Nel 2010 le donne di una comunità religiosa isolata sono alle prese con la riconciliazione della loro realtà con la loro fede. Basato sul romanzo di Miriam Toews.Nel 2010 le donne di una comunità religiosa isolata sono alle prese con la riconciliazione della loro realtà con la loro fede. Basato sul romanzo di Miriam Toews.Nel 2010 le donne di una comunità religiosa isolata sono alle prese con la riconciliazione della loro realtà con la loro fede. Basato sul romanzo di Miriam Toews.
- Vincitore di 1 Oscar
- 65 vittorie e 164 candidature totali
Recensioni in evidenza
A group of women from a small religious community discuss various violent acts, beatings and rape.
It is a heavy going watch, a film that manages to intrigue, sicken and inform. Some of the content, some of what you'll hear will genuinely lower your opinion on human nature, the harrowing acts some people can commit.
The best element for me, the acting, if I had to pick out a standout, I'd argue Claire Foy did a supreme job, but the likes of Ben Wishaw and Frances McDormand were excellent also.
I feel like it plays out like a stage play, I can only imagine how powerful some of the content would play out in a small, intimate theatre, one or two bits maybe get a little lost in translation onto the big screen.
I've read some very impressive reviews about this film, some people have spoken candidly about first hand experience of violence, that has clearly given them a different perspective on the film.
At times I felt a little bit like an outsider looking in, and sometimes I couldn't relate, or get into it, some of the sequences felt just a tad slow, some threads were explored but not tied up, I suppose that's just normal in such circumstances.
It's definitely a powerful time, and one that's very, very relevant in today's day and age, a time where women's rights seem to be being downplayed somewhat.
I would recommend it.
7/10.
It is a heavy going watch, a film that manages to intrigue, sicken and inform. Some of the content, some of what you'll hear will genuinely lower your opinion on human nature, the harrowing acts some people can commit.
The best element for me, the acting, if I had to pick out a standout, I'd argue Claire Foy did a supreme job, but the likes of Ben Wishaw and Frances McDormand were excellent also.
I feel like it plays out like a stage play, I can only imagine how powerful some of the content would play out in a small, intimate theatre, one or two bits maybe get a little lost in translation onto the big screen.
I've read some very impressive reviews about this film, some people have spoken candidly about first hand experience of violence, that has clearly given them a different perspective on the film.
At times I felt a little bit like an outsider looking in, and sometimes I couldn't relate, or get into it, some of the sequences felt just a tad slow, some threads were explored but not tied up, I suppose that's just normal in such circumstances.
It's definitely a powerful time, and one that's very, very relevant in today's day and age, a time where women's rights seem to be being downplayed somewhat.
I would recommend it.
7/10.
There's two movies about sexual assault this year-this and the Harvey Weinstein based 'she said'. I found 'she Said' To be like watching 'spotlight' all over again. It didn't add anything new to the conversation. This does because of its nuances. It's easy to make a 'sexual assault bad' movie but this movie grapples within a religious faith based community where things aren't so black and white. I loved how all the characters represented all points of view-doing something about it, say nothing, etc. I love all the main cast-Claire foy, Jessie Buckley, Rooney Mara. Really great film done subtly on an important subject.
The fact that the movie is set in 2010 and is based on a true story is not easy to believe. The way things unfold, one would think it is at least in the 50s at the latest for the most part. But the way some cults work, and how people fall for them and spend generations in them is a sad truth of our world. Even though it can be technically called a chamber piece, it doesn't feel like one. There's so much in writing and directing that adds novelty to the story which is not exactly something groundbreaking. There are little moments throughout the film that makes the situation more weird and real at the same time that most films don't do.
Powered by strong performances across the board, Women Talking follows the women of an isolated & ultraconservative community who take it upon themselves to decide the course of their future in the wake of a shattering revelation which compels them to reconcile their faith with their violent reality. Bracingly crafted & effectively told, it serves as a plea, a protest & a parable all at once.
