Un sarto esperto deve superare in astuzia un pericoloso gruppo di mafiosi per sopravvivere a una notte fatale.Un sarto esperto deve superare in astuzia un pericoloso gruppo di mafiosi per sopravvivere a una notte fatale.Un sarto esperto deve superare in astuzia un pericoloso gruppo di mafiosi per sopravvivere a una notte fatale.
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- QuizMark Rylance was trained in tailoring techniques by the famous Huntsman tailors on Savile Row, previously seen in the Kingsman series. You can catch a glimpse of their iconic house tweed momentarily in the film.
- BlooperDespite an abdominal gunshot wound and an exit wound out his back, there are no bullet holes or blood on Richie's jacket or overcoat.
- Curiosità sui creditiIn the closing credits, as each line fades, a single letter O (if present) lingers a little longer.
- ConnessioniFeatured in WatchMojo: Top 10 Best Movies of 2022 (So Far) (2022)
Recensione in evidenza
"Anyone can be tailor." Leonard (Mark Rylance)
Although sometimes I can't tell if I love film more than theater, with The Outfit I found a film that satisfies both affections. Writer-director Grahame Moore brings a Hitchcock frame of mind with one dominant location, an atelier holding no more than four or five characters, just like a theater stage, and a sense of foreboding coming from history and the characters themselves, just like the modern psychological thrillers do.
Just watch out for those scissors-Hitch would love the touch.
Underneath the simple set is a rumbling of sin as the meek tailor, Leonard, contends with three mobs threatening him and his secretary, Mable (Zoey Deutch). He is required to stitch around those who want to kill each other and destroy his business, with different crooks coming in the front door intent on finding a tape that allegedly would send them to jail.
The joy of this neo-noir thriller is the suspense that Hitchcock virtually patented because his non-mob characters are seemingly innocent types, and his sinners not quite in control of their ambitions. What Hitch and other thriller directors like Moore want is to show the vulnerability of the common citizen and the weaknesses of the seasoned mobsters.
Although it's up to Leonard, small haberdashery owner in Chicago, to protect his shop, he also, in a narcotic-like voice over, explains the allegorical implications of his cutting and sewing. For instance, he is not a tailor but rather a cutter. The former artless, the latter a professional trained for years on London's iconic Saville Row.
No recent film has surpassed The Outfit's ability to reveal the wickedness of humanity and its adaptability while supplying a dose of old-time noir. Delight in the spare set, the super acting, and the innumerable closeups that do as much to reveal character as the uncomplicated, Pinter-like dialogue.
Although this tidy feature, similar to Leonard in its meticulous revelation of character and motive, seems suited to streaming, it is a euphoric experience on the big screen as the spare audiences can be enveloped by the powerful characters and story, in a setting that puts all in a dynamic room with mystery aplenty.
Although sometimes I can't tell if I love film more than theater, with The Outfit I found a film that satisfies both affections. Writer-director Grahame Moore brings a Hitchcock frame of mind with one dominant location, an atelier holding no more than four or five characters, just like a theater stage, and a sense of foreboding coming from history and the characters themselves, just like the modern psychological thrillers do.
Just watch out for those scissors-Hitch would love the touch.
Underneath the simple set is a rumbling of sin as the meek tailor, Leonard, contends with three mobs threatening him and his secretary, Mable (Zoey Deutch). He is required to stitch around those who want to kill each other and destroy his business, with different crooks coming in the front door intent on finding a tape that allegedly would send them to jail.
The joy of this neo-noir thriller is the suspense that Hitchcock virtually patented because his non-mob characters are seemingly innocent types, and his sinners not quite in control of their ambitions. What Hitch and other thriller directors like Moore want is to show the vulnerability of the common citizen and the weaknesses of the seasoned mobsters.
Although it's up to Leonard, small haberdashery owner in Chicago, to protect his shop, he also, in a narcotic-like voice over, explains the allegorical implications of his cutting and sewing. For instance, he is not a tailor but rather a cutter. The former artless, the latter a professional trained for years on London's iconic Saville Row.
No recent film has surpassed The Outfit's ability to reveal the wickedness of humanity and its adaptability while supplying a dose of old-time noir. Delight in the spare set, the super acting, and the innumerable closeups that do as much to reveal character as the uncomplicated, Pinter-like dialogue.
Although this tidy feature, similar to Leonard in its meticulous revelation of character and motive, seems suited to streaming, it is a euphoric experience on the big screen as the spare audiences can be enveloped by the powerful characters and story, in a setting that puts all in a dynamic room with mystery aplenty.
- JohnDeSando
- 17 mar 2022
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Trang Phục
- Luoghi delle riprese
- London, Greater London, Inghilterra, Regno Unito(on location)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 3.344.040 USD
- Fine settimana di apertura Stati Uniti e Canada
- 1.499.730 USD
- 20 mar 2022
- Lordo in tutto il mondo
- 4.032.313 USD
- Tempo di esecuzione1 ora 45 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.00 : 1
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