Donkeyhead

When looking for a movie to watch, I'm often attracted to films that have unusual titles. Then, if they have a decent rating on IMDB and Rotten Tomatoes, I give them a shot. Nine times out of ten I'm in luck. That's certainly the case with "Donkeyhead". It's a little gem featured on Netflix. If you enjoy indie films with a lot of heart, give this one a shot.

The story revolves around a second generation Pakistani family who live in Regina Canada. Agam Darshi, wrote, directed, and stars in the film. Mona is a writer who's put her career on hold to care for her dying father. When he takes a turn for the worse and goes into a coma, her three siblings return home. This is were family dynamics come into play,. There's a great deal of finger pointing, accusations, and old resentments bubble to the surface. While they get along at first, they soon begin bickering.

It doesn't help when a group of people from their dad's temple camp out in their living room and start round the clock praying for his health. When they meet with their attorney and discover their father's estate all goes to her twin brother, things come to a head. And it doesn't help that Mona is having an affair with the married attorney.

"Donkeyhead" is a well written and acted family drama that I found very rewarding. It's one of those films that make you reflect on your own family and your relationship with your siblings.

Donkeyhead is one of those 'estranged siblings come together to be with their terminally ill father' movies. However, it adds nothing new to the conversation. It is heavily targeted towards a South Asian audience in terms of culture, references, and what the characters considers "taboo," but falls flat for the general audience. At the same time the characters try really hard to prove to us that they're assimilated (there is a very pointless scene where they insist on singing O Canada in a bar). The conversations and relationships feel very contrived. And Kim Coates existence in this film feels like a called in favour to add a recognizable name to the cast.

The main character, Mona, spends a lot of the time brooding like an angsty teenager in a 30 something body and doesnt grow much as a character throughout the film. The writer & director stars as the main character so I assume that is how she wanted the character to come off. The end of the movie also drags on forever, at several points I thought the credits were going to roll only to be met with more and more ineffective scenes.

Great job in terms of representation, and the production quality was decent. But in terms of story, I question why this was a story they felt like they needed to tell... or maybe it was great and timely, but just not geared towards a broad audience.

Agam Darshi steals the show along with Stephen Lobo, Donkey Head captures the nuances of complicated relationships between 2nd gen south Asian families. A needed insight to the culture displaying imperfection, while interweaving hidden societal expectations usually only reserved to those who are... Indian. I'm addition to a wrenching story, it's a film is not just for white audiences but also shares something familiar and unseen for Indian people. It's a realistic view that doesn't display our people as Bollywood tree going performers and cheesy lovers.

This was a pretty good story about siblings going through the inevitable death of a cancerous father. The judgemental attitudes of relatives who are in or have never been in a position to judge anything or anyone is absurd at best. An accurate deduction of gaslighting nobody relatives.

We shall all die, just as we where born, sikh or not, a canadian family drama, about the family guru walking his last steps towards eternity, mended and taken care for by the black fowl of the family through seven long years, and pushed and plagued in a heartful and felt comedy, when the rest of the scavanger siblings and family comes to share the leftovers when death comes about.

A well acted, good casted and solid filmproduct if you care or feels curious for love, life and the eternal death issues that rules a family when the result of a life shall be accounted for, and inheritance split splatt or spread like the ashes into the river rubicon.

An atmosphere that us old grumpy ones may feel familiar, even me , and may be a nice curricular movie for all them making their testament etc. Etc.. so a recommend on this one.