Nada

I found this series so curious I kept watching, no idea of where it was headed. Then before I knew it, I was swept into another world with people I cared about.

It ended too soon. I wanted more. Wanted to stay with their company. The lead actor and actress are superb. I loved the food attention. And the foreign setting and customs.

The series is quiet. You lean forward into it to not miss a trick. The main character is so attractive while being innocently cranky. Yes he's preposterous, but completely real and reasonable, to himself. And so to us.

I was completely charmed by De Niro. Never have seen him so honest.

Bravo. More please.

I had no idea what to expect when watching this short (5 episodes) series. The plot is unsurprising but solid, the acting is excellent, and the cinematography is superb. I have never been to Buenos Aires, but I honestly wonder whether the tourist board has contributed to the financing of this project, because now I want to go there.

Lots of luscious Argentinian food is shown and talked about. The characters are fun, and the conclusion is surprising but good. I strongly recommend watching this in Spanish, with subtitles if you don't speak Spanish (I don't) -- the music of the language is a big part of the charm.

What I appreciated the most is the tempo -- it's slow. I can't stand current movies with their dizzying action sequences and their seizure-inducing flashes and explosions. This is a series that takes its time to tell its story, and it tells it in a lovely and loving manner.

I am not a fan of "Curb your exuberance" . In fact I despise it. But this Argentinian show is very engrossing.

The scenery makes Buenos Aires feel like Paris of the seventies. Brandini, as a food critic who cannot get the motivation to finish a book he has received an advance on, is brilliant. DeNiro has cameo roles explaining, in English, some cultural terms. He does it in a simple, face to camera style. Lovely.

The acting is convincing and has a scent of Aldomavar about it. Like Bon-Bon El Perro. Gentle pace. Realistic feel.

The idea that over forty years, the house keeper had created a manual of cooking, cleaning and recipes was so sweet. The deceased voice reads the contents as Brandini tries to follow.

I started out hating this tale of an old gentry-class creep looking for a new servant to wipe his behind. How about doing your own housework? Ugh, Latin America is the land of masters and servants. Most households with even a middle class income have some other human being at their disposal to do housework. This servant class is highly abused from what I have seen first-hand and read about.

The guy's long-time servant croaks and the first thing that occurs to him is that he needs someone to wait on him hand and foot like else his former doormat.

I held on and became charmed, if not by the protagonist, then by the city and language of Buenos Aires. I enjoyed the language lessons as there is so much new for someone living in Spain. The accent is sort of cool, and the vos familiar pronoun form is something we don't use here.

The weakest link in this is Robert De Niro. Between his pigeon Italian and Manuel's zero command of English, their conversations were just silly and stupid. De Niro just seemed to be phoning it in. If he were left out, this would have been 9 for me.

When the subtle and the sophisticated are in balance, the result is this series, which far from being complex and inorganic, stands out for the precision in detail that makes it beautiful, fun and stripped. The dialogues are exquisite as well as the silences and Luis Brandoni is all that is good, he is the Anton Ego from Rio de la Plata. Robert de Niro's participation aims to give the product a certain status, do you need it? No; does it make sense? Yes. He highlighted the duo of the protagonist and the Paraguayan employee, a very real encounter of two worlds that take the best of each other. Real that I am hungry for more, there are few times that you see on the screen the combination of a good script, excellent performance, beautiful photography and art, good shots ... The combination of ALL this and more, makes NOTHING a work of art where the pretentious and the simple merge creating a microclimate of which you are part in the 31' that lasts each episode. Directors Duprat and Cohn are a duo that has already been giving us good substance, with a sharp style that I intuit aims to become a cult.