The White Lotus

The first season of the show gets a nine from me. It's tight, consistent, darkly humorous, and its social commentary is nuanced and central to the show. Season two gets more like a six. It's good enough for me to watch a season three, but overall season two is less interesting because it feels more like a slow moving trainwreck of a tabloid story. The writing is just too obvious and lacks the nuance necessary to make the excesses interesting or meaningful. That doesn't make it bad television, but it does move it to the "maybe" category of recommendations for me - except for Aubrey Plaza's performance. She is excellent and definitely worth showing up for. Overall, the show is engaging and has plenty to say. If they can move past the sophomore slump of overly obvious excess, I'd love to see more seasons.

It's not for everyone's taste but if someone likes weird and satiric humor, can enjoy cringe and slow-burn stories with layers then it would be one of the best from recent shows. Finally something different.

Acting and writing are on point too. After the utter Netflix nonsenses this show is like your first ice cream sundae after a year long diet with extra whipped cream.

I went into watching The White Lotus not really knowing what to expect. I just finished the second season and now know why it's had so many great reviews and won so many awards. What makes this show so good is the acting and the writing. Each character is beautifully written and acted, not a weak link on either season. HBO always puts out great content and this is no different. It's not a show for everyone but I definitely enjoyed it. It's one of the rare anthology shows where both seasons are equally as good. I'm now looking forward to future seasons of The White Lotus and hope they stay as good as these first two.

I believe the use of the music in episode 2, nearly overpowering the dialogue in some sections, was intentionally done to further enhance the unsettling mood of the entire episode. There's a lot bubbling under the surface of these characters, and it's about to start boiling over soon.

If you don't like many of these characters and find them hard to root for, that's intentional too. Mike White writes characters that challenge you and leave you feeling conflicted. He wants us to have an inner dialogue with ourselves as we watch. As to what's around the corner, I can pretty much guarantee you we have no idea (unless you've read the scripts). But fasten your seatbelts, it's gonna be a bumpy ride.

Though some of the first season was cringe-worthy. This second season is about as masterful as anyone could hope for.

It starts a bit slow, the first episode, but soon finds its legs and impresses again and again, captivating me as if I weren't quite seasoned. It feels like a review of every thought I've ever had at a vacation resort, many of which I'd long forgotten. On that score alone it's a delight, but not to worry, it goes way beyond that to flirt with opera-like heights of drama and beauty something quite appropriate given its setting in Sicily.

Given the excellence of the acting and the seeming effortlessness of the story I would have to say Mike White, this series' creator, is some sort of unsung genius. The guy seems unaware of boundaries coupled with one of the sharpest eyes for detail I've ever seen.