Fingernails - Una diagnosi d'amore

I generally watch anything that has Riz Ahmed in and never leave reviews but I'm really glad I watched this and was surprised to see such a low score.

I found it a calm and peaceful film but I really felt it between Anna and Amir. I enjoyed subtlety of the question of whether love is enough.

Jessie Buckley is brilliant (I've only seen her in Men up until now and she shows a totally different side in this film) and I found her heartache so easy to connect with. Riz Ahmed is as excellent as ever and brings Amir to life gently.

Don't let the scores put you off, it's definitely worth the watch.

If this story had been well written, I'd have liked the leads together very much. Sadly, it was not well written. I'm a scifi geek and I normally can suspend disbelief and don't care about the science, nor the premise, all that much. In this case, the way this story is written, a five year old child would question the test. I agree with other reviewers that the fact that none of the film's own characters question it strains the disbelief several steps too far, particularly considering how low tech this particular method of this trope is portrayed here. Since most of the characters appear miserable (agree with 'bleak world'), it's extremely depressing and drags on so badly. I cannot imagine a GOOD reason to watch this film. Further, if a large number of people watched it together, say in a theater, I would suggest putting the group on suicide watch.

Sufficient, only for the presence of Jessie Buckley, who is truly magnificent! The film is along the lines of that little masterpiece that is Perfect Sense, but much simpler, not superficial but... too simple. Let's say it could be a good episode of Black Mirror, but nothing more. The direction and acting are very good, but it's all too clear from the start. Slow film, at times soporific, but not boring, full of good intentions, but never takes flight. At least they avoided honeyed and ridiculous scenes. The plot is a little ridiculous, but perhaps it is intentional, a metaphor of how the modern generation uses technology not to help itself, but to guide its own life, entrusting its own free will to dubious scientific theses relating to the human soul, at least as the film shows them. Jessie Buckley is beautiful!!!

Not sure why I decided to watch this, I'm normally a sci fi guy, maybe it's because it was on Apple so knew quality would be up there, maybe I though it had a science fi edge from the 'testing' , or maybe I just fancied something different.

Well I got all of that and more. Jessie Buckley absolutely delivered a superb, real and emotional performance....i could feel every tug on heartstrings I didn't know I had anymore. Great performances from all 3 leads, but Jessie....just wow, I really hope this launches her career to bigger things, she deserves it after that.

Oh and the music was superb.....well done production team.

No, sorry. This is just plain daft! "Anna" (Jessie Buckley) is living with "Ryan" (Jeremy Allen White) having got their certificate. What certificate? Well it's one that certifies that they are a love match! She was a teacher, but is now job hunting - so when an opportunity to work at the very facility that empowered their affection comes up, she heads straight to the office of boss "Duncan" (Luke Wilson) where she insists she would be great at "training" the couples who come to have their own relationships finessed and evaluated so they, too, can be verified. She is duly employed and paired with the inspirational and charismatic "Amir" (Riz Ahmed) - who clearly has his own secret to keep, too! What now ensues just lacks any sense of credibility and, for me, any attempts at satire just fell flat, quickly. The tests are fun, though. In a room where all are clad in just their smalls, "Rob" (Christian Meer) has to quite literally sniff out his girlfriend whilst keeping his eyes closed; another sees people charged with keeping eye contact whilst immersed in ten foot of cold water - presumably more preoccupied with not literally drowning in a sea of love! The coup-de-grasses? Well that's the crunch time when they wrench one of your fingernails - don't worry, you get to choose which one - from each person's hand then insert them into a microwave-oven looking gadget that looks like a cast-off from "Space 1999" before it announces - 0%, 50% or the dreamt for 100% - and that's bliss!. The point of all this being that it could end divorce and unhappy marriages for ever. Once in love, always in love...! Hmmm? Buckley reminds us, occasionally, that she has a fine singing voice and Ahmed is easy enough on the eye (reductive, I know - but we really don't have much else) but the story is just ridiculous, and that grown up adults would ever treat with such preposterous scenarios is just too far-fetched. It's not in anyway a comedy, and the predictable romantic elements come with way too much physical, collateral, damage. It is even almost earnest at times and after half an hour I realised why I was watching this in a cinema by myself. Nice to hear a bit of Alison Moyet on big screen sound, but that's about the height of this. He really needs to get his car window fixed, too!