything you would expect from a Steven King movie, but what I got is exactly why this dude is The Master of Horror.
Maybe I am reading too much into a film, possibly influenced far greater by Mike Flanagan's filmmaking, yet the emotion I felt for this movie was deep.
That's the brilliance of this movie, I felt something at the end, and it made me think, and it was beautiful for that.
It's everything I expected from a movie/
I know the ambiguous trailer did not seem like anything you would expect from a Steven King movie, but what I got is exactly why this dude is The Master of Horror.
Maybe I am reading too much into a film, possibly influenced far greater by Mike Flanagan's filmmaking, yet the emotion I felt for this movie was deep.
That's the brilliance of this movie, I felt something at the end, and it made me think, and it was beautiful for that.
It's everything I expected from a movie/
I went into this with no idea about what this film was about, other than it was supposedly life-affirming and feel-good.
The structure of the movie wasn't something I expected, but understand the intentions. The movie starts with the 3rd act, which is completely detached from the bulk of the movie. I don't want to add spoilers, so won't go into too much detail but to me, this 3rd act sets up a completely different movie to the one that plays out. Again, I understand the intentions, but I was ready for a completely different type of movie by the end of the 3rd act.
Acts 1 & 2 are great and more in-fitting with what I presume are the intentions of the story, but even here, I wouldn't say "life-affirming" or "feel-good" are the emotions I left with. In the end I left with melancholy and sadness, both at the story of Chuck, but also what this movie could have been.
Production, acting and cinematography are all excellent, so no complaints there. It's just that 3rd act at the beginning that threw me. As I said above, I was ready for a totally different type of movie, which I think would have been far more interesting to explore i.e. - end of the world and, rather more interestingly, not setting up a complete hellscape/dystopia, but instead seeing individual and society's reactions as they try to cling on to normality and watching things evolve as things progressively decline.
On the whole, I enjoyed this film, but I didn't "love" it, nor would I sing its praises too much if quizzed about it.
The structure of the movie wasn't something I expected, but understand the intentions. The movie starts with the 3rd act, which is completely detached from the bulk of the movie. I don't want to add spoilers, so won't go into too much detail but to me, this 3rd act sets up a completely different movie to the one that plays out. Again, I understand the intentions, but I was ready for a completely different type of movie by the end of the 3rd act.
Acts 1 & 2 are great and more in-fitting with what I presume are the intentions of the story, but even here, I wouldn't say "life-affirming" or "feel-good" are the emotions I left with. In the end I left with melancholy and sadness, both at the story of Chuck, but also what this movie could have been.
Production, acting and cinematography are all excellent, so no complaints there. It's just that 3rd act at the beginning that threw me. As I said above, I was ready for a totally different type of movie, which I think would have been far more interesting to explore i.e. - end of the world and, rather more interestingly, not setting up a complete hellscape/dystopia, but instead seeing individual and society's reactions as they try to cling on to normality and watching things evolve as things progressively decline.
On the whole, I enjoyed this film, but I didn't "love" it, nor would I sing its praises too much if quizzed about it.
Adapting Stephen King to the screen is a tricky proposition and has rarely been successful. With the exception of Carrie (the original Brian DePalma is a horror classic) and possibly Kubrick s The Shining (which gets better with age and when looked at through an auteur's lens) the only successful adaptations IMHO have been his short stories and novellas (The Body/Stand By Me and Shawshank come immediately to mind). Life of Chuck falls into the latter category. In addition to being well written and acted, the telling of the story in reverse is generally difficult, and in this outing is surprisingly effective. And it's fun finding the Easter Eggs in the third part of the movie that explains much of the action in the first part.
I really liked this, though I fear it will be divisive. Nonlinear (or counter linear?) storytelling is not everyone's cup of tea. My husband hated it until I told him it's a Mike Flanagan movie (we're fans) and it then made sense. As mentioned, well acted. Well written. Well directed. Prettily photographed. The end of the first portion is a surprise (I will not give it away) that ties all three parts together.
IMO it's a worthwhile two hours spent in the dark with a room full of strangers.
I really liked this, though I fear it will be divisive. Nonlinear (or counter linear?) storytelling is not everyone's cup of tea. My husband hated it until I told him it's a Mike Flanagan movie (we're fans) and it then made sense. As mentioned, well acted. Well written. Well directed. Prettily photographed. The end of the first portion is a surprise (I will not give it away) that ties all three parts together.
IMO it's a worthwhile two hours spent in the dark with a room full of strangers.
