The Lost King

I have been interested in Richard 111 eversince i saw Laurence Oliviers performance in the film in 1956. In May of this year i drove up to Leicester to visit first the Battle Of Bosworth field and museum and then to the modern museum in the city centre. So i was always going to like this film.

I could empathise with the main character as i also suffer from me or as its now known chronic fatigue syndrome.

It was a story worth telling and particularly to highlight the sterling work of Phillipa Langley. Who it would appear to have been sidelined by others,who are now complaining at their depiction in this film,notwithstanding the fact that they now have a spanking new museum which is bringing people like myself to go and visit Leicester.

For me this was one of the most enjoyable films that i have seen this year.

Philippa Langley (Sally Hawkins) is a divorced middle-aged mother of two boys. Her boss sucks. Her ex-husband John Langley (Steve Coogan) has a girlfriend. Nobody treats her seriously. She becomes obsessed with Richard III and even has visions of the dead King. She is frustrated with the popular image of the King as an evil troll cemented by the Shakespeare play. She goes on a journey to find the Lost King and maybe of self-discovery.

Sally Hawkins is the Queen of the meek mousy woman with an inner fire. I can't think of another actress who is a better fit for this role. It's the classic underdog character and apparently it's a true story. The story is pretty simple and very standard. Sally makes this sing.

Amateur historian Phillipa Langley becomes fascinated with the life and death of the much maligned Richard III, she seeks funding, and the hunt begins.

If you're a fan of British feel good comedies such as Fisherman's Friends and Kinky Boots, those films of triumph over adversity, this will definitely hold your interest.

It's a truly fascinating story, and one of the only times I've ever seen Richard III given a bit of positivity in a film, he is often much maligned, known for Shakespeare's play, and for killing his way to the throne.

When the news of this broke it was an unbelievable story, so much controversy, so many view points, I remember it breaking on The BBC, it was quite something.

There are a few snippets I learned about Richard III, and some of the things he brought about.

Sally Hawkins is tremendous, she captivates from start to finish, despite a marvellous line up, including Steve Coogan, Harry Lloyd and James Fleet, she really does shown through.

It's a great film, 9/10.

Sally Hawkins turns in an enthusiastic performance here as the determined Philippa Langley. Separated from her husband (Steve Coogan), she is sort of at the end of her tether when she takes her young son to see a stage version of Shakespeare's "Richard III". Taken with the tragedy of that story, she joins the local "Ricardians" and soon determines that this particular historical figure has had a bit of a bad press, and so she sets out to try and track down the hitherto unidentified location of his corpse. It's based on a true story, so we know what actually happened but the drama offered here is still quite engaging as she has to convince the powers that be to allow her to dig up their car park, then try to fend off their collective claims of success before the ultimate battle to get the man buried with some semblance of his real life status and is enjoyable to watch, especially once her adventure begins in earnest. Then together with archaeological lead Mark Addy and some spiritual assistance from Harry Lloyd's spectral version of this final Plantaget King - who, along with his horse - seems keen to help her from the grave, this film moves along entertainingly. It certainly doesn't need to be seen at the cinema, and It's a bit of a slow burn to begin with, but overall I quite enjoyed it.

Not exactly 15 minutes of fame but I won a berth in the cathedral at Richard's reinterment. As a result I was very excited about this film and it really was a wonderful movie with Sally Hawkins and Steve Coogan portraying these recent events with sensitivity and class. I liked the use of Richard's ghost to enhance the storytelling and the use of poetic licence did not damage the integrity of what happened. Visually, the sets were accurate and all the main characters are represented. Although I would liked to have seen the addition of Michael Ibsen who provided the DNA proof. But as a film about a topical story, it was a lovely satisfying movie.