April

Really didn't enjoy watching this. It's a film that thinks it has a powerful message, but not worth watching. The cast were all played awful, probably not helped by a sullen and boring script, their own stories are badly written, it makes you wish Amazon would review their policies on allowing tripe to be on their service.

Any chance of a refund...

April seems to be the beginning of a great career for Darren King. Not to anyone's surprise he does this with what he has been so potent with throughout his career; a British gangster film. If you've had any experience with King's movies you know exactly what you're getting into here, a topical thriller. This of course may seem problematic, in King's case it is not.

The writing and dialog are fast paced and quite entertaining to watch. The movie as a whole maybe be a bit of a head scratcher here and there but the pay off is good and the idea is a bit of a parody of itself which is what makes this film so fun.

What King accomplishes though, in the same way he has with his past successful productions is putting together an extremely diverse and yet correlating cast. This starts with the lead man in Neil Ward whose notoriety has steadily risen largely through his performances of caricatures (not an insult). With April, Ward seems to have found a role perfect for his appeal and charm he brings to the screen. This is largely because of a good script and great, fun performances all around.

Then of course there is Kiera Lane as April who until this year was largely a total unknown. While Neil Ward may have found a genre he is most strongly suited for, Kiera Lane could certainly use this as a great start to launch to the very least a respectable acting career. Her posture, range and ability to change tone and style subtly is something that should be and surely will be recognized.

In Darren James King's April, Neal Ward is a force to be reckoned with. Whilst we do feel for him at times due to his history, the plot ensures this is very shortlived.

Kiera Lane plays the titular role of April, a sweet girl who you just want to steer in any direction other than to Myles. Lane provides an emotional performance that draws you further into the storyline.

King's writing manages to weave various characters into different storylines flawlessly as the film delves into the dark and disturbing reality of organised crime. It also shows the effects it has on the young people sucked into the lifestyle they should be sheltered from.

April is a great crime drama and is well worth a watch!

Wow , phenomenal casting , Firstly and Darren James King the writer and director actually played Tommy the nasty piece of work dealer in the film to ,, and Neal Ward who plays Myles was solid acting! The story was gritty and dark yet the narrative is so true showing the world as it can be for young girls and boys to and how they can be manipulated and groomed to be dragged into a dark place by criminals wanting to exploit them. This is a solid piece of film a more realistic British version of "Taken" and how easy it is and so important that young people are educated about these people. It left me feeling emotionally upset but that's how powerful the piece is .

It's gritty it's true to life it shows the reality of getting mixed up with these type of people and it hits hard . David Streames played Myles father to was amazing acting and their dynamic was raw and you actually hated the guy and could see where Myles was coming from how he got to where he is .

Highly recommend this exceptional piece of British film , it's also an insight to parents and young people out there to the dangers of the world .

Huge applause to Darren James King for creating this amazing piece and having the time to also play such a great role in it to as "Tommy" ! He pulled off something fantastic and watch out Tarantino as this man did it on such a low budget , I'd love to see what he can create with a massive budget !

British gangster film that maybe tries too hard to tick every box but ends up like a teenage photo story - we see key points, but very little of the gradual slide we have to assume when someone's character is completely inverted. For one teenage girl not to notice that her best friend has become a drug-smuggling sex worker pulling in thousands of pounds stretches credibility.

Every tabloid horror story about teens drawn into crime is represented here: youngsters tempted by new trainers; recent recruits used to pull in new blood; grooming until victims are hooked, then brutality; money, flash cars, guns; abusive childhoods; vaguely middle-class targets; loan sharks; even a grifting bent copper.

It is not a bad film. There are some issues with sound recording; locations are a bit too genteel; the least convincing secondary school girls' toilet ever; but there are some good performances. The two leads, Myles and April, are convincing, with Kiera Lane (I think) outstanding in what appears to be her debut. The director features as a gang member whose role is unclear but whose malevolence is beyond doubt.

The last act is confused - perhaps deliberately - by the timeline jumping back and forwards. I understand why, but it didn't work for me. Overall, though, a solid effort that could be tweaked to make a genuinely good film.