I so very much enjoy Tom Hiddleston in films. Karen Gillan is also a treat to watch in selected films. The rest of the cast is worth more than an honorable mention alone, as many familiar faces grace the screen (especially toward the beginning of the film). Lastly, I tend to love this 'type' of movie. I can't give too much away without using a spoiler tag, but if you watch the interview(s) with the cast featured here on IMDB, you'll know what "type" I am referring to. I wonder if I can get away with 'apocalyptic', since that is a word straight from one of these interviews.
That said ... it was a bit of a letdown for me.
The beginning was slow, but it was good. It built an expectancy toward so much more and a feeling that it was going to get so much better. Sadly, that was never fully realized or delivered.
Beginning in the second act, the film definitely starts to bog down and suffers from side or follow-up scenes that are just way too long and a bit far-fetched. The narration, too, is used far too often to the point of it just about verging on annoying.
By the third act, when they begin to introduce what is supposed to be the point of the entire thing, it has already been too bogged down by too much of not enough - if that makes sense. While the child actor is adorable and does so well, here too the movie just drags.
Moreover, everything is so overly-EXPLAINED. It's kind of like Flanagan did not trust the audience to understand what was happening, so either the narrator or characters went to great lengths to explain every detail. Well, while some may disagree, I believe audiences are more intelligent than this film gives them (us) credit for.
Sorry Mike Flanagan fans, but this is the third time I have been let down by one of his offerings. :(
That said ... it was a bit of a letdown for me.
The beginning was slow, but it was good. It built an expectancy toward so much more and a feeling that it was going to get so much better. Sadly, that was never fully realized or delivered.
Beginning in the second act, the film definitely starts to bog down and suffers from side or follow-up scenes that are just way too long and a bit far-fetched. The narration, too, is used far too often to the point of it just about verging on annoying.
By the third act, when they begin to introduce what is supposed to be the point of the entire thing, it has already been too bogged down by too much of not enough - if that makes sense. While the child actor is adorable and does so well, here too the movie just drags.
Moreover, everything is so overly-EXPLAINED. It's kind of like Flanagan did not trust the audience to understand what was happening, so either the narrator or characters went to great lengths to explain every detail. Well, while some may disagree, I believe audiences are more intelligent than this film gives them (us) credit for.
Sorry Mike Flanagan fans, but this is the third time I have been let down by one of his offerings. :(
I went into The Life of Chuck knowing nothing about it other than it being a Stephen King novella.
I assumed the movie was going to be horror, and I was so wrong, in the best way. Mike Flanagan was a director I was unfamiliar with as well - so my expectations were really empty.
That being said - The Life of Chuck took the beats of what makes a great horror film - fleshed out and relatable characters with a unique and mysterious situation to put them in.
I want to leave my critique relatively vague as I believe the hook of the film works best going in without knowing much.
I left the film feeling a mix of joy and melancholy and appreciated the artistry that brought me there.
I do recommend.
I assumed the movie was going to be horror, and I was so wrong, in the best way. Mike Flanagan was a director I was unfamiliar with as well - so my expectations were really empty.
That being said - The Life of Chuck took the beats of what makes a great horror film - fleshed out and relatable characters with a unique and mysterious situation to put them in.
I want to leave my critique relatively vague as I believe the hook of the film works best going in without knowing much.
I left the film feeling a mix of joy and melancholy and appreciated the artistry that brought me there.
I do recommend.
Mike Flanagan's Top 10 Movies
Mike Flanagan's Top 10 Movies
Prepare for a series of unexpected curveballs as writer-director and horror specialist Mike Flanagan shares his top 10 movies.
Lo sapevi?
- QuizThis marks Mia Sara's return to acting since 2013. She had retired but told filmmaker Mike Flanagan she would return to acting for him after watching Midnight Mass (2021).
- BlooperTutte le opzioni contengono spoiler
- Citazioni
Charles 'Chuck' Krantz: I will live my life until my life runs out.
- ConnessioniFeatures Fascino (1944)
- Colonne sonoreGimme Some Lovin'
Written by Spencer Davis, Steve Winwood and Muff Winwood
Performed by Steve Winwood
Courtesy of Wincraft Music Inc
By arrangement with Kobalt Music Group
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 6.712.600 USD
- Fine settimana di apertura Stati Uniti e Canada
- 224.585 USD
- 8 giu 2025
- Lordo in tutto il mondo
- 13.081.480 USD
- Tempo di esecuzione
- 1h 51min(111 min)
- Colore
- Mix di suoni
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