The Lair

Those were some of the worst accents I've ever heard across the board and they were so distracting that I have no idea if the movie was any good.

The script seemed choppy and unconvincing but I'm not entirely sure if it was actually bad or if I just couldn't get past the atrocious accents.

The story was slow and dragged it'd feet, the monsters felt repetitive, the entire premise felt forced and had no natural flow to it.

But seriously, in case I haven't hit this point enough, couldn't they cast people with authentic accents if they were unable to find anyone able to convincingly deliver on them?

The movie opens with RAF pilot Kate Sinclair and her nameless WSO being shot down over Afghanistan somewhere. They are attacked by the Taliban (maybe). Her WSO is killed and she is forced to take refuge in a Soviet bunker that looks a lot like a buried cargo container. Once inside, she finds the plot of the movie.

This is a solidly middle of the road action horror movie. The creature costumes are pretty good for a low budget movie but the CGI blood is pretty bad. I will have to say that Jaimie Barber did a good job since I didn't even recognize him until about an hour into the movie. The rest is the cast is mostly pretty decent. The main exception is the female lead. She's very pretty but not much of an actor. I didn't believe for a second that she was an RAF pilot or even British for that matter. The action scenes are pretty well done and entertaining. The plot is mostly a pile of various tropes cliches but it's serviceable.

If you want an action horror movie where the characters fight monsters, this one is perfectly okay. It's not great but I have seen far worse.

Unfortunately, the saddening downhill slope of Neil Marshall, author of such cool flicks as The Descent, Dog Soldiers and Centurion, continues, with the last three being lackluster Hellboy remake (5/10), disappointing historical horror The Reckoning (5/10) and now this, a flat, murky B creature feature with more cliché's than one can count.

. The set-up, story and conclusion, or pretty much everything, is by-the-numbers, run-down-the-mill B actioneer that also can't decide if it wants to be a horror movie or action comedy. We have an army base, a secret soviet (not nazi?!) bunker, cardboard soldiers throwing an overwhelming amount of weak one-liners, and a depthless, tired protagonist, and, of course, some monsters craving a fight with humans. About the only really decent factor of "The Lair" are the special effects, although used in abundance and leaving a taste for more. Acting wise I can only commend Hadi Khanjanpour, the Afghan prisoner on the road to being a badass, and having the only character with any sort of arc. Rest of the cast are having a lazy sunday stroll. There's a grain of an interesting horror movie idea in "The Lair", but it's all lost in a weak script and flat direction. "The Lair" gets dull and mindless already 10 minutes into it, and struggles to build any tension during the next 80, and whatever tension there might've been, is destroyed by frequent tiresome comedy.

. There really isn't much to say about this forgettable suBpar action horror film, the most fun you'll have is if you crack t least a couple beers and have some company, other than that, pass on this one, even if you love creature features. My rating: 4/10.

But by his high standards, I think he would want to forget he directed this film. Having seen his The Descent(2005) and the rave reviews it got, I was excited to see this new offering. But Neil Marshall himself payed homage to movies like Alien, Aliens and Resident Evil in this one. The music is also derived from these. I was chuckling as I heard those familiar tunes from movies seen ages ago...

This movie is about a crash landed Royal Air Force pilot Lt. Kate Sinclair(Charlotte Kirk), who steps into an underground facility when she is ambushed by rebels defending the area. Inside the underground facility she discovers the terrifying truth about a secret government experiment gone wrong. Afterward when she is rescued by an American task force she warns them about what she had seen but by then it is too late... Watch the film to see what happens next.

Only fans of Neil Marshall movies should see this. Other than that there is nothing worth mentioning about this one. Charlotte Kirk produced this film as well so I'm mystified as to how much was invested into the special-effects department. Obviously nothing went right for Neil. On top of this some lousy acting to boot from all involved. I won't be surprised if this movie ends up in public domain, free for all to watch. It's that bad.

Thanks for taking the time to read this review.

Soldiers fighting genetically engineered slimy creatures - it's a kind of mix between John Rambo's mission in Afghanistan with the second Alien movie. From the director of "Dog Soldiers" and "Doomsday", another monster flick which is decently entertaining. Funny enough, for Neil Marshall's previous "The Reckoning", I had high expectations and was a little disappointed. For "The Lair", exactly the opposite: I didn't expect much, but was actually pleased.

The movie is obviously influenced by the mercenary and sci-fi flicks of the 80s and 90s, and well constructed in three acts at 30 mins each. Act 1, the bunker is discovered. Will the army take heed of the warning of an unknown enemy? Act 2, battle at night with the creatures, then more information is gathered, from obduction of a creature's body to unexpected help from a local guy. Act 3, trying to stop the invasion from below. Because also Taliban forces attack, really an action-packed situation. The movie has a few weaknesses, some characters remain shallow as cardboard, some scenes are "we've seen it all before", but it was fun.