Nella bolla

Following the critical and box office failure of her vehicle, Jerusalem Uprising, Carol Cobb (Karen Gillan) returns to the dinosaur action franchise Cliff Beasts for the sixth installment. Due to the COVD pandemic production is set up in a "bubble" in England where Carol and the other actors will live together to prevent any infections. As producer Gavin (Peter Serafinowicz) impotently tries to rein in negative publicity, on set tensions, and vices of the cast, the initially planned three month shoot gets extended again and again.

Cliff Beasts is the latest film from director Judd Apatow who also writes the film alongside Pam Brady best known for her work with South Park creators Matt Stone and Trey Parker on the first three seasons of South Park, South Park: Bigger, Longer, & Uncut, as well as Team America: World Police. The COVD pandemic has inspired a number of films attempting to capitalize on the pandemic ranging from Steven Soderbergh's surprisingly good Kimi, to slapdash productions like Songbird and Locked, and bottom of the barrel schlock like Corona: Fear is a Virus or The Covid Killer, however comedies have yet to tap into the genre save for outliers like NBC's short lived Connected or Freeform's Love in the Time of Corona both of which didn't particularly resonate with audiences. I think because of the nature of the pandemic it's been difficult to put any sort of comedic spin on the material especially in regards to the real world insanity and stupidity that doesn't lend itself all that well to exaggeration. With a strong cast of comedians and noted creative forces behind the camera The Bubble is possibly the biggest COVD film we've seen yet and has the makings of something truly insightful, but at a little over two hours long and filled with abrasive characters The Bubble has some moments of humor but as a whole doesn't come together.

Like other comedies that have attempted to approach the COVD pandemic, Apatow runs into the issue of having to create comic chaos in a place where everything is very controlled and structured and that rigidity ends up working against the talents of the cast as there's long sequences where they're forced to be by themselves or maybe with one other person and we really don't get the best environment for creating comic friction. Karen Gillan is our lead Carol Cobb and she's a fine actress with a strong repertoire of work, but her main gimmick is basically just taking very casual abuse from the cast, crew, and even her boyfriend who dumps her over video conferencing and continues to live in her house with a random waitress. The worst thing you can do in a comedy is make us feel sorry for the characters and that's what happens as we for the most part as we watch relationships deteriorate and egos clash and you feel like you're trapped with these people with no escape. Eventually when the movie becomes a bonkers "escape" film in the final 20 minutes it becomes a little funnier and gets more energy, but after two hours it's too little too late and it doesn't make up for all the floundering gags and dead spots littered throughout the move. Even the Cliff Beasts sequences which parody the Jurassic World films (even down to using similar font) aren't all that funny or engaging and it doesn't feel like Apatow's approach to this kind of satire has evolved since 2008's Forgetting Sarah Marshall where he took a similar approach to cookie cutter crime procedurals with Crime Scene: Scene of the Crime. The Cliff Beasts segments aren't silly enough to be all that funny and they also never feel like a true approximation of the box office crap The Bubble is poking fun at, and frankly when you have serious blockbusters like Moonfall that are far more insane and funnier than anything in The Bubble it undercuts whatever satire might've been attempted.

The Bubble is unfortunately not up to the standards of its talented cast and crew. While there are brief bits of comic insanity sprinkled throughout, they're undone by an overly long runtime and the restrictive nature of the premise so the movie never really fires off. Maybe if this had been framed as a mockumentary it could've used the awkwardness and isolation more effectively, in fact the documentary film within a film Beasts of the Bubble looks like a much more entertaining film by comparison. Some good moments, but not enough for me to recommend it.

Well let me be the guy that found The Bubble to be funny. After reading the first page of reviews on here and looking at the poor ratings it gets I'm glad I had a different experience with this comedy. There are a lot of funny scenes, absurd sometimes but does everything has to be that serious all the time? They clearly made more than once fun of the pandemic and that was also nice to see there are still people that are not completely paranoid or just don't give a toss about the whole brainwashing we got. Plus the cast was very well chosen for this movie. I liked almost everybody if not everybody. They all did a good job, added something different to the story, and were all funny. I don't know if I have better weed than anybody else but I had a good time, and so did my wife who never has weed.

Alright, let me break your bubble here.. I usually enjoy Judd Apatow's low-brow comedies, but this one reminds us of everything we hated about the early stages of the pandemic with added celebrity commentary. The humor didn't land for me most of the time, and even with a spectacular cast, the film never hits the highs you expect. It just gets by with a meandering screenplay that neither engages nor makes us root for any of its whiny, privileged characters. Well, Apatow's trying otherwise - he wants us to laugh at (and not with) everyone in the film industry dominated by corporate giants and larger-than-life characters. The pandemic was a bad phase, and no films needed to be made around that subject. Some fleeting flourishes aside (mostly from Pedro Pascal and a few cameos), The Bubble is honestly a letdown!

Don't get me wrong, I love a good joke. I just don't love the same joke being repeated over and over for two hours. There's plenty to mock over the past couple of years and I applaud this movie for having a go but it would've been much better if someone who actually understood comedy had written this, like Ricky Gervais or the Monty python crowd. But no. In typical Netflix fashion we get a corporate confection of mediocrity.

A mixed-bag Hollywood comedy, suffering from the usual complaint which is that all the best scenes are in the trailer. This one offers a broad satire of filmmaking in the COVID era, with a lot of lockdowns, bubbles and hygiene-following. A sprawling ensemble cast are efficient in their roles, some funnier than others, but sadly the wit tends to be bypassed in favour of dumber sex or vomit gags. I did enjoy the dancing scenes and the CGI jokes, however.