VALUTAZIONE IMDb
5,5/10
1716
LA TUA VALUTAZIONE
Segui un gruppo di bambini evacuati in un villaggio dello Yorkshire durante la seconda guerra mondiale, dove incontrano un giovane soldato che, come loro, è lontano da casa.Segui un gruppo di bambini evacuati in un villaggio dello Yorkshire durante la seconda guerra mondiale, dove incontrano un giovane soldato che, come loro, è lontano da casa.Segui un gruppo di bambini evacuati in un villaggio dello Yorkshire durante la seconda guerra mondiale, dove incontrano un giovane soldato che, come loro, è lontano da casa.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Liam Dillon
- Amercian Officer
- (as Liam Dhillon)
Micky Williams
- Children's Dad
- (as Mickey Williams)
Recensioni in evidenza
Trading on the goodwill generated by the original,this quickly dispels any such feeling. A plot which has little of the warmth and charm of the original. It then tries to copy the climax of the original. The music is overbearing.
Interesting to see Tom Courtney,other than that a total non event.
Interesting to see Tom Courtney,other than that a total non event.
As you might expect from an attempt to re run a beloved classic there is a certain air of somewhat cynical box checking about The Railway Children Return but some charm does manage to sneak through.
This time round children are sent to the country to escape the blitz rather than just having to slum it with the yokels because daddy has legal problems. This set up allows Jenny Agutter to return as the grown up matriarch of a family taking in the new generation of railway kids. She seems to be enjoying herself but doesn't really have much to do. This is the same for most of the adult characters in the film, thinly drawn but likeable (apart from one insufferable old uncle who turns up purely to spout ra ra nonsense).
This makes sense as it is the railway "children" after all. Some of the child acting is, to be kind, a mixed bag but it never derails proceedings and there is only so much a young actor can do with insightful lines like, "I hate war, I hate it!"
The plot, such as it is, involves a runaway soldier and institutional racism. Fortunately, only the American military are racist (although they still promote black soldiers far up the ranks so i guess we are meant to think they aren't all bad) as the citizens of a quant English village would never indulge in such behaviour. To call the events of the movie a plot is actually a bit of stretch, things happen for a while and then just sort of resovle themselves without much explanation of how everynody came together.
The Railway Children Return isnt a complete waste of time but is likely to be quickly forgotten. Probably as soon as the credits roll.
This time round children are sent to the country to escape the blitz rather than just having to slum it with the yokels because daddy has legal problems. This set up allows Jenny Agutter to return as the grown up matriarch of a family taking in the new generation of railway kids. She seems to be enjoying herself but doesn't really have much to do. This is the same for most of the adult characters in the film, thinly drawn but likeable (apart from one insufferable old uncle who turns up purely to spout ra ra nonsense).
This makes sense as it is the railway "children" after all. Some of the child acting is, to be kind, a mixed bag but it never derails proceedings and there is only so much a young actor can do with insightful lines like, "I hate war, I hate it!"
The plot, such as it is, involves a runaway soldier and institutional racism. Fortunately, only the American military are racist (although they still promote black soldiers far up the ranks so i guess we are meant to think they aren't all bad) as the citizens of a quant English village would never indulge in such behaviour. To call the events of the movie a plot is actually a bit of stretch, things happen for a while and then just sort of resovle themselves without much explanation of how everynody came together.
The Railway Children Return isnt a complete waste of time but is likely to be quickly forgotten. Probably as soon as the credits roll.
I gave up half way through & I rarely do that, some part of me has faith that things will improve, they really didn't!!!
I can't remain PC & give this my honest opinion, but do anything with your time rather than spend it watching this!!
It does of course have Jenny Agutter, but she should not have lowered herself to be involved!!! Lionel Jeffries would be turning in his grave.
I'd watch the original any time, but not this ridiculous pile of ****!
Didn't even see much in the way of actual trains or railways to be honest, just some carriages in a siding!
I wanted it to relight the childhood feelings that the original did, I wanted it to be at least watchable & ideally good, alas no!!!!
Do yourselves a favour and don't bother!!
I can't remain PC & give this my honest opinion, but do anything with your time rather than spend it watching this!!
It does of course have Jenny Agutter, but she should not have lowered herself to be involved!!! Lionel Jeffries would be turning in his grave.
I'd watch the original any time, but not this ridiculous pile of ****!
Didn't even see much in the way of actual trains or railways to be honest, just some carriages in a siding!
I wanted it to relight the childhood feelings that the original did, I wanted it to be at least watchable & ideally good, alas no!!!!
Do yourselves a favour and don't bother!!
Every time I come across films of children being packed off to the countryside during WWII, 2 films invariably come to mind - Narnia, and Hope and Glory. Unfortunately, this neither has the fantastical element of Narnia, nor the magical perspective and childlike thrill of H&G.
For an adult director to recreate the world through the eyes of a child, requires huge amounts of perception and skill, both in direction as well as acting. This falters on both as neither is convincing enough to sustain the interest of the viewer throughout the duration of the film.
There are films where racial injustices are not only integral, but indispensable. But to force racial themes into every film film that could so easily be done without, is not only trivializing the issue but rather making a mockery of it as the audience would easily spot the digression and this is exactly what happens here.
Lastly as an aside, this period piece deals with racial justice in an era were there was little to none, compelling an unlikely amalgamation.
For an adult director to recreate the world through the eyes of a child, requires huge amounts of perception and skill, both in direction as well as acting. This falters on both as neither is convincing enough to sustain the interest of the viewer throughout the duration of the film.
There are films where racial injustices are not only integral, but indispensable. But to force racial themes into every film film that could so easily be done without, is not only trivializing the issue but rather making a mockery of it as the audience would easily spot the digression and this is exactly what happens here.
Lastly as an aside, this period piece deals with racial justice in an era were there was little to none, compelling an unlikely amalgamation.
Who is the audience supposed to be? I thought this would be a family movie, and expected a weak version of the original, but the writers have ruined a wonderful original tale and filled the film with unpleasant characters, racism, bigotry and bad mannered children.
Yes, the issues of racism do need to be told and historically remembered, but this is not the film for it. The Railways Children was a lovely, charming and heartfelt story of a family in crisis and how loving children helped their mother and each other. This is not the platform for a socially conscience lesson.
Write a new movie if you want that; don't leach off a gentle story.
Yes, the issues of racism do need to be told and historically remembered, but this is not the film for it. The Railways Children was a lovely, charming and heartfelt story of a family in crisis and how loving children helped their mother and each other. This is not the platform for a socially conscience lesson.
Write a new movie if you want that; don't leach off a gentle story.
Lo sapevi?
- QuizUtilises the same Yorkshire locations as the 1970 film this story follows.
- BlooperThe blackout did not appear to be in force in Oakworth. In many scenes, from Lily climbing out of the window and running down the field with a torch, to front doors being opened in a blaze of light, there was no indication that a blackout was in force at all.
Blackout regulations started on 1st September 1939 and ended in May 1945. Rules were relaxed slightly in September 1944, but only to allow very low levels of lighting, no brighter than moonlight.
Lily's torch would have been pasted over with dark paper to dim the beam, or black paper with a slit in it.
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Railway Children
- Luoghi delle riprese
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Botteghino
- Lordo Stati Uniti e Canada
- 466.391 USD
- Fine settimana di apertura Stati Uniti e Canada
- 245.904 USD
- 25 set 2022
- Lordo in tutto il mondo
- 4.298.731 USD
- Tempo di esecuzione
- 1h 39min(99 min)
- Colore
- Proporzioni
- 2.35 : 1
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