Un uomo partecipa a un game show in cui i concorrenti, autorizzati ad andare in qualsiasi parte del mondo, vengono inseguiti da «cacciatori» ingaggiati per ucciderli.Un uomo partecipa a un game show in cui i concorrenti, autorizzati ad andare in qualsiasi parte del mondo, vengono inseguiti da «cacciatori» ingaggiati per ucciderli.Un uomo partecipa a un game show in cui i concorrenti, autorizzati ad andare in qualsiasi parte del mondo, vengono inseguiti da «cacciatori» ingaggiati per ucciderli.
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Recensioni in evidenza
Ran out of steam by the end
Really wanted to love this. I'm a big Stephen King fan and was curious how they would carry out an updated version of the movie. They had me all the until the last quarter of the movie where it felt like they just didn't know how to end it. Scarf girl wasn't necessary and better use of Lee Pace could have made the ending better.
A guaranteed good time at the movies!
The Running Man is a lively, vibrant, and in your face blockbuster that is sure to entertain
The story takes place in a dystopian future, where desperate protagonist Ben enters 'The Running Man', a life or death game show that sees him hunted for sport. Winning means he can lift his family out of poverty with untold riches. Failure means death. It's a good concept and it is executed well. Edgar Wright immerses us in the world very easily from the outset, getting us up to speed with some slightly clunky but effective exposition. From then on, the film maintains a vicious pace, as the title suggests. It has a fierce momentum thanks to plenty of great and varied action sequences. It's a highly entertaining piece and has a few good twists and reveals, with some nice creative flourishes too. The whole world feels gritty and lived in, and is designed really well.
I must say though, the film doesn't wield any subtlety with its themes. Everything is very on the nose and obvious, and I think there was scope to add a bit more depth here. A conversation late in the film with Powell's Ben Richards and Emilia Jones' Amelia showed what the script could have been, but ultimately the social commentary was a bit one dimensional unfortunately. I also thought there was scope, given the current climate, to comment a bit more on technology and media which again, felt slightly one dimensional. At the end of the day though this is a big blockbuster movie, so maybe I am expecting too much. This was never to the detriment of the film as it was, it just felt like a slightly missed opportunity.
What really can't be faulted though are the performances. Glen Powell is a proper movie star and he shows it once more with another fantastic leading role. He is so magnetic and extremely likeable which works so well for this role as it so easy to root for him. Supporting cast members like Colman Domingo and Josh Brolin were brilliant. Domingo in particular brought such a fun flamboyance to his character which made for a great watch. Michael Cera had a great role which he ekes every bit of comedy and drama out of. It's a really fun cast and they all rise to the occasion.
Overall then I had a really good time with this movie. The story is fun, and while I feel it was ripe for more impactful social commentary, it still did a very good job of entertaining. The action is lively, the direction solid, and the cast really fun. A guaranteed good time at the movies!
The story takes place in a dystopian future, where desperate protagonist Ben enters 'The Running Man', a life or death game show that sees him hunted for sport. Winning means he can lift his family out of poverty with untold riches. Failure means death. It's a good concept and it is executed well. Edgar Wright immerses us in the world very easily from the outset, getting us up to speed with some slightly clunky but effective exposition. From then on, the film maintains a vicious pace, as the title suggests. It has a fierce momentum thanks to plenty of great and varied action sequences. It's a highly entertaining piece and has a few good twists and reveals, with some nice creative flourishes too. The whole world feels gritty and lived in, and is designed really well.
I must say though, the film doesn't wield any subtlety with its themes. Everything is very on the nose and obvious, and I think there was scope to add a bit more depth here. A conversation late in the film with Powell's Ben Richards and Emilia Jones' Amelia showed what the script could have been, but ultimately the social commentary was a bit one dimensional unfortunately. I also thought there was scope, given the current climate, to comment a bit more on technology and media which again, felt slightly one dimensional. At the end of the day though this is a big blockbuster movie, so maybe I am expecting too much. This was never to the detriment of the film as it was, it just felt like a slightly missed opportunity.
What really can't be faulted though are the performances. Glen Powell is a proper movie star and he shows it once more with another fantastic leading role. He is so magnetic and extremely likeable which works so well for this role as it so easy to root for him. Supporting cast members like Colman Domingo and Josh Brolin were brilliant. Domingo in particular brought such a fun flamboyance to his character which made for a great watch. Michael Cera had a great role which he ekes every bit of comedy and drama out of. It's a really fun cast and they all rise to the occasion.
Overall then I had a really good time with this movie. The story is fun, and while I feel it was ripe for more impactful social commentary, it still did a very good job of entertaining. The action is lively, the direction solid, and the cast really fun. A guaranteed good time at the movies!
Edgar Wright delivers again
When I heard Edgar was making this movie I watched the original, read the book, and got thoroughly excited for 6 months. I wasn't disappointed, for those who've read the book you'll get a lot more of that classic Richard Bachman (Steven King) classic, but perfectly streamlined and some nice changes.
For those who haven't, throw away the original movie, this isn't that, it's even better! Get to the cinema, watch it. Cracking fun.
For those who haven't, throw away the original movie, this isn't that, it's even better! Get to the cinema, watch it. Cracking fun.
A good popcorn movie is still a good movie
People might say that it's a good popcorn movie, but I gotta say that a good popcorn movie is still a good movie. Glen has done a great job on acting.
