VALUTAZIONE IMDb
5,5/10
4126
LA TUA VALUTAZIONE
Ambientato durante la notte di Capodanno del 1999 in un lussuoso hotel svizzero dove le vite di chi ci lavora e i vari ospiti si intrecciano.Ambientato durante la notte di Capodanno del 1999 in un lussuoso hotel svizzero dove le vite di chi ci lavora e i vari ospiti si intrecciano.Ambientato durante la notte di Capodanno del 1999 in un lussuoso hotel svizzero dove le vite di chi ci lavora e i vari ospiti si intrecciano.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 1 candidatura in totale
Ema Mur
- Russian Girl
- (as Ema Kovac)
Recensioni in evidenza
It is New Year's Eve 1999, at a luxury hotel in Switzerland. A grotesque gallery of the filthy rich gather to see in the new year, with many afraid the Y2K bug is imminently about to destroy western civilization...
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Roman Polanski's latest film flopped at the box office and got awful reviews, but of course that's mostly because of the present political climate and the line the mainstream media have taken to "cancel" its creator. The film IS indubitably erratic, especially early on: full use is not made of the majority of story-lines, and most don't conclude in any satisfactory way. It also feels a little rushed and uncertain and as though several corners (and scenes) were cut. But there are a bunch of funny and ludicrous moments along the way, and the overall freak-show tone of it - the nightmarish way it depicts humanity, especially the very rich - feels much like something out of Gulliver's Travels. It doesn't more than half-succeed at any point, but at least it's reaching for something.
The cast has a variety of slightly over the hill famous faces, like Mickey Rourke, Fanny Ardant, and John Cleese as a nonagenarian oil tycoon celebrating his one year wedding anniversary with his dumpy young bride. But the best performance is probably by Hansueli Kopf, as the hotel director tirelessly trying to please them all and hold the show together.
Polanski has always been terrible at comedy; much too broad and heavy-handed, and it's clear some of the things that make him laugh don't translate into tickling most other people. But the truth is, I definitely enjoyed this one more than any of his other ones, like "The Fearless Vampire Killers", "What?" and "Pirates". I could be wrong, but the impression I get is that he just wanted one time to make a decent comedy before he dies, and if this does turn out to be the last film he ever makes, he really didn't do as bad as we're being told.
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Roman Polanski's latest film flopped at the box office and got awful reviews, but of course that's mostly because of the present political climate and the line the mainstream media have taken to "cancel" its creator. The film IS indubitably erratic, especially early on: full use is not made of the majority of story-lines, and most don't conclude in any satisfactory way. It also feels a little rushed and uncertain and as though several corners (and scenes) were cut. But there are a bunch of funny and ludicrous moments along the way, and the overall freak-show tone of it - the nightmarish way it depicts humanity, especially the very rich - feels much like something out of Gulliver's Travels. It doesn't more than half-succeed at any point, but at least it's reaching for something.
The cast has a variety of slightly over the hill famous faces, like Mickey Rourke, Fanny Ardant, and John Cleese as a nonagenarian oil tycoon celebrating his one year wedding anniversary with his dumpy young bride. But the best performance is probably by Hansueli Kopf, as the hotel director tirelessly trying to please them all and hold the show together.
Polanski has always been terrible at comedy; much too broad and heavy-handed, and it's clear some of the things that make him laugh don't translate into tickling most other people. But the truth is, I definitely enjoyed this one more than any of his other ones, like "The Fearless Vampire Killers", "What?" and "Pirates". I could be wrong, but the impression I get is that he just wanted one time to make a decent comedy before he dies, and if this does turn out to be the last film he ever makes, he really didn't do as bad as we're being told.
The movie was never boring, and i never felt grabing a smartphone.
If the movie is for you, depends on your type of humor - it's just as in the trailers, if you are just happy with this type of simple and stereotypical humor, the movie might very well be worth watching. It's not bad, and its certainly not for feminist's. But if you'd like to take your (old) father to the cinema once more, you'll both be happy.
You can't compare it to a masterpiece like grand hotel budapest.
But if i'd see the movie in free tv somewhere in the future again, i'd certainly watch it.
If you see it as a last movie from polanski, with his high age, it's neither a masterpiece and its certainly not a failure either.
I for myself liked it. See it for yourself, just don't put your expectations too high.
If the movie is for you, depends on your type of humor - it's just as in the trailers, if you are just happy with this type of simple and stereotypical humor, the movie might very well be worth watching. It's not bad, and its certainly not for feminist's. But if you'd like to take your (old) father to the cinema once more, you'll both be happy.
You can't compare it to a masterpiece like grand hotel budapest.
But if i'd see the movie in free tv somewhere in the future again, i'd certainly watch it.
If you see it as a last movie from polanski, with his high age, it's neither a masterpiece and its certainly not a failure either.
I for myself liked it. See it for yourself, just don't put your expectations too high.
I went into The Palace somewhat spooked by the negative reviews, and I am happy to report that this is definitely a peak Polanski. It is a wonderful comedy that holds well on repeated viewings. The ending could be stronger, true, but that's the only flaw I can see.
The Palace is Polanski's foray into decidedly Monty Python-esque territory. John Cleese's presence enhances this impression. The performances of all principals are very enjoyable, with Oliver Masucci, Joaquim de Almeida, and Mickey Rourke being particular standouts.
