Nora e Hae Sung, un paio d'amici d'infanzia profondamente legati vengono separati dopo che la famiglia di Nora emigra dalla Corea del Sud. Vent'anni dopo, si ritrovano mentre affrontano le n... Leggi tuttoNora e Hae Sung, un paio d'amici d'infanzia profondamente legati vengono separati dopo che la famiglia di Nora emigra dalla Corea del Sud. Vent'anni dopo, si ritrovano mentre affrontano le nozioni di amore e destino.Nora e Hae Sung, un paio d'amici d'infanzia profondamente legati vengono separati dopo che la famiglia di Nora emigra dalla Corea del Sud. Vent'anni dopo, si ritrovano mentre affrontano le nozioni di amore e destino.
- Regia
- Sceneggiatura
- Star
- Candidato a 2 Oscar
- 82 vittorie e 236 candidature totali
Moon Seung-ah
- Young Nora
- (as Seung Ah Moon)
Shin Hee-cheol
- Hae Sung's Friend #2
- (as Hee Chul Shin)
Recensioni in evidenza
Difficult to write too much about this film who offers a nice , large fist of emotions. The story itself is simple and offers minimum surprises. The 1940 decade romance air is honest, clear and, sure, in special sense, comfortable.
It is the story of two friends, from childhood, their lives across decades, their encounter and their choices. Nothing new, at first sight, but the acting is one of precious virtues in this case, like the admirable construction of story , reminding a honey drop.
In short, I have this certitude, it is one of films for who you are grateful to director and chance to see it. And this is the mattering thing, in fact.
It is the story of two friends, from childhood, their lives across decades, their encounter and their choices. Nothing new, at first sight, but the acting is one of precious virtues in this case, like the admirable construction of story , reminding a honey drop.
In short, I have this certitude, it is one of films for who you are grateful to director and chance to see it. And this is the mattering thing, in fact.
Here is a film that looks nothing, offers a beautiful evening, full of sincerity and missed opportunity. Very well played and an irreproachable aesthetic, hard not to be touched by this feeling, that we all knew one day.
The staging fits with the passing of time, we navigate in space as we navigate in our lives, our choices, our hopes and our regrets. There is something very poetic and somewhat tragic in all this and it was difficult for me not to be touched by its final which is as simple as successful.
A film that is as touching as it is just, offering a point of view on expatriation and the roots of feelings, while offering a nice surprise on the veracity of feelings through a life and the choices that result.
Like the characters, I didn't see the time pass...
The staging fits with the passing of time, we navigate in space as we navigate in our lives, our choices, our hopes and our regrets. There is something very poetic and somewhat tragic in all this and it was difficult for me not to be touched by its final which is as simple as successful.
A film that is as touching as it is just, offering a point of view on expatriation and the roots of feelings, while offering a nice surprise on the veracity of feelings through a life and the choices that result.
Like the characters, I didn't see the time pass...
I felt like this film touched on so many subtle, unsaid things between people: love that's lost because two people don't know how to/don't want to prioritize it, the convenience of being in some relationships, the feeling like you're saying something just because you think it's the right thing to say (especially around the people that you think need to hear it) when deep down it doesn't feel like the truth whatsoever, and going along with something because you've already committed to it instead of doing it because you want to do it. I know that's vague, but I didn't want to spoil anything, but maybe once you've seen it you'll know what I mean. It was all handled so beautifully and had such heartbreakingly sincere human experiences. I think it's safe to say that in the end, we have no effing idea what we are doing and how it will turn out, but we just hope it's the right decision in the moment.
Celine Song, in her directorial debut, makes a film whose story has little to do with the usual "movies." Past Lives is true, it is not the usual love story. It is not the usual movie love story. But it is more, because it is real, because it is true, because it is drawn from the living experience of the director. And in one way in the other, all of our lives are movies, only thanks to cinema we have the power to give a different development or ending to those stories. Instead, Song chose, bravely, to be true to what seemingly seems like a "trivial" love story of two people who are separated as children and meet again after 20 years by choice and not by chance. Two people who in the generality of their life stories, look at each other, scrutinize each other and love each other. It is a story made of silences, from which the thoughts of the two protagonists arise and arrive. It is a story made of glances and behind those glances are all the unspoken words, all those emotions that words would not render. Past Lives works because it is not what one expects from a film love story. It is real life.
I loved the film, it stayed with me for days.
People who watch it will either find it to be super boring or will keep thinking about it for days.
The cinematography, the dialogues, performance and Score are just beautiful. The silent moments between them are beautiful too.
I do not recommend this to everyone, but if you love movies like Before Sunrise trilogy or the Irish movie Once or Eternal Sunshine of a Spotless mind. You will love this one too.
But, for me having watched the 2018 Indian film 96 many times I could not stop comparing these two movies. , I mean the subway scene with them holding the pole just staring at one n another.
The What ifs. Both the movies are so similar concept wise.
People who watch it will either find it to be super boring or will keep thinking about it for days.
The cinematography, the dialogues, performance and Score are just beautiful. The silent moments between them are beautiful too.
I do not recommend this to everyone, but if you love movies like Before Sunrise trilogy or the Irish movie Once or Eternal Sunshine of a Spotless mind. You will love this one too.
But, for me having watched the 2018 Indian film 96 many times I could not stop comparing these two movies. , I mean the subway scene with them holding the pole just staring at one n another.
The What ifs. Both the movies are so similar concept wise.
Lo sapevi?
- QuizIn an interview on 2 June 2023 on NPR with Ailsa Chang, Greta Lee indicated that she found it amusing that when she told her family and friends that she was taking this role, many of them were surprised and wondered if she could even speak Korean.
- BlooperWhen the protagonist's family arrives at Canadian immigration, a French-language government sign reads "loresque" (instead of, correctly, "lorsque.")
- ConnessioniFeatured in WatchMojo: Top 10 Best Movies of 2023 (2023)
- Colonne sonoreIt's Not Love If It Hurts Too Much
Written by Kim Kwang Seok
Performed by Kim Kwang Seok
Courtesy of STARWEAVE Entertainment
By arrangement with Ingrooves Music Group
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Vidas pasadas
- Luoghi delle riprese
- Madison Square Park, Manhattan, New York, New York, Stati Uniti(Nora and Hae Sung Meet in New York)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 12.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 11.331.983 USD
- Fine settimana di apertura Stati Uniti e Canada
- 232.266 USD
- 4 giu 2023
- Lordo in tutto il mondo
- 42.765.309 USD
- Tempo di esecuzione
- 1h 45min(105 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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