Kurak Günler

When an idealistic young prosecutor is assigned to a rural Turkish community to try a criminal case involving serious allegations involving a major infrastructure project, he quickly finds himself in over his head. Circumstances soon place him in a thorny situation where his credibility, objectivity, reputation and personal integrity are all put at risk, jeopardizing not only his handling of the case, but also his career and future. Unfortunately, as generally compelling as the narrative is at the outset, writer-director Emin Alper's overlong saga becomes a little too convoluted for its own good. One can't help but ask, is it a political film? A thriller? A crime story? A crisis of conscience? The film plays like it tries to incorporate some of all of these qualities in an attempt to tell a story that throws curves at viewers to keep them guessing. But the picture seems to lose its way in doing so, not quite sure how to wrap things up, especially when the supposedly astute big city prosecutor comes across as unbelievably naïve and clueless. These failings regrettably undercut the production's fine performances and superb cinematography, qualities that could have helped to make this release a better offering had they been backed by a better story and script. Indeed, in the end, it's the audience that gets burned by this one.

Emin Alper's fourth cinematic marvel not only aptly describes the Turkish societal and political contemporary condition in a peculiar cinematographic style, but it beautifully teases that condition. Burning Days is both politically realistic and artistically pleasing. At the end of the film, you remain at your theatre seat with a feeling of being understood, a feeling, which is accompanied by an emotion of a kind of indescribable joy. This is a very clever and striking work of art, which is full of wit, irony, and sarcasm. Scenario is quite impressive with little shortcomings, and cinematography, art direction, and music are particularly strong. And, in terms of casting, Selahattin Pasali and Ekin Koc wonderfully express their characters, while supporting actors are very impressive in their performances (especially Erdem Senocak, who plays Kemal).

We support the movie Dry Days, against the scandalous decision. Emin Alper is a very successful director. He excited us all with his films Blockade and Behind the Hill. In this movie; The unbearable difficulty of being an individual in societies where the obedience culture is dominