VALUTAZIONE IMDb
7,4/10
6785
LA TUA VALUTAZIONE
Julie finalmente ottiene una intervista di lavoro in modo da poter crescere meglio i suoi figli, solo per incontrare uno sciopero dei trasporti nazionali.Julie finalmente ottiene una intervista di lavoro in modo da poter crescere meglio i suoi figli, solo per incontrare uno sciopero dei trasporti nazionali.Julie finalmente ottiene una intervista di lavoro in modo da poter crescere meglio i suoi figli, solo per incontrare uno sciopero dei trasporti nazionali.
- Regia
- Sceneggiatura
- Star
- Premi
- 10 vittorie e 11 candidature totali
Recensioni in evidenza
This is remarkable film that will feel utterly familiar to any parent with young children and quite unrelatable to anyone else. Perhaps even more familiar if you're a single parent with a dead-end job struggling to stay off welfare and keep your kids.
The backdrop is France, and specifically Paris, during a time of chaos as worker's strike. This rather echoes the current industrial action paralyzing the UK and forcing the working poor closer to the edge. If you can't work from home then this action is a dagger to the heart forcing you to run, run, run for dear life.
In "Full Time" that's Julie's world in a nutshell. To the backdrop of an insistent soundtrack that raises the tension to a high pitch she's constantly rushing from one crisis to another. Stress, fear and worry are etched into her features as she tries to avoid letting anyone down as the world conspires against her.
This is so utterly "not Hollywood" with no particular story arc, character development or artful dialog - instead it just "is" and we are voyeurs to a life slowly falling to pieces. Step by step Julie edges closer to the precipice. It's impossible to look away but deeply uncomfortable at the same time.
I guess this means that "Full Time" won't appeal to every audience but my oh my you should make the effort to catch it while you can. If you're looking for more than just pure escapism this is a film that captures a miniature of life in compelling detail.
The backdrop is France, and specifically Paris, during a time of chaos as worker's strike. This rather echoes the current industrial action paralyzing the UK and forcing the working poor closer to the edge. If you can't work from home then this action is a dagger to the heart forcing you to run, run, run for dear life.
In "Full Time" that's Julie's world in a nutshell. To the backdrop of an insistent soundtrack that raises the tension to a high pitch she's constantly rushing from one crisis to another. Stress, fear and worry are etched into her features as she tries to avoid letting anyone down as the world conspires against her.
This is so utterly "not Hollywood" with no particular story arc, character development or artful dialog - instead it just "is" and we are voyeurs to a life slowly falling to pieces. Step by step Julie edges closer to the precipice. It's impossible to look away but deeply uncomfortable at the same time.
I guess this means that "Full Time" won't appeal to every audience but my oh my you should make the effort to catch it while you can. If you're looking for more than just pure escapism this is a film that captures a miniature of life in compelling detail.
I had an overwhelming feeling of watching a Ken Loach film with subtitles, but better photographed and with more interesting music. A hard-working single mother is faced with an unrelenting series of dramas and setbacks. Unlike Ken Loach nobody has to die to wrap up the story.
There are days when you must wonder what the hell, as you're caught in one almighty, intense swell, fighting currents that don't ebb, trapped by an all-consuming web, in a battered, beaten, broken, burnt out shell.
It's a top drawer performance from Laure Calamy as the divorced mother of two Julie Roy, desperately trying to make ends meet and juggle a multitude of balls, while making the long commute to and from Paris working as a chambermaid. An opportunity to recover a career that she sacrificed for children is not helped on a day when strikes hit the transport system and her world becomes even more gridlocked, while an unsympathetic employer is not amused by her time keeping (amongst other things). You're left wondering how many women find themselves in the same or similar position and struggle to keep their heads above water.
It's a top drawer performance from Laure Calamy as the divorced mother of two Julie Roy, desperately trying to make ends meet and juggle a multitude of balls, while making the long commute to and from Paris working as a chambermaid. An opportunity to recover a career that she sacrificed for children is not helped on a day when strikes hit the transport system and her world becomes even more gridlocked, while an unsympathetic employer is not amused by her time keeping (amongst other things). You're left wondering how many women find themselves in the same or similar position and struggle to keep their heads above water.
What a movie. Well directed; well acted; it never stops; and keeps you on the edge of your seat.
Any working parent will get this film and any single working parent will relate to the decisions and life choices this incredibly hard working mum has to make each day and each minute.
If anyone says Hollywood does thrillers and dramas, come and watch a story without car chases, without explosions, just the drama and emotion of real life.
Any working parent will get this film and any single working parent will relate to the decisions and life choices this incredibly hard working mum has to make each day and each minute.
If anyone says Hollywood does thrillers and dramas, come and watch a story without car chases, without explosions, just the drama and emotion of real life.
If you have ever had to juggle full-time work with parenting then you will appreciate this French movie, FULL TIME. The story follows Julie as she tries to secure a job that will enable her to better provide for her child. However, things do not go according to plan when a national transit strike throws a wrench in her plans.
The film does an excellent job of portraying the difficulties of working mothers. Julie is constantly torn between her responsibilities at work and her duties at home. She is also under a lot of pressure to perform well at both. This can be very relatable for many viewers who may have experienced similar situations in their own lives.
The lead actress, Laure Calamy, does an amazing job of conveying the emotional roller coaster that Julie is on throughout the film. She can capture the frustration, anxiety, and determination that comes with trying to balance work and motherhood. And the cinematography by Victor Seguin brilliantly shows the frenetic pace of the city and the director, Eric Gravel, chose to colour-correct Paris to make it look cold and hostile to Julie.
Overall, FULL TIME is a well-written and acted film that will resonate with anyone who has ever had to juggle full-time work and parenting. It is a relatable and moving story that is sure to leave you feeling empathy for single working mothers everywhere.
The film does an excellent job of portraying the difficulties of working mothers. Julie is constantly torn between her responsibilities at work and her duties at home. She is also under a lot of pressure to perform well at both. This can be very relatable for many viewers who may have experienced similar situations in their own lives.
The lead actress, Laure Calamy, does an amazing job of conveying the emotional roller coaster that Julie is on throughout the film. She can capture the frustration, anxiety, and determination that comes with trying to balance work and motherhood. And the cinematography by Victor Seguin brilliantly shows the frenetic pace of the city and the director, Eric Gravel, chose to colour-correct Paris to make it look cold and hostile to Julie.
Overall, FULL TIME is a well-written and acted film that will resonate with anyone who has ever had to juggle full-time work and parenting. It is a relatable and moving story that is sure to leave you feeling empathy for single working mothers everywhere.
Lo sapevi?
- QuizDirector Eric Gravel chose to color correct the Paris scenes so that it would look colder, to show that the city is hostile territory for Julie. Similarly, the palace scenes were supposed to show off different colors depending on the hotel rooms, but eventually, the colder color palette prevailed.
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Dettagli
Botteghino
- Budget
- 2.790.000 € (previsto)
- Lordo Stati Uniti e Canada
- 42.566 USD
- Fine settimana di apertura Stati Uniti e Canada
- 2423 USD
- 5 feb 2023
- Lordo in tutto il mondo
- 1.878.826 USD
- Tempo di esecuzione
- 1h 28min(88 min)
- Colore
- Proporzioni
- 2.39 : 1
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