Written & directed by Sarah Polley, the story borrows its premise from a real-life event and the film is an imagined response to it - a reaction through fiction. The disturbing truth surfaces in gut-punching ways as the women argue & discuss their next move while snippets of their past adds more weight to their collective pain, rage, fear & trauma. It does get repetitive but it also gets the point across with clarity.
The colour grading is an interesting choice, for it illustrates the bleakness of their existence in a colony ripe with unchecked male aggression but more could've been achieved with the camera. Still, what it lacks in cinematic qualities, it makes up in dramatic heft & strong emotional wallop, thanks to impressive work from the entire cast, ranging from Claire Foy's fierce rendition to Ben Whishaw's tender act, all enriching the narrative.
Overall, Women Talking is a timely, topical & thought-provoking drama that brims with hate, hurt & heartbreak in its illustration of the horrifying reality of female experience but there is also hope for a better future despite the agonising brutality of their past & present. Though there was more up for grabs which it fumbles with its very own creative choices, the commitment from the cast & searing intensity of their inputs makes it an essential viewing.
Written & directed by Sarah Polley, the story borrows its premise from a real-life event and the film is an imagined response to it - a reaction through fiction. The disturbing truth surfaces in gut-punching ways as the women argue & discuss their next move while snippets of their past adds more weight to their collective pain, rage, fear & trauma. It does get repetitive but it also gets the point across with clarity.
The colour grading is an interesting choice, for it illustrates the bleakness of their existence in a colony ripe with unchecked male aggression but more could've been achieved with the camera. Still, what it lacks in cinematic qualities, it makes up in dramatic heft & strong emotional wallop, thanks to impressive work from the entire cast, ranging from Claire Foy's fierce rendition to Ben Whishaw's tender act, all enriching the narrative.
Overall, Women Talking is a timely, topical & thought-provoking drama that brims with hate, hurt & heartbreak in its illustration of the horrifying reality of female experience but there is also hope for a better future despite the agonising brutality of their past & present. Though there was more up for grabs which it fumbles with its very own creative choices, the commitment from the cast & searing intensity of their inputs makes it an essential viewing.
You go to bed then wake up bruised, bloody, quite groggy and confused; you know instantly, that your body's been abused, your mind cannot conceive, all the torment and the grief, but you're not the only one, that's being used. So the women of the colony convene, to discuss the implications of what's been, carry on like there's no wrong, stay and fight which might prolong, or leave this place, put barriers between. The conversations, confrontations ebb and flow, the picture of what's taken place is shown, anguish, misery and despair, amongst a culture built on prayer, where the men have their own rules, their manifesto.
It's a wonderful piece of filmmaking that engages from the outset with great dialogue, a disturbing story, and an empowering conclusion - with outstanding performances throughout.
It's a wonderful piece of filmmaking that engages from the outset with great dialogue, a disturbing story, and an empowering conclusion - with outstanding performances throughout.
Lo sapevi?
- QuizExplaining the color grading of the film, director Sarah Polley said the filmmakers played with saturation levels to create a feeling of "a world that had faded in the past." This is why the film appears to be almost black and white, but not quite.
- BlooperNettie identifies as a man name "Melvin". The Mennonite do not allow members to identify as anything other than their biological sex and gender. In real life, Nettie would have been excommunicated. There are over one hundred different Anabaptist (Amish, Brethren, Hutterite, Mennonite) church groups, counting more than 6,000 congregations, all holding to slightly different traditions and their own interpretations of the Bible. The movie never identified the Anabaptist group of the colony.
- Colonne sonoreDaydream Believer
Written by John Stewart
Performed by The Monkees
Courtesy of Rhino Entertainment Company
By arrangement with Warner Music Group Film & TV Licensing
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Ellas hablan
- Luoghi delle riprese
- Enercare Centre, 100 Princes' Boulevard, Toronto, Ontario, Canada(Barn interior scenes)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 5.456.531 USD
- Fine settimana di apertura Stati Uniti e Canada
- 40.530 USD
- 25 dic 2022
- Lordo in tutto il mondo
- 9.276.103 USD
- Tempo di esecuzione
- 1h 44min(104 min)
- Colore
- Proporzioni
- 2.76 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti