Un solitario insegnante di inglese gravemente obeso tenta di riallacciare i rapporti con la figlia adolescente per un'ultima possibilità di redenzione.Un solitario insegnante di inglese gravemente obeso tenta di riallacciare i rapporti con la figlia adolescente per un'ultima possibilità di redenzione.Un solitario insegnante di inglese gravemente obeso tenta di riallacciare i rapporti con la figlia adolescente per un'ultima possibilità di redenzione.
- Vincitore di 2 Oscar
- 50 vittorie e 122 candidature totali
Allison Altman
- Young Mary
- (non citato nei titoli originali)
David Maire
- Dan the Pizza Man's Shadow
- (non citato nei titoli originali)
Lance Oppenheim
- Julian
- (non citato nei titoli originali)
Grace Perkins
- Maddie
- (non citato nei titoli originali)
Wilhelm Schalaudek
- Liam
- (non citato nei titoli originali)
Recensioni in evidenza
I looooved this movie. It is clearly based on a play, and if you can accept that from the start and just take it all in, this movie really takes you into emotional spaces i didn't expect.
At some parts I admittedly laughed when I shouldn't but when the film reaches culmination it's impossible to not be taken by the beautiful agony of this tale.
This will win a best lead Oscar and bc Aranofsky used so much restraint I suspect he will be snubbed but as with all his films I guarantee you wont be able to shake this movie off.
This is legit art and it will make you uncomfortable, but unlike Mother -- it will be totally justified in the end.
At some parts I admittedly laughed when I shouldn't but when the film reaches culmination it's impossible to not be taken by the beautiful agony of this tale.
This will win a best lead Oscar and bc Aranofsky used so much restraint I suspect he will be snubbed but as with all his films I guarantee you wont be able to shake this movie off.
This is legit art and it will make you uncomfortable, but unlike Mother -- it will be totally justified in the end.
Imagine that there was complete silence in the hall for 2 minutes after the end of the movie (The Whale). You don't come across something like that very often. Brendan Frazer, directed by Darren Aronofsky, gave an incredible, amazing performance. When you watching this movie, you felt certain feelings at once. Such films don't happen often, but when they do, they change the cinema for the better. This psychological drama about guilt, loss, and trauma is one of the best films of this year. I hope it wins all the awards it will be nominated for, most importantly in the best actor category ( Brendan Frazer). He will probably win.
See The Whale just to watch consummate actors, Branden Fraser and Sadie Sink, playing father and daughter, furiously catch up with each other after years of separation. Set in Charlie's apartment, just big enough for his morbidly huge body, The Whale is not only about the reconciliation of this odd couple and the survival of obese Charlie but rather about how obsession can consume faster than a greasy piece of pizza.
Besides his abuse of food, Charlie refuses to let the Zoomed-in students see him in his rolling flesh. Yet, he is not self-centered or food-obsessed enough not to care about others, especially his flinty daughter, Ellie (Sadie Sink, so much like a young Ellen Page), for whom he writes college essays (he teaches writing) and saves for her over $100K. His heart is as big, well, as his body.
Writer Samuel D. Hunter (also author of the play) and director Darren Aronofsky move Charlie toward either reclamation or death; they remind us he did abandon normal life for a gay love, who eventually committed suicide, and over whom Charlie has not recovered. Good enough for Charlie to despair and abandon himself to food.
Ellie's finishing high school is Charlie's other obsession, and whether or not they all can survive their confrontation is the abiding suspense. Pervading the drama is a sense of regret in almost every character except maybe the pizza delivery boy, Dan (Sathya Sridharan). Even Charlie's ex, Mary (excellent Samantha Morton), suffers the sorrows of their split family.
Hong Chau, who has had a great year, if only for her role in Triangle of Sadness, plays the gritty Liz, a caretaker for Charlie and true friend, regretting Charlie's descent that allows no trips to the hospital and hides his money for his unstable daughter.
The itinerant Jesus fan, Thomas (Ty Simpkins), is food for another essay but for now an effective emblem of the intricate characters supporting Charlie's journey. Herman Melville lends figurative richness to the proceedings. If I haven't convinced you of the gold in this small film about a big man, go see it to witness my prediction that Fraser will win Globes and Oscar.
Besides his abuse of food, Charlie refuses to let the Zoomed-in students see him in his rolling flesh. Yet, he is not self-centered or food-obsessed enough not to care about others, especially his flinty daughter, Ellie (Sadie Sink, so much like a young Ellen Page), for whom he writes college essays (he teaches writing) and saves for her over $100K. His heart is as big, well, as his body.
Writer Samuel D. Hunter (also author of the play) and director Darren Aronofsky move Charlie toward either reclamation or death; they remind us he did abandon normal life for a gay love, who eventually committed suicide, and over whom Charlie has not recovered. Good enough for Charlie to despair and abandon himself to food.
Ellie's finishing high school is Charlie's other obsession, and whether or not they all can survive their confrontation is the abiding suspense. Pervading the drama is a sense of regret in almost every character except maybe the pizza delivery boy, Dan (Sathya Sridharan). Even Charlie's ex, Mary (excellent Samantha Morton), suffers the sorrows of their split family.
Hong Chau, who has had a great year, if only for her role in Triangle of Sadness, plays the gritty Liz, a caretaker for Charlie and true friend, regretting Charlie's descent that allows no trips to the hospital and hides his money for his unstable daughter.
The itinerant Jesus fan, Thomas (Ty Simpkins), is food for another essay but for now an effective emblem of the intricate characters supporting Charlie's journey. Herman Melville lends figurative richness to the proceedings. If I haven't convinced you of the gold in this small film about a big man, go see it to witness my prediction that Fraser will win Globes and Oscar.
Let me start by saying I've been a fan of Fraser since seeing Encino Man as a kid and this guy will always be one of my favorites. To see him somehow thrown out of Hollywood/not casted for the most part for the past decade was very frustrating for me. It was about time someone gave him another chance which Aronofsky and A24 did and it proved successful mainly because of Brendan's dedicated and emotional performance.
The film itself is quite less pretentious and more honest than most of A24 films to date . It also has more of a down to earth straight forward delivery than most of Aronofsky's perplexing work. Honestly with the subject matter it needed to be and relies mostly on pure emotion and struggle which is shown masterfully by Fraser.
There have been a lot of preconceived outraged overreactions and ridiculous assumptions based on the fact that Fraser is wearing a fat suit/getting prosthetics to appear as a morbidly obese person. I don't see why this is a problem mainly due to the fact this is a film made to entertain and to do so sometimes you wear things or makeup to alter looks. It would be difficult to cast a real life person off the street and have them pour their real emotions out on screen. I don't see that being easy.
Also this is so much deeper than the looks of Fraser in the film and that's the true intention and power of this piece. People must see this raw and moving performance from Brendan and it's sure to cause a stir. This is the due Renaissance and comeback for Mr. Fraser. Oscar should be coming his way.
The film itself is quite less pretentious and more honest than most of A24 films to date . It also has more of a down to earth straight forward delivery than most of Aronofsky's perplexing work. Honestly with the subject matter it needed to be and relies mostly on pure emotion and struggle which is shown masterfully by Fraser.
There have been a lot of preconceived outraged overreactions and ridiculous assumptions based on the fact that Fraser is wearing a fat suit/getting prosthetics to appear as a morbidly obese person. I don't see why this is a problem mainly due to the fact this is a film made to entertain and to do so sometimes you wear things or makeup to alter looks. It would be difficult to cast a real life person off the street and have them pour their real emotions out on screen. I don't see that being easy.
Also this is so much deeper than the looks of Fraser in the film and that's the true intention and power of this piece. People must see this raw and moving performance from Brendan and it's sure to cause a stir. This is the due Renaissance and comeback for Mr. Fraser. Oscar should be coming his way.
I got to screen this film for awards season purposes.
It was very hard not to cry during several scenes.
Branden Fraser is simply amazing. Under direction of Aronofsky it's probably the best dramatic film of the year.
Fraser portrays the role to perfection. You feel sorrow for his character. The lady from Stranger Things that plays his daughter he is trying to reconnect with is going to be a huge star.
There is nothing unlikable about this film. Fraser tugs at your heart strings with the struggles his character goes through.
It's almost hard to watch at certain points in film; I had to take several breaks it's very emotional.
Fraser is a very genuine guy in real life I have met him twice a decade apart and he was the same amazing guy.
I hope this film does very well and ushers back a long awaited revival for Mr Fraser in Hollywood.
Brilliant actor & film.
10/10.
It was very hard not to cry during several scenes.
Branden Fraser is simply amazing. Under direction of Aronofsky it's probably the best dramatic film of the year.
Fraser portrays the role to perfection. You feel sorrow for his character. The lady from Stranger Things that plays his daughter he is trying to reconnect with is going to be a huge star.
There is nothing unlikable about this film. Fraser tugs at your heart strings with the struggles his character goes through.
It's almost hard to watch at certain points in film; I had to take several breaks it's very emotional.
Fraser is a very genuine guy in real life I have met him twice a decade apart and he was the same amazing guy.
I hope this film does very well and ushers back a long awaited revival for Mr Fraser in Hollywood.
Brilliant actor & film.
10/10.
Lo sapevi?
- QuizFor the role, Brendan Fraser had to don a heavy prosthetic suit that he wore for hours. According to a piece in "Variety", he told members of the media in attendance at the Venice International Film Festival, "I developed muscles I did not know I had. I even felt a sense of vertigo at the end of the day when all the appliances were removed. It was like stepping off the dock onto a boat in Venice, that undulating. It gave me appreciation for those whose bodies are similar. You need to be an incredibly strong person, mentally and physically, to inhabit that physical being."
- BlooperCharlie nicks his skin when shaving, but the cut disappears in the next shots.
- Curiosità sui creditiIn a possibly unique "thanks", the first credit in the movie is, "For Charlotte & Abe".
- ConnessioniFeatured in Projector @ LFF: The Whale (2022)
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Dettagli
Botteghino
- Budget
- 10.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 17.463.630 USD
- Fine settimana di apertura Stati Uniti e Canada
- 332.152 USD
- 11 dic 2022
- Lordo in tutto il mondo
- 57.615.635 USD
- Tempo di esecuzione
- 1h 57min(117 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.33 : 1
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