Mayflies

There's a critic review which calls this drama "flat" but I can't help wondering if he was watching the same programme as me.

This is a beautiful, absorbing and deeply moving story. The writing is superb but is eclipsed by some of the best performances you are ever likely to see. The three central characters draw you in and make you FEEL this story, not just watch it.

The subject matter is challenging but it never felt exploitative. It doesn't so much focus upon Tully's illness as on the relationships with family (and more importantly) friends. The dialogue is natural, the emotions raw and believable and the effect upon the viewer deep and touching.

The end of the story was handled with a degree of sensitivity and love that surprised me and showed a depth of understanding from the writers and director that left a warm glow in my heart and tears coursing down my cheeks. It could easily have been done coldly, clinically and carelessly, but it was not the case.

It wasn't always easy to watch but I am so glad that I chose to do so. Clear a couple of hours, grab yourself a box of tissues and sit down to watch this - I don't think that you will regret it.

I had heard of this story but didn't truly appreciate it until I saw this series. I had a lump in my throat throughout and the intensity of emotions suprised me. The acting is unbelievably good and Martin and Tony showcase their friendship and connection to each other in a subtle but powerful way. I did break down at some point and had to pause while I did ... not something I do very often... but the flashbacks into their youth equally made me smile and it was impossible to not feel connected to them and relate to the kind of friendship they had. I can only wish everyone gets to experience relationships as deep as theirs in their lifetime - make you appreciate what is important in life and inspures you to cut out the noise. Just watch it - its incredible!

Death comes to us all in the end, often in a slow, painful and undiginfied manner. Some people, faced with a terminal diagnosis, prefer to check out early, which is illegal in Britain (unless it is done unaided) but is allowed in some other countries. To do so is, of course, a horrifically enormous decision. 'Mayflies' tells one such story, but, as its title suggests, it also encourages us to reflect on the briefness of life, and how we might end up facing our own deaths when our youths seem barely to have passed. It's a warm and affectionate piece, avoiding over-sentimentality (though some is necessarily in order). It does choose to give us a character the severity of whose illness is mostly hidden from us in off-camera visits to the toilet; our protagonist still presents as very much alive throughout the drama, which allows him full mental responsibility, but which also makes his choice seem somewhat premature. Not much happens that isn't obviously telegraphed from the outset; but it's an intelligent dramatisation of the realities of death and the ways we might choose to face it.

Fantastic acting and story of compassion in the face to adversity that leads to one of the major discourses that I feel we need to address in our society. Nobody understands how important it is unless they have been touched by someone who's passing could have been made so much more dignified by having a choice.

This series really touches upon the most important points and that is one of personal choice, many people are against someone having this choice on grounds of religion or lack of understanding of the suffering, but who is right to impose their opinion on others, however, currently in the UK it is the law and this is where the change needs to happen to match the more progressive societies which have already approved a change to allow dignity in dying.

I enjoyed the fact that rather than everyone getting on a plane in harmony, the internal battles of the three main characters are followed all the way to the end. I dropped one point as I think an important part of the issue is also how those that are left are affected.

The younger 80s back story was very interesting and important part of the character development and fairly well acted but the main lead was the standout for me, Tom Curren just went above and beyond for me and should be an award winning performance..

Still wiping the tears away, yet I want to celebrate the love, loyalty and friendship that went before. A cast that I haven't always rated in the past individually have a chemistry I've rarely seen.

I'd compare this to an Ian Banks novel, yet no one gets murdered.

Martin Compston is far from his wooden self in Line of Duty, Ashley Jensen is a force of nature, something not harnessed by Ricky Gervais in any of their colab's. His fault for always wanting to be the centre of the screen. And Tony Curran? Balls out, no holds barred as the rebel that refused to say 'Okay, that'll do'. He does it his way.

Andrew O'Hagan has written a truly beautiful thing.

Peter Mackie Burns brings it to us in a very unsentimental yet gut wrenching way. It's a celebration of what was. No regrets.