The Long Call
- Serie TV
- 2021
- 46min
Aggiungi una trama nella tua linguaFollows detective Matthew Venn as he returns to an evangelical community in which he grew up to attend his father's funeral.Follows detective Matthew Venn as he returns to an evangelical community in which he grew up to attend his father's funeral.Follows detective Matthew Venn as he returns to an evangelical community in which he grew up to attend his father's funeral.
- Premi
- 1 candidatura in totale
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I was so excited to hear that this show was based on novel by Ann Cleeve, the author of Vera and Shetland, two of my top10 British detective stories! The second a Vera episode is released, I watch it and about a week later I watched it again. So i was looking forward to this show.
Two main components of a good detective story is that, first, the protagonist is quirky, or tormented, or an alcoholic, crazy, goofy, and/or fish a out of water and second, they are extremely passionate about being a detective, by finding the killer, and justice for the victims. Everything else in their lives is secondary. (Ex Grantchester, Vera, Murder in paradise, Sherlock Holmes, Shetland, etc.).
You won't find either of these components at work here. Half of the 20th century protagonist are gay so that's not "quirky" anymore. And although this actor is eye candy, he looks super bored with his work. In one scene, he looks at the murder board and scratches his chin and ........that's it. That would never fly in a Vera episode. My favorite Vera scenes are when she looks at the murder board, turns around and yells at everybody to get to work and find the answer.
The cult angle was interesting, but many mystery murders find that the murder is related to their past and this makes them even more crazy about finding the answer, but once again I just didn't feel passion with this actor.....and if the protagonist is not passionate about what he does, how can u expect us, the viewer, to be.
If u have nothing is to watch, catch this, the scenery is OK. It seemed like everyone lived in a house with huge windows overlooking the sea??...but you would be better served watching another Vera episode.
Two main components of a good detective story is that, first, the protagonist is quirky, or tormented, or an alcoholic, crazy, goofy, and/or fish a out of water and second, they are extremely passionate about being a detective, by finding the killer, and justice for the victims. Everything else in their lives is secondary. (Ex Grantchester, Vera, Murder in paradise, Sherlock Holmes, Shetland, etc.).
You won't find either of these components at work here. Half of the 20th century protagonist are gay so that's not "quirky" anymore. And although this actor is eye candy, he looks super bored with his work. In one scene, he looks at the murder board and scratches his chin and ........that's it. That would never fly in a Vera episode. My favorite Vera scenes are when she looks at the murder board, turns around and yells at everybody to get to work and find the answer.
The cult angle was interesting, but many mystery murders find that the murder is related to their past and this makes them even more crazy about finding the answer, but once again I just didn't feel passion with this actor.....and if the protagonist is not passionate about what he does, how can u expect us, the viewer, to be.
If u have nothing is to watch, catch this, the scenery is OK. It seemed like everyone lived in a house with huge windows overlooking the sea??...but you would be better served watching another Vera episode.
I really, really tried to like this more but the boredom of the direction and script defeated me. The stationary camera fails to keep our eyes interested, despite some of the gorgeous scenery. Then there's a stony Ben Aldridge who fails to capture our empathy.
The makers of the show must've known there were problems: the music is far too intrusive and just as tedious as the dreary dialog. Music this gratuitous is usually used to compensate for an unremarkable script or tepid direction, both of which this series possesses.
There are moments of real plot movement here but they are far too rare. You become involved, then are brought back down by some dull religious or backstory dialog that prompts you to fast forward through the dreary talk.
The makers of the show must've known there were problems: the music is far too intrusive and just as tedious as the dreary dialog. Music this gratuitous is usually used to compensate for an unremarkable script or tepid direction, both of which this series possesses.
There are moments of real plot movement here but they are far too rare. You become involved, then are brought back down by some dull religious or backstory dialog that prompts you to fast forward through the dreary talk.
I read the book first. I'm glad some things were cut, however, some background was glossed over in the series which should have been emphasized.
The lead detective is too low key, even in the book. He lack the spark Vera has. It's like he's muddling through. The book had too much background on the character s private lives. The series does as well, although to a lesser degree. Mystery fans want a clever puzzle. The puzzle MUST be front and centre, not the private lives of the cops.
The lead detective is too low key, even in the book. He lack the spark Vera has. It's like he's muddling through. The book had too much background on the character s private lives. The series does as well, although to a lesser degree. Mystery fans want a clever puzzle. The puzzle MUST be front and centre, not the private lives of the cops.
In North Devon, a body washes up on a beach, on trj case is DI Matthew Venn, who's battling demons past and present.
This is very much a drama of two halves, my advice would be, stick with it. I wasn't exactly in raptures over episodes one and two, but it does improve, it builds well to an exciting snd dramatic finale.
It's not the typical crime drama you expect nowadays, no conspiracies, car chases or guns, it's all very measured, some may fairly argue slow, but the drama comes from control and fear.
It should have been 3 episodes at most, in parts it is dull, plain and simple dull. However it's almost worth sticking with just for the ending.
The locations are beautiful, that was never going to fail, some of the views are incredible.
The best element for me is the acting. Ben Aldridge is good, he's well cast, and certainly very handsome. Martin Shaw, Juliet Stevenson and Neil Morrissey at all very good, for me it's Anita Dobson who steals the show, I always knew she was good, I wasn't aware that she was tbis good.
Stick at it, 7/10.
This is very much a drama of two halves, my advice would be, stick with it. I wasn't exactly in raptures over episodes one and two, but it does improve, it builds well to an exciting snd dramatic finale.
It's not the typical crime drama you expect nowadays, no conspiracies, car chases or guns, it's all very measured, some may fairly argue slow, but the drama comes from control and fear.
It should have been 3 episodes at most, in parts it is dull, plain and simple dull. However it's almost worth sticking with just for the ending.
The locations are beautiful, that was never going to fail, some of the views are incredible.
The best element for me is the acting. Ben Aldridge is good, he's well cast, and certainly very handsome. Martin Shaw, Juliet Stevenson and Neil Morrissey at all very good, for me it's Anita Dobson who steals the show, I always knew she was good, I wasn't aware that she was tbis good.
Stick at it, 7/10.
Wonderful acting and beautiful scenery. Took a while to get into the story but really enjoyed it.
Anita Dobson is tremendous especially in the closing scenes.
Anita Dobson is tremendous especially in the closing scenes.
Lo sapevi?
- QuizITV reportedly have no plans for a second series of the crime drama. The first series opened strongly attracting an audience of over 6 million viewers but this fell to under 4 million for the final episode.
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