Recensioni di Metacritic

Anna's thoughts matter because, as played by the wonderfully nuanced newcomer Alycia Delmore, the no-bull responses of this perceptive woman are a key to Humpday's sly, wised-up feminist outlook.

Humpday carefully raises the stakes until it hits a finale loaded with humor, tenderness, and delicious ambiguity. It’s like "Old Joy" by way of Judd Apatow.

The movie’s unblinking observation of a friendship put to the test is amused, queasy making, kindhearted and unfailingly truthful.

Lynn Shelton's marvelous chamber comedy Humpday butts up against the same sort of taboos as "Brüno," and in its fumbling, semi-improvised way, it’s equally hilarious and even more subversive.

Funny, uncomfortable and cleverly insightful.

I'm guessing Humpday will make its natural, easygoing leading men -- Mark Duplass and Joshua Leonard -- much sought after.

A visually mangy but frequently hilarious low-budgeter.

Reuniting an uptight married man with a footloose old pal, Lynn Shelton's third feature offers a (much) more extreme version of Kelly Reichardt's "Old Joy," also a sort of buddy movie, also shot in Seattle.

Maybe Humpday needed more characters and a less claustrophobic atmosphere. Maybe the film needed to be bolder and break a few boundaries itself. Maybe it could have better explained why these two men still need to be friends. Whatever the case, it certainly needed a better payoff.

Few kinds of art are more boring than the insistently transgressive, and few movies are more boring than Humpday.