As you know, the story is from Stephen King so it has some sort of guarantee that the plot wasn't gonna be that bad. In fact, i view that it is quite good even though there is a lack of depth in some part. Still, for a two hour movie, it has done a pretty great job on capturing the story. Although in some scenes, it's quite prolonging.
This movie is surely fulfilling the criteria of whatever action movie should have. There's an excitement as it will make you rooting for the runners. Some scenes may be predictable, but it is not easy as it seems. So just go watch it, it won't disappoint you.
As you know, the story is from Stephen King so it has some sort of guarantee that the plot wasn't gonna be that bad. In fact, i view that it is quite good even though there is a lack of depth in some part. Still, for a two hour movie, it has done a pretty great job on capturing the story. Although in some scenes, it's quite prolonging.
This movie is surely fulfilling the criteria of whatever action movie should have. There's an excitement as it will make you rooting for the runners. Some scenes may be predictable, but it is not easy as it seems. So just go watch it, it won't disappoint you.
Stumbles and falls.
Glen Powell stars as Ben Richards, who signs up for a TV show where contestants are hunted by killers; if they can survive for 30 days, they win a fortune in prize money. Josh Brolin is the villain of the piece -producer Dan Killian - who will go to any lengths to ensure the show's popularity and high ratings.
The 1987 adaptation of Stephen King's The Running Man, starring everyone's favourite Austrian bodybuilder, is a lot of cheesy '80s action fun, but it's far from my favourite Schwarzenegger movie. That said, I'd rather rewatch Arnie dropping corny one-liners while battling cartoonish, colourful, over-the-top villains than sit through Edgar Wright's version for a second time. The tone of the new film feels all wrong - Wright attempts to combine satirical humour with hard hitting violence, but fails to pull off the trick: he's no Verhoeven. He should have either leaned into the campiness, as per the original film, or gone serious and super dark and ultra violent - in attempting to do both, he merely succeeds in making his film feel very uneven.
This new adaptation is also unnecessarily long (2 hrs and 13 mins), losing a lot of steam in the second half. I was willing to give the film a fair crack of the whip, 'cos when Wright is on form he is great, but I really found my mind wandering once the film passed the hour and a half mark. The action scenes fail to get the adrenaline pumping - I felt no jeopardy for Ben Richards whatsoever - and the humour doesn't land (only the Y/Why? Gag made me laugh). I really wanted this to be good, so it pains me to say that The Running Man is far from Wright's best work and will probably be forgotten about fairly quickly (unlike Arnie's film, which is a cult classic).
4.5/10, generously rounded up to 5 for IMDb.
The 1987 adaptation of Stephen King's The Running Man, starring everyone's favourite Austrian bodybuilder, is a lot of cheesy '80s action fun, but it's far from my favourite Schwarzenegger movie. That said, I'd rather rewatch Arnie dropping corny one-liners while battling cartoonish, colourful, over-the-top villains than sit through Edgar Wright's version for a second time. The tone of the new film feels all wrong - Wright attempts to combine satirical humour with hard hitting violence, but fails to pull off the trick: he's no Verhoeven. He should have either leaned into the campiness, as per the original film, or gone serious and super dark and ultra violent - in attempting to do both, he merely succeeds in making his film feel very uneven.
This new adaptation is also unnecessarily long (2 hrs and 13 mins), losing a lot of steam in the second half. I was willing to give the film a fair crack of the whip, 'cos when Wright is on form he is great, but I really found my mind wandering once the film passed the hour and a half mark. The action scenes fail to get the adrenaline pumping - I felt no jeopardy for Ben Richards whatsoever - and the humour doesn't land (only the Y/Why? Gag made me laugh). I really wanted this to be good, so it pains me to say that The Running Man is far from Wright's best work and will probably be forgotten about fairly quickly (unlike Arnie's film, which is a cult classic).
4.5/10, generously rounded up to 5 for IMDb.
Glen Powell and Lee Pace Worship Edgar Wright
Glen Powell and Lee Pace Worship Edgar Wright
Big Screen Berkan (@bigscreenberkan) catches up with Glen Powell, Lee Pace, and director-writer Edgar Wright to learn more about their stylish adaptation of Stephen King's classic novel.
Lo sapevi?
- QuizThe giant 'N' logo above the Network building is coloured red and resembles the Netflix logo (everywhere else in the movie the logo is colored white). This is a subtle dig at Netflix, who director Edgar Wright says ran trailers for his film La fine del mondo (2013) that carelessly gave away the ending.
- BlooperOn several occasions, particularly action sequences, Ben's bag containing his gear & recording equipment is nowhere to be seen, then appears again when he gets somewhere to rest.
- Citazioni
Ben Richards: [to the camera] Stop filming me!
- Curiosità sui creditiThe Domain Entertainment logo takes the form of a lit sign.
- ConnessioniFeatures Il pirata dell'aria (1972)
- Colonne sonoreUnderdog
written by Sly Stone
performed by Sly and the Family Stone
courtesy of: Epic Records, a division of Sony Music Entertainment
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- El Sobreviviente
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 110.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 34.235.275 USD
- Fine settimana di apertura Stati Uniti e Canada
- 16.495.564 USD
- 16 nov 2025
- Lordo in tutto il mondo
- 60.535.275 USD
- Tempo di esecuzione
- 2h 13min(133 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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