Uscito nel 2016 ed è stato proiettato nei cinema iraniani e il suo argomento riguarda la gelosia delle donne, la società e le condizioni di vita in Iran.Uscito nel 2016 ed è stato proiettato nei cinema iraniani e il suo argomento riguarda la gelosia delle donne, la società e le condizioni di vita in Iran.Uscito nel 2016 ed è stato proiettato nei cinema iraniani e il suo argomento riguarda la gelosia delle donne, la società e le condizioni di vita in Iran.
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It got worse and worse. It started out ok. There were a few instances of context that are not in Dickens, references to opium and the slave trade, and there was some clunky dialogue where women explained they were not ok with second class citizenship. That was ok. I felt it was unnecessary personally but I can see the temptation to make obvious to a modern audience what is implied or inferred.
By episode three it went off into scenes that are not in the book in any way and dialogue that has nothing to do with the novel. It is also slow paced. So much plodding music and a brooding boy. Makes you wonder why it was made.
By episode three it went off into scenes that are not in the book in any way and dialogue that has nothing to do with the novel. It is also slow paced. So much plodding music and a brooding boy. Makes you wonder why it was made.
I have to be honest, I groaned when I heard that this was being remade, with the array of possibilities, this seemed like a very uninspired choice.
I am curious as to some of the one and ten star ratings, neither made any sense to me at all, I simply don't see how it can evoke such strong feelings either way.
The word that came to my mind, was predictable, from the casting, to the visuals, right down to the presence of Olivia Colman, it's almost as if The BBC has tried to go right back to basics, but they've just missed the mark.
As you'd expect from The BBC it's very well made, it's also very well acted, no issue with either quality, but it just lacked something, I can't say I feel enthralled by further episodes. It's guilty of being dull.
It feels so unnecessary , and it is by far the weakest made for television adaptation to date, I grew up as a kid with the terrific adaptation starring Anthony Hopkins and Jean Simmons, it never left me, I find it hard to picture this leaving such a mark on anyone.
It looks great, some of the language used feels out of place, but it lacks any real sparkle.
5/10.
I am curious as to some of the one and ten star ratings, neither made any sense to me at all, I simply don't see how it can evoke such strong feelings either way.
The word that came to my mind, was predictable, from the casting, to the visuals, right down to the presence of Olivia Colman, it's almost as if The BBC has tried to go right back to basics, but they've just missed the mark.
As you'd expect from The BBC it's very well made, it's also very well acted, no issue with either quality, but it just lacked something, I can't say I feel enthralled by further episodes. It's guilty of being dull.
It feels so unnecessary , and it is by far the weakest made for television adaptation to date, I grew up as a kid with the terrific adaptation starring Anthony Hopkins and Jean Simmons, it never left me, I find it hard to picture this leaving such a mark on anyone.
It looks great, some of the language used feels out of place, but it lacks any real sparkle.
5/10.
I would hate anyone who hasn't read the story to watch this and think that this is what Dickens wrote. Charles Dickens would not recognise this dark relentless chunk of misery as his warm, witty and engaging coming-of-age story Great Expectations. The only redeeming feature is the acting of Olivia Colman, superb as always, although why make her such a nasty opium addict? The script bears hardly any reference to the book, and the language used is disgraceful. Where are the many light hearted moments, the amusing conversations, the wry observations? I have endured three episodes and have no engagement or sympathy with any of the characters. I do not intend to subject myself to any more of this dross.
I was anticipating this show with great expectations. I circled the day on my calendar. I was looking forward to the deep, colorful characters and masterful story telling and beauty of Charles Dickens. Instead, I found the outline of Dickens' story clothed in a gaudy and perverse costume. I was shocked by the steep incline into evil and darkness. I suggest that rather than having your soul assaulted, tuck a copy of the book Great Expectations under your arm and head for a quiet place to read. Even better, find a friend to go with you and take turns reading out loud. Enjoy the gift of Charles Dickens in all its glory.
Despite the casting I think you could produce this story with donkeys if it was told and presented well. I'not one to say what dicken's intended or meant but I've been watching this story since I was a kid and so far I don't see any of that in this series. Great cast. How can you say anything bad about oliva colman. It's not her fault they made her look like a fool. She doesn't look like a woman jilted and aged unwell hanging on to the past. She looks more like the female ghost of xmas but made up for holloween. As I recall the story was mostly about envy, especially the envy for something out of your reach which ultimately creates the drama which makes the story timeless. Most of us can identify but it's rarely in productions these days because so much of the culture is narcissistic. So far I'm not getting any of that but a bunch of characters riffing on each other with their own silly purpose. I can't give the film a 0 because there's so much professional effort they got right but they forgot to tell a story, or whatever they're selling, not interested.
Lo sapevi?
- Curiosità sui creditiThe main actors were listed in the closing credits with only their own names and not their corresponding character names.
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