Little Richard: I Am Everything

As "Little Richard: I Am Everything" (2023 release; 101 min.) opens, we heard from various talking heads. One of them sums it up like this: "He spit on every rule there ever was in music". "He" of course being Little Richard. We then go back in time to the early 1930s in Macon, Georgia. It might as well be the 1830s, that is how remote Macon was from everything. In that backwards, if not openly racist, midst, Little Richard was finding his way... At this point we are 10 minutes into the documentary.

Couple of comments: this is the latest documentary from Black director Lisa Cortes ("All In: The Fight For Democracy"). Here she reassesses the life and times of a rock icon who never truly received what he deserved, either critically or commercially. But that didn't stop him from pushing on. This is a rousing documentary from start to finish. Little Richard knew all too well what was going on. Or as he puts it towards the end of this enjoyable documentary: "We built the highway and they they still driving it and not paying toll".

"Little Richard: I Am Everything" was released earlier this year, to immediate acclaim. It is now playing on HBO and streaming on Max, where I saw it the other night. There is good reason why this movie is currently rated 98% Certified Fresh on Rotten Tomatoes, and I fully expect it will get a Best Documentary Oscar nomination in early 2024. If you have any interest in Little Richard or the history of rock and roll, I'd readily suggest you check this out, and draw your own conclusion.

Little Richard was a much bigger icon than I ever knew.

Although I am a grown man, I became interested in pop music and popular culture many years after Little Richard had his "heyday". I also got bits and pieces of him, and sometimes he appears on TV and the like. No more.

This documentary highlights his central role in popular culture. In fact, without Little Richard, pop music might not have become what we know it as today.

The documentary shows him as a trailblazer and as an enormous inspiration for all who followed him. Unfortunately, he has little respect and recognition for his enormous efforts.

The documentary also gives us insight into his private life; both religion (which was central), sexual orientation and how friends perceived him.

Last but not least; lots of wonderful music here, and many clips of performances he did. Little Richard gave it his all when he was on stage, and the audience loved him. At a time when pop stars "come and go", it is liberating to get to know who paved the way for many of them.

This perceptive documentary on the career and importance of Little Richard transcends the typical pop music tribute in the breadth and depth of its treatment -kudos to director Lisa Cortes.

It concisely covers many topics relevant to his rise as well as the roadblocks that were placed in his way. Being Black, Gay and a rebel added up to his becoming a revolutionary figure in popular culture. And the selection of interviewees, some famous, some less so, but all knowledgeable about facets of his life.

From his earliest influences and colleagues to the early White ripoffs of his songs starting with "Tutti Frutti" by Elvis and Pat Boone, and ultimately by an adoring Paul McCartney, the movie traces a circuitous history of a legendary performer.

His international influences are attested to by McCarthy, Mick Jagger, Tom Jones and many others -all ringing true.

Then later his turning to religion and getting involved with drugs and falling into poverty, ultimately turning against his gay identity. What emerges in this carefully crafted and structured documentary is a complex personality, living up to its title.

Sometimes it takes a movie to help set the record straight. And, when it comes to designating who truly is the king of rock 'roll, this documentary from director Lisa Cortes does just that. Richard Wayne Penniman - professionally known as Little Richard (1932-2020) - burst onto the pop music scene in the mid-1950s with a singular, unrestrained, high-energy style that set him apart from other aspiring performers at the time, achieving tremendous success with hits like "Tutti Fruitti" and "Long Tall Sally," among others. However, even though he developed a strong following and a reputation for chart-busting releases, he never quite attained the widespread notoriety of others, like Elvis Presley and Pat Boone, particularly when they covered his hits. He also didn't achieve the financial success that he deserved, thanks to record labels that gave him raw deals. What's more, as a flamboyant, openly gay Black musician at a time when those qualities were far from well tolerated, he became a target for ostracism and scorn from conservative circles, whose leaders spouted inflammatory claims that he was undermining the moral fabric of traditional American culture with his "decadent" music and "perverted" lifestyle. Yet his blend of colorful performances, mixed with outlandish costumes, pancake makeup and frenetic stage antics and backed by tunes that fused boogie woogie, rhythm & blues and gospel, made him a standout, a style that countless artists drew from - and openly acknowledged his influence - when they emerged in their own right, many of whom are interviewed in the film in archive footage or recent conversations. The result here is a revelatory examination of someone who set a standard but who never received the degree of recognition he merited until many years after his debut on the music scene. "Little Richard: I Am Everything" features a wealth of historical footage, including many interviews with the artist himself, along with observations from the likes of Mick Jagger, Billy Porter, Paul McCartney, Tom Jones, Nona Hendryx and superfan filmmaker John Watters, as well as an array of music industry, African-American and gay community historians. Viewers are likely to come away from this offering knowing a lot about Little Richard that they hadn't known previously, enabling them to gain a new appreciation for the rock icon and learning much about the many triumphs and challenges he faced during his colorfully enigmatic life. Audiences are sure to come away from this one proclaiming "Long live rock - and the king who finally gets to wear his much-deserved crown."

Thank you for recognizing one of the greatest musicians of all times. I believe that you did a wonderful job of chronicling the life of Richard Pinneman, however, one mistake was made that needs to be corrected and the public needs to know the truth. Near the beginning of the movie you showed a young boy playing a piano as little Richard. This is not true. This young man was and is Frank Isaac "Sugar Chile" Robinson, born 12/28/1938, and is still alive. That picture was taken from a 1946 movie that he was in with Van Johnson called "No Leave, No Love". He also recorded several albums between 1949 and 1952. Everyone always thinks that he is Little Richard. I would love to see this BLACK child prodigy get his proper respect.