It is currently available on an excellent English-friendly (as far as the main feature is concerned) Italian Blu-ray.
Highly recommended.
The Palace is Polanski's foray into decidedly Monty Python-esque territory. John Cleese's presence enhances this impression. The performances of all principals are very enjoyable, with Oliver Masucci, Joaquim de Almeida, and Mickey Rourke being particular standouts.
It is currently available on an excellent English-friendly (as far as the main feature is concerned) Italian Blu-ray.
Highly recommended.
Decent comedy, not the best Polanski however he has never produced anything less than brilliant.
Star studded, Masterfull pastiche and grotesque on our times.
Untrue reviews you see, are just sad result of our cancel culture times, they really wanted to punish this genius of a director for his mistake in the past , if you carefully study what has happened, " the haunting of Polanski" has become one of the biggest hypocrisy of our times.
I have thoroughly enjoyed the movie and laughed hard, awesome cinematography and richness of characters take your breath away.
Try and watch it before the destroyers of freedom ban it. It is already not available on major platforms.what they are doing to this movie and Roman Polanski is absolutely shamefull.
Do not believe punishing ratings, its a very enjoyable movie.
Star studded, Masterfull pastiche and grotesque on our times.
Untrue reviews you see, are just sad result of our cancel culture times, they really wanted to punish this genius of a director for his mistake in the past , if you carefully study what has happened, " the haunting of Polanski" has become one of the biggest hypocrisy of our times.
I have thoroughly enjoyed the movie and laughed hard, awesome cinematography and richness of characters take your breath away.
Try and watch it before the destroyers of freedom ban it. It is already not available on major platforms.what they are doing to this movie and Roman Polanski is absolutely shamefull.
Do not believe punishing ratings, its a very enjoyable movie.
No rating is possible for this. The Palace is a deliberate, intentional trash, vulgar kitsch realised with impeccable skill.
It takes a special kind of filmmaker to make people sit through a parade of ugliness(in its most "unpoetic" way) and vulgarity, and even make them have a little bit of fun in-between. In my case, a packed house, not a single walk out, although the urge was strong, particularly during the first half. That's due to the filmmaking talents of the director. He couldn't help but be good even in a film intentionally off-putting.
One cannot help, but find a certain kind of repulsive beauty in the fact that a 90 year old director of Rosemary's Baby, Chinatown, The Tenet, works that will live for as long as the art of cinema itself lives, chose this to be his possible swan song, the ending of this movie to be the last scene of his filmography. The Palace is a juicy middle finger from Polanski to everbody and everything, including, and most importantly, his own self.
No rating, but certainly worth a watch. The rating is impossible, because for what the film tries to achieve, it achieves with great skill and tremendous success. Low or high scores only signify people's opinions of an idea of such a movie, not the movie itself. The Palace sitting at 0% on Rotten Tomatoes is a great representation of this. Polanski got our lovely critics exactly where he wanted them, made them part of the joke. A bold, thorough critic, if he saw through Polanski and his intentions with The Palace and wanted to turn it all on its head, would destroy the film in his review, but in the end give it a 100% without explanation. Alas...
It takes a special kind of filmmaker to make people sit through a parade of ugliness(in its most "unpoetic" way) and vulgarity, and even make them have a little bit of fun in-between. In my case, a packed house, not a single walk out, although the urge was strong, particularly during the first half. That's due to the filmmaking talents of the director. He couldn't help but be good even in a film intentionally off-putting.
One cannot help, but find a certain kind of repulsive beauty in the fact that a 90 year old director of Rosemary's Baby, Chinatown, The Tenet, works that will live for as long as the art of cinema itself lives, chose this to be his possible swan song, the ending of this movie to be the last scene of his filmography. The Palace is a juicy middle finger from Polanski to everbody and everything, including, and most importantly, his own self.
No rating, but certainly worth a watch. The rating is impossible, because for what the film tries to achieve, it achieves with great skill and tremendous success. Low or high scores only signify people's opinions of an idea of such a movie, not the movie itself. The Palace sitting at 0% on Rotten Tomatoes is a great representation of this. Polanski got our lovely critics exactly where he wanted them, made them part of the joke. A bold, thorough critic, if he saw through Polanski and his intentions with The Palace and wanted to turn it all on its head, would destroy the film in his review, but in the end give it a 100% without explanation. Alas...
Lo sapevi?
- QuizWhen suggesting to use a bandaid for Bongo's nose, Hansueli suggests he would look like "that actor" in "that movie". He's speaking of Jack Nicholson in Roman Polanski's Chinatown (1974).
- BlooperChampagne, especially a $12,450 bottle of Bollinger 1938 vintage champagne, would never under any circumstances be served at room temperature.
- Citazioni
Arthur William Dallas III: Can I have that blowjob now?
- ConnessioniFeatures Lou Bega: Mambo No. 5 (A Little Bit of...) (1999)
- Colonne sonoreMambo No.5 (A Little Bit Of...)
Written by Dámaso Pérez Prado, Lou Bega and Zippy Davids
Performed by Lou Bega
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Палац
- Luoghi delle riprese
- Palace Hotel, Gstaad, Svizzera(main location)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 21.000.000 € (previsto)
- Lordo in tutto il mondo
- 972.161 USD
- Tempo di esecuzione
- 1h 40min(100 min)
- Colore
- Mix di suoni
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