The Colour Room

And other keetchy kitchen cuttlery designed and made in the 1920's royal imperial kingdom of great britain, a biographical drama about one of the first trendsetting women industrial designers that made psychedellic colours become trendy and the number one among wedding gifts of the times, and a collectors item of today.

Its a beautiful made film, sharp and colourfilled but at the same time blurred out in a positive way, with a great deal of positive charged acting makes this a film that is a must see if your within the art crafts, or just a hobby potterer, or a china painter as my mum did(can still smell the american therpentine) many years ago, because this is for your eyes only if you want it to be.

An appraisive thanks to sky studios and.co. That has made such a delightfull story come to life, its gentle, periodical and feministic. The grumpy old man recommends.

"No man can appreciate and produce beautiful things whose sense of color is outraged every day by the dirt and soot that covers everything"

Pottery Gazette, 1919.

"The Colour Room" chronicles the life and work of English potter Clarice Cliff. A period drama that links the "romantic" 1920s with the story of a woman capable of overcoming her ingenuity in the face of any adversity.

Starring Phoebe Dynevor, in her film debut. "The color room", interposes Clarice's creativity, with the industrialized and misogynistic world of that time; Added to the charismatic performances, this film has all the nuances that are required to build a quite believable and entertaining story.

"Because of the heart of the story and its loving interpretations, "The Colour Room" is a very fine piece of pottery"

Would have liked to see more about Clarice's family life and friendships amongst the women who worked in the potteries. Apparently she came from a big family but we only saw her mother and sister. There was a very half hearted attempt to suggest romance between Cliff and Colley Storer. In fact they married. It was interesting to see how Cliff was inspired by colours and shapes and the processes behind producing fine china. The demographics for the potteries in the 1920s was not represented correctly there were too many ethnic minorities. A historical docudrama should try and reflect the period not modern day demographics.

This is Such a fromalic basic film that is hard to believe its a true story ..for a start..the real lady wasn't a beauty by any standard..choosing an actress that is more of the plain side would at least give it that REAL feel ..think the wonderful film (Séraphine ) and how believable it was... also the authentic period piece feel was missing ..and the love story forced and unbelievable...the feminist tone also feels forced like its the case in most of the new productions...its a watchable film that feels like a standard bbc production which isnt a bad thing for a period film lover.

Really enjoyed the 20s feeling of the movie, the desire for Clarice to do what she loved and ignoring a bit what was around her to get there including the « rules » and what was right at the time. The scene in the modelling workshop are creating that atmosphere between the men and her, their respect of the rules and her creativity.

She was a revolutionary of that after war era and the movie really depicts how different she was by the use of colours or the way she smiles.

Although there is a romance it doesn't take over the story and Matthew Goode is a strong character passionate about his business and being bold. Phoebe Dynevor is a great Clarice Cliff.

Great script, cast and direction.