Natale allo Starlight

Though this is a Christmas-centric film, it keeps the focus on the central relationship. Like many Hallmark holiday romances, the inevitable resolution can be anticipated early on, but this film has a good energy, driven mainly by Kimberley Sustad's personality. She teamed up with costar Paul Campbell in writing this film, which may explain why they fit so naturally into their roles.

Kimberley plays Annie Park, a Chicago lawyer specializing in family law. When she discovers that her family's restaurant will be demolished to make way for a high-rise, she decides to confront the developer, Holt Enterprises. When she meets the son of the owner---Paul Campbell as William Holt---he hires her for a couple weeks just to assuage his father, who feels that William must constantly be monitored due to his irresponsibility. William promises to save the family restaurant in return, but can he deliver? Will he?

"Christmas by Starlight" is filled with the usual Hallmark touches, like abundant decorations, but it does not rely too heavily on the holiday schmaltz, allowing the character development to be its main focus, which is nice.

The entire cast is enjoyable, so it feels like spending two hours with a group of friends.

Despite the fact that the setup for the story was crazy ridiculous, there are still elements of the same old plot lines. Annie marches off in her pajama bottoms to save the family café from being torn down by the evil developer. The irresponsible son of the company's owner needs to grow up. Annie turns out to be brilliant. I had to get over hating the premise, because really it was all just a vehicle to let Kimberley Sustad and Paul Campbell give the audience some delightful sparring and great chemistry.

Campbell is a veteran at the irreverent and carefree male lead. I'm glad to see Sustad is becoming a regular for Hallmark as the leading lady. And as many reviewers have noted, these two have been together before. Both of these stars are involved in writing for the movie.

As I said, there are a lot of the same old plot lines right down to the final scene in the movie. It's all predictable. There's no real surprises and the only tension is that one thing you know will get resolved somehow. But this movie is about the stars (not to be confused with the starlight).

The heir to a development company needs a legal babysitter according to his father and when he mistakes Annie for said legal babysitter he strikes a bargain with her to fake his legal council in return for him renewing the lease on her parents Starlight Cafe.

Annie's dog is named after Charles Dickens because Great Expectations destroyed her when she read it. Off the cuff our developer, William Holt, quotes Dickens, "I loved her, against promise, against reason, against hope, against all discouragement that could be."

When Annie gets William out of legal trouble with the preservation society she gets stuck putting on a high end fund raiser at her parents cafe The Starlight.

Can William hold up his end of the bargain?

There was cute banter in this fun loving holiday romance. In fact these two were both comedy and romantic gold.

"So what's your move, hotshot?"-William.

This is a very good Hallmark Christmas movie; it is one of the best thus far this 2020 season. The plot, of course, was quite predictable: I knew the ending already 10 minutes in after the scene at the coffee stand where the leads make a deal. However, to be fair, most people watching Hallmark films are not in it for unpredictability. I think, what is most important is whether the film pulls you in, engages you. This one pulled me from the start. I wonder if the writer was at all influenced by the film Two Weeks Notice (starring Hugh Grant and Sandra Bullock), as this film reminded me a little of that one. The script, I thought, was well-written, especially the dialogue, the banter between the two leads. It was fun, cute and touching. Regarding the latter, I especially enjoyed the scenes with the gift Annie gave William and the one near the end where they have their first kiss (Annie's response to William here was touching, I thought). Overall, the acting was great. Kimberley Sustad's performance as Annie was impressive; for example, she did an excellent job with her dialogue (her banter) with William (played by Paul Campbell). Campbell had a good performance as well. I typically enjoy his Hallmark movies. The chemistry between the two was good but not great, not as good as the leads in, e.g., The Angel Tree (another very good Hallmark film this Christmas) or Lifetime's A Welcome Home Christmas. That said, the banter between the two was excellent. The supporting cast also had a good performance. Darren Martens had a strong performance in the role of Lyle. Finally, the scenery, props, and sets were all well-polished and quite festive. I did not notice any, e.g., fake snow in this one. Overall, this is a very entertaining Christmas movie, a nice new edition to Hallmark's 2020 movie lineup/collection.

So I like a good Christmas Hallmark movie, but let's be honest, I usually roll my eyes at least a dozen times. Between the cheesy banter and predictable plots, most of my laughter is ironic at best. Not so with this flick. I genuinely laughed a handful of times, and though you could see what was coming plot-wise, it warmed this cynic's heart. I really enjoyed the two main characters, and would definitely re-watch this film!