Eesho

Very much predictable story. Never ever this film can be classified as "thriller". Jaffer Idukky performed very well but again another "high range" role of helpless father. If anyone still planning to watch the movie, watch it with 2x speed in mobile. By halftime you will understand the story. I am wondering how it got 8.1 rating in IMDB. Hopefully it will go down. The female lead actress Namitha Pramod has nothing to do. Hope Jayasurya will get some good story soon.

This a good example of how a thriller should not be made. We need to give some credits to the producer who had guts to make a movie from such a pathetic script.

The oddly-titled Eesho benefits from the solid performances of Jayasurya and Jaffer Idukki, but the storytelling style is a major letdown. The script doesn't carry even a tiny bit of suspense, and the average thriller-viewer should be able to decipher every twist and turn in the plot very easily. Nadirshah harks back to a hot button issue he presented in his first film Amar Akbar Anthony, and this time, chooses to give it a more serious treatment. But Eesho fails as a thriller because its plot beats have absolutely nothing new to offer. Roby Varghese Raj's visuals give the night scenes a very saturated look, making these portions somewhat more interesting (at least to look at!). Rahul Raj's score is strictly average.

Comedian-singer turned filmmaker Nadirsha had a promising start as a director in Malayalam, delivering back to back superhits in the slapstick comedies "Amar Akbar Antony (2015)" and "Kattappanayile Rithwik Roshan (2016)". The talented auteur has however, hit a bit of a rough patch off late, with "Mera Naam Shaaji (2019)" and more recently, Dileep-starrer "Keshu Ee Veedinte Nadhan (2022)" coming across as dull affairs, panned by critics and fans alike. It is perhaps because of this that he pivoted genres, moving away from his trademark comedies to a broodish, atmospheric thriller in "Eesho" that is alas, watchable only in parts.

National Award-winner "Jayasurya" stars as the eponymous "Eesho" a mysterious truck driver who chances upon a seemingly chance encounter with the night watchman of an ATM, Ramachandran (Jaffer Idukki) after his vehicle breaks down. Ramachandran is coincidentally, the star witness in a scandalous rape case with the main accused being an influential businessman. With his life under constant threat and his key secret testimony set for the next morning, how the duo navigate the trials and tribulations that come their way on this fateful night form the rest of the story.

Sub-par filmmakers mistake subject-oriented films for just being preachy vehicles where they can shamelessly push their ideas and propoganda. While the film's heart is in the right place, talking about child abuse, the way it is presented comes across as inorganic and contrived and the dialogue resorts to mere sermons for long stretches. Jayasurya and Jaffer Idukki are both seasoned performers and excel in their roles, but the writing is unable to match up to their levels in many places.

Eesho's predictable plotline is another major eyesore, with the so-called twist in the final act obvious to the audience from the get-go, not providing any real surprise element or thrills requisite of a well-made thriller. Nadirsha has made a brave attempt in going for a genre he is not well-versed in but is unable to backup his novel idea with immersive writing in an era where Malayalam is churning out superb thriller like "Attention Please (2022)" and "Bhoothakaalam". You can watch "Eesho" for superb performances from Jayasurya and Jaffer Idukki, for there is not much else to savour. The film is now streaming on SonyLIV, in its original Malayalam as well as in Hindi, Tamil, Telugu and Kannada dubs, all with English subtitles.

Just one time watch. Direction was not upto to the mark as compared to first 2 films of Nadrishah. Jayasuriya performance have Mohan Lal style. Normal story. Society related issue director bought. Jafar good performance. All actors performed well. Songs ok.

I would say its 1 time watch. Predictable story.

The story and climax can be made better. Feels some lag and poor direction in between.

I would give 5 out 10. The making was good. There were no bore elements. Some places felt lag. The cons of the movie was that the scenes of Jayasuriya and Jafar was too long. It would have been in small period.

Yet its a 1 time watch.

The plot is weak because it seems unreal that justice can be possibly served so smoothly and easily. It seems very wrong shown a woman committing suicide with her kid for no fault of theirs and having a loving caring husband not disclosing anything with him. It's not justified promoting women giving in so easily letting the real culprits carrying on with the crime. The movie in short especially in the end gives a very strong message how news and social media make up stories with out any evidence and people believe it. With just a piece of paper with name & phone number of stranger can his get name involved in a racket by the media. The lead actor looks very good with beard he should keep one and acted well though I watched the hindi dubbed voice which was better than his real voice in malayalam.. Though the plot is weak but the movie was well made to keep you involved entertained not getting bored. It is recommended.