Nada

I found this series so curious I kept watching, no idea of where it was headed. Then before I knew it, I was swept into another world with people I cared about.

It ended too soon. I wanted more. Wanted to stay with their company. The lead actor and actress are superb. I loved the food attention. And the foreign setting and customs.

The series is quiet. You lean forward into it to not miss a trick. The main character is so attractive while being innocently cranky. Yes he's preposterous, but completely real and reasonable, to himself. And so to us.

I was completely charmed by De Niro. Never have seen him so honest.

Bravo. More please.

NADA is an absolute masterpiece in its own right. It dares to challenge the conventional by offering something so brilliantly subtle, yet profound. It's not about overwhelming you with excessive features or flamboyance; it's about appreciating the beauty in what isn't there. The experience of NADA leaves you with a deeper sense of clarity, as if you're finally free from the clutter of modern distractions.

In a world of excess, NADA stands tall as a refreshing reminder that sometimes, less truly is more. Perfect for those who seek meaning beyond the noise. Highly recommend for minimalism enthusiasts and anyone needing a break from the chaos.

I am not a fan of "Curb your exuberance" . In fact I despise it. But this Argentinian show is very engrossing.

The scenery makes Buenos Aires feel like Paris of the seventies. Brandini, as a food critic who cannot get the motivation to finish a book he has received an advance on, is brilliant. DeNiro has cameo roles explaining, in English, some cultural terms. He does it in a simple, face to camera style. Lovely.

The acting is convincing and has a scent of Aldomavar about it. Like Bon-Bon El Perro. Gentle pace. Realistic feel.

The idea that over forty years, the house keeper had created a manual of cooking, cleaning and recipes was so sweet. The deceased voice reads the contents as Brandini tries to follow.

When the subtle and the sophisticated are in balance, the result is this series, which far from being complex and inorganic, stands out for the precision in detail that makes it beautiful, fun and stripped. The dialogues are exquisite as well as the silences and Luis Brandoni is all that is good, he is the Anton Ego from Rio de la Plata. Robert de Niro's participation aims to give the product a certain status, do you need it? No; does it make sense? Yes. He highlighted the duo of the protagonist and the Paraguayan employee, a very real encounter of two worlds that take the best of each other. Real that I am hungry for more, there are few times that you see on the screen the combination of a good script, excellent performance, beautiful photography and art, good shots ... The combination of ALL this and more, makes NOTHING a work of art where the pretentious and the simple merge creating a microclimate of which you are part in the 31' that lasts each episode. Directors Duprat and Cohn are a duo that has already been giving us good substance, with a sharp style that I intuit aims to become a cult.

Probably the best Argentine mini-series ever. And I am not exaggerating. Extremely touching while still being funny, with a very simple story behind it, but extremely sophisticated. I am not surprised that the same people responsible for El Encargado, another wonderful series from the same country, are behind it.

The cast is led by an exceptionally talented veteran Argentine actor, Luis Brandoni, accompanied by a Paraguayan newcomer who brings just the right balance to the story. Not to mention, of course, the special participation of none other than Robert De Niro, in one of the most tender roles of his career. It is already rare to see an actor of his stature doing television, but to do it with total dedication, in a distant country and with the certainty of giving the best of himself.

Be sure to watch it.