VALUTAZIONE IMDb
6,1/10
2337
LA TUA VALUTAZIONE
Stravaganza ed eccesso si scontrano quando la morte di un concorrente in una gara di acconciature getta i semi della divisione in una comunità la cui passione per i capelli rasenta l'ossessi... Leggi tuttoStravaganza ed eccesso si scontrano quando la morte di un concorrente in una gara di acconciature getta i semi della divisione in una comunità la cui passione per i capelli rasenta l'ossessione.Stravaganza ed eccesso si scontrano quando la morte di un concorrente in una gara di acconciature getta i semi della divisione in una comunità la cui passione per i capelli rasenta l'ossessione.
- Premi
- 2 vittorie e 8 candidature totali
Luca Pasqualino
- Angel
- (as Luke Pasqualino)
John Alan Roberts
- Mosca
- (as John Roberts)
Recensioni in evidenza
Set amongst the cut-throat world of a regional hairdressing contest, this rather thinly spread drama follows the antics of some would-be competitors who gather for their annual jamboree only to find that one of their number has been killed. Scalped, to be precise. As the story develops, we see that there are no shortage of suspects from the great and the good as the scene-stealing "Cleve" (Clare Perkins), "Divine" (Kayla Meikle) and "Kendra" (Harriet Webb) spat, squabble and spar like the best of them. They are all stuck waiting for the police to question them so tensions are only going to increase as they gossip, conspire and also demonstrate some considerably imaginative skills with their hairdos before: enter the partner of the victim. "Angel". At last some semblance of acting from the usually handsome but wooden Luke Pasqualino. Loads of stereotypes, yes, but he actually turns in quite an engaging performance as the camp-as-Christmas, distraught, mincer. Unfortunately, though, this is really just a one act play that has been overstretched into one hundred minutes of screen time, and though it most certainly has it's moments, there are too many extended tracking shots as the camera follows someone, somewhere, around their complex that seemed bigger than the Royal Albert Hall. There's simply too much padding around a story that could have done a little more to develop the personalities more. It is underpinned by some effective black humour - and some of that delivers well and caustically (especially from Perkins) but there's too much of a paucity of that to stop this from feeling rather longer than it is. It looks every a inch a television play, and as such does it's job fine - but I wouldn't say you need to buy a ticket to watch it.
Medusa Deluxe directed by Thomas Hardiman, is a captivating film that seamlessly delivers a gripping cinematic experience.
The cinematography is mesmerizing, with each frame meticulously composed to evoke a sense of both awe and unease. Camera work is really impressive - you can really appreciate the tech side to the film
The score perfectly complements the visuals, further immersing the audience into the film's world.
Casting is put together really well throughout with talent that engages you throughout the film with they're interesting personas.
Would really recommend to check this out. The film has been released nationally in the UK.
The cinematography is mesmerizing, with each frame meticulously composed to evoke a sense of both awe and unease. Camera work is really impressive - you can really appreciate the tech side to the film
The score perfectly complements the visuals, further immersing the audience into the film's world.
Casting is put together really well throughout with talent that engages you throughout the film with they're interesting personas.
Would really recommend to check this out. The film has been released nationally in the UK.
Murder at the hairdressing competition. It's like the title Agatha Cristie forgot to write. We don't get a Poirot however, just a bunch of unlikeable characters chattering away for 90 minutes. We don't get to meet the victim, he's already cold when the movie opens, nor do we geet to meet the detectives working the case. We"re stuck with the models and collegues of the victim. It's a directorial choice offcourse. Just as the fact that the whole movie is filmed (or appears to be filmed) in one take. Which means a director going on an egotrip and an audience that has to suffer through endless shots of people walking through corridors. As you can tell I wasn't particularly taken with Medusa Deluxe. When we finally get to know whodunnit I was long past caring.
Medusa Deluxe offers a visually striking and stylistically ambitious experience, featuring a faux single-take camera that glides through the hallways and dressing rooms of a regional hairstyling competition just before one of the contestants, Mosca, is murdered. The film introduces a large cast of suspicious characters-rivals, lovers, and associates-creating an atmosphere filled with intrigue and gossip.
However, despite its unique visual approach, the movie falls short narratively. The plot lacks depth and momentum, and the characters never develop beyond surface-level traits. The initial mystery quickly loses steam, and the pacing slows considerably, making it hard to stay engaged.
The long-take technique, while impressive and fluid, ultimately works against the film. Without real suspense or danger in the characters' movements, it drags on, stretching the runtime and diluting the tension. As a whodunit, Medusa Deluxe disappoints; it feels more like a stylish showcase of dialogue and cinematography rather than a compelling mystery.
Director Thomas Hardiman and cinematographer Robbie Ryan deliver a sleek and elegant film, but it's missing the emotional punch needed to make the story resonate.
However, despite its unique visual approach, the movie falls short narratively. The plot lacks depth and momentum, and the characters never develop beyond surface-level traits. The initial mystery quickly loses steam, and the pacing slows considerably, making it hard to stay engaged.
The long-take technique, while impressive and fluid, ultimately works against the film. Without real suspense or danger in the characters' movements, it drags on, stretching the runtime and diluting the tension. As a whodunit, Medusa Deluxe disappoints; it feels more like a stylish showcase of dialogue and cinematography rather than a compelling mystery.
Director Thomas Hardiman and cinematographer Robbie Ryan deliver a sleek and elegant film, but it's missing the emotional punch needed to make the story resonate.
No pun intended - especially because it is a guy who has been done. The movie does start with the announcement of a police investigation. A police investigation we won't see much of by the way. We will stay and stick with the hairdressers and everyone.
This is a whodunnit, but it also is a look behind the scenes. It is a sort of love letter to hairdressers. That being said, do not expect this to be pulling any ... punches. The very first characters we see talk ... let's call it freely. You may feel it is rough and there are some anger issues for sure ... but it is also fun to watch.
What is fun to watch to a degree is the one shot thing. I did not detect any easy swipe or any other camera movement that would make it easy to cut and edit. Good acting ... good little movie.
This is a whodunnit, but it also is a look behind the scenes. It is a sort of love letter to hairdressers. That being said, do not expect this to be pulling any ... punches. The very first characters we see talk ... let's call it freely. You may feel it is rough and there are some anger issues for sure ... but it is also fun to watch.
What is fun to watch to a degree is the one shot thing. I did not detect any easy swipe or any other camera movement that would make it easy to cut and edit. Good acting ... good little movie.
Lo sapevi?
- QuizCleave (Clare Perkins) says that the elaborate Fontange hairstyle, incorporating a sailing ship, is based on 'Orient 1791'. Orient was the French flagship at The Battle of the Nile (1798)and was destroyed when her magazine caught fire and exploded during the battle.
- Curiosità sui creditiIn the end credits: "Dedicated to the hairdressers of the world"
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Медуза делюкс
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo in tutto il mondo
- 68.560 USD
- Tempo di esecuzione
- 1h 41min(101 min)
- Colore
- Proporzioni
- 1.33 : 1
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