Shirley: in corsa per la Casa Bianca

Congresswoman Shirley Chisholm (Regina King), the first African-American woman elected to the House of Representatives, was an inspiring, trailblazing politician, particularly in the areas of race and gender politics. After winning her seat in Congress in 1968, she later went on to run for the Democratic Party nomination for President in 1972. And that impressive background, one would think, should provide the basis for an engaging, uplifting film biography. Unfortunately, writer-director John Ridley's take on this groundbreaking, often-unappreciated pioneer misses the mark in a number of ways. The biggest problem is a script that tries to cover too much ground in its 1:58:00 runtime, addressing an array of elements from Chisholm's personal and political life and not covering either area particularly well, most notably in the film's first half before settling down in the picture's back end. The narrative jumps around so much that the picture becomes choppy and unfocused - almost incoherent at times - primarily due to some inexplicably mystifying film editing and a lack of sufficient explanation and back story, especially for those who may not know much about the protagonist's life going in. The film also features some rather questionable casting choices, such as the selection of actor W. Earl Brown to portray Alabama Governor George Wallace, who neither looks nor sounds anything like the conservative Southern Democrat who also ran for President in 1972 and was subsequently shot during the campaign. Even King's performance is somewhat uncharacteristically lacking as she struggles mightily to definitively capture Chisholm's singular demeanor and vocal inflections, qualities that sometimes don't always resonate, despite the actress's strong physical resemblance to her character. The real standout here is Lance Reddick, who gives one of his career's best portrayals (as Chisholm's political mentor) in one of his last screen performances. It's disappointing that this inspirational social and political leader hasn't received the worthy cinematic tribute she truly deserves. Perhaps "Shirley" might have worked better as a miniseries than as a standalone vehicle, as that format likely would have provided a better option for more fully telling her story in all of the detail it seeks to depict here. Indeed, for someone who endeavored to rise up to the challenges she faced, it's disheartening that the film seeking to depict that effort doesn't match what she so earnestly sought to accomplish.

The movie chronicles the efforts of the first black US Congresswoman Shirley Chisholm to get a nomination to run for President of the United States. The incidents in her life in 1971-72 are in focus here and the movie is by no means a biopic. ( I am only focusing on the movie since I have no knowledge of real life incidents relating to her). One can see that an ordinary middle class black lady in US is able to pursue her dream to reach the highest office of the land with hardly any resources at her disposal and how she ruthlessly bulldozes her way in the face of adversities. Her husband doesn't think she has any chances and her sister is upset with the ridicule being heaped upon them by the public in general. She doesn't like her staff using the word " Can't " and she lovingly manipulates people to give in to her plans. She is confident and plucky while displaying a cool demeanor when facing issues .( She is described as 100 lbs of nuclear energy). Watch her in her " never say die" attitude even when she gets around 4% of the votes. She is happy making a beginning for others and considers herself as a catalyst for change.

With some good direction by John Ridley Regina King gives a spirited performance and does project the nuances of her complex character to near perfection. In a way she underplays the role convincingly. Regina's sister Reina plays the role of her on screen sister very effectively.

This Shirley is possibly even more bold than Shirley, the waitress cooking up burgers for Rerun, from "What's Happening!" This is a great piece of American culture as it is about the first black congresswoman, Shirley Chisholm, who became the first Black woman to run for President of the United States. She was portrayed as a smart and savvy person who wouldn't let people tell her no or that she couldn't or shouldn't do something she believed in. The story follows her as she ramps up her presidential run, the people in her inner circle, her husband's role and of course the obstacles she had to overcome. Overall, the storytelling lacked finesse and subtly as it was a bit heavy-handed at times and felt like a choppy bullet list of moments. The acting and costumes felt spot on. Cool political and inspirational story.

"Shirley" (2024) sets out to capture the groundbreaking, albeit unsuccessful, 1972 presidential run of Shirley Chisholm, the first Black woman elected to the United States Congress. The film straddles the line between historical homage and cinematic spectacle with the grace of a tightrope walker in a windstorm. It's commendable in its ambition, like attempting to solve a Rubik's Cube blindfolded - admirable, but you kind of wonder why.

The movie is ok, and by "ok," I mean it's like that lukewarm cup of coffee you forgot about but decide to drink anyway because, well, caffeine is caffeine. The narrative attempts to juggle Chisholm's political struggles, personal trials, and historical context, occasionally dropping the ball but mostly keeping it in the air. The performances are robust, channeling the essence of the 70s so convincingly you can almost smell the vintage cologne and see the questionable fashion choices off-screen. However, at times, it feels like the film is more of a spirited reenactment than a deep dive, skimming the surface like a stone over water, touching on depth but never fully plunging in.

Where "Shirley" shines, though, is in its unwavering commitment to reminding us of a story that deserves to be told, even if it does so with the finesse of a sledgehammer to a nail. It's like watching your dad use a smartphone; the effort is there, the process is painful, but the outcome is mostly what you hoped for. In a sea of historical dramas that take themselves too seriously, "Shirley" is refreshingly self-aware, winking at its audience from time to time with on-the-nose dialogue and scenes that feel like they were directed by someone who binge-watched every political drama on streaming services. In the end, "Shirley" is a decent watch, the kind you'd recommend to a friend with the caveat, "It's interesting, but keep your expectations in check - like, way in check."

Shirley Chisholm has been up there among my heroes. She was a small, thin woman with a distinctive voice and speech pattern. And when she spoke, one couldn't help but listen. Powerful, powerful leader.

I feel this film did not do her justice. Don't get me wrong, it was okay. But okay does not cut it for someone as important as Shirley Chisholm should be considered.

One thing for sure, she had no Island accent. I did not feel Regina King channeled her well. Not were the other actors very strong. Everything was surface. No introspection, no deep thinking exposed.

Perhaps it would have been more interesting to see how she got to Congress and her achievements there.