Due omicidi scioccanti e inaspettati mandano in frantumi una comunità già fratturata portando a una delle più grandi cacce all'uomo nella storia britannica.Due omicidi scioccanti e inaspettati mandano in frantumi una comunità già fratturata portando a una delle più grandi cacce all'uomo nella storia britannica.Due omicidi scioccanti e inaspettati mandano in frantumi una comunità già fratturata portando a una delle più grandi cacce all'uomo nella storia britannica.
- Ha vinto 1 BAFTA Award
- 4 vittorie e 13 candidature totali
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Recensioni in evidenza
The first season starts off iffy; the yelling and screaming drown out much of the fine acting (Lesley Manville!) and directing. It rescues itself with a finely-tuned plot, breezy direction and adroit editing. The second season is a bust. The characters become caricatures, acting irrationally, I laugh out loud more than once. Episode three is especially hilarious, with plot holes so big you could drive a truck through.
Throughout, the antagonists control everyone. The whole concept of not grassing on another is true enough but season two takes it to a frustratingly manipulative degree. It becomes over-the-top, spoiling the obvious other strengths of the series. Writer James Graham gets lazy and presents us with characters and situations that stretch of bounds of disbelief beyond reason. He seems to have run out of ideas, settling for too-convenient plot situations and characters, manipulating both, literally losing the plot. Second season is a cheat. If there is a season three, I hope there is a new, fresh, talented writer to take over.
Throughout, the antagonists control everyone. The whole concept of not grassing on another is true enough but season two takes it to a frustratingly manipulative degree. It becomes over-the-top, spoiling the obvious other strengths of the series. Writer James Graham gets lazy and presents us with characters and situations that stretch of bounds of disbelief beyond reason. He seems to have run out of ideas, settling for too-convenient plot situations and characters, manipulating both, literally losing the plot. Second season is a cheat. If there is a season three, I hope there is a new, fresh, talented writer to take over.
The absolute A-team of British actors can be found in this crime series which is based on historical events in the mid-80s. Quality pays off!
The story shows us a rich gallery of characters in a former mining town, where what happened 30 years ago still simmers beneath the surface. The calm and seemingly harmonious surface hides both hatred and unresolved events. This culminates in a murder, and soon we are drawn into a very exciting investigation, with several side stories that give insight into the various characters. I found this to be both entertaining, engaging and exciting.
The story shows us a rich gallery of characters in a former mining town, where what happened 30 years ago still simmers beneath the surface. The calm and seemingly harmonious surface hides both hatred and unresolved events. This culminates in a murder, and soon we are drawn into a very exciting investigation, with several side stories that give insight into the various characters. I found this to be both entertaining, engaging and exciting.
The first season was pretty solid, had decent writing and interesting characters, portrayed by lots of good actors. But the second season felt inferior in most ways, and by the two last episodes, I was glad this series ended when it did. Like so many similar crime/drama mini-series these days, what promises to be entertaining, intelligent and quite believable, gets bogged down by too many side stories and similar endings that remind one of any soap opera we're familiar with. Hugely disappointing turn of events by the last few episodes, and despite a very strong performance by Mr. Morrissey, the characters became caricatures of themselves. Not sure if the writers were the same for both seasons, but am glad there is no 3rd season to endure. Lots of loose ends, improbable scenarios (a vulnerable female who is left in the care of 3 unknown males for one), and unresolved crimes only added to the relief that this was just fiction. Apparently based on a real-life community of the author, I can only hope it was very loosely based on reality.
A lot of dramas fizzle out after a few episodes but that is not the case with 'Sherwood'. Every episode is worth watching and as a drama overall this works. Well acted and with a good story this is one of the best and most consistent dramas the the BBC has produced for a while.
There are some very well known actors here with very little screen time which adds to the drama considerably. Joanne Froggatt, Alun Armstrong, Mark Addy, Lindsay Duncan and Stephen Tomkinson all appear briefly but with impact. This is well worth watching.
There are some very well known actors here with very little screen time which adds to the drama considerably. Joanne Froggatt, Alun Armstrong, Mark Addy, Lindsay Duncan and Stephen Tomkinson all appear briefly but with impact. This is well worth watching.
BBC drama at its brilliant best. A stellar cast of top notch actors and a story line that always keeps you guessing with some real jaw dropping moments. This is definitely one of the best series of the year. Not to be missed.
Lo sapevi?
- QuizTom Glenister, playing young Kevin Salisbury, is the real life son of Robert Glenister, playing adult Kevin Salisbury.
- ConnessioniFeatured in Points of View: Episodio #78.9 (2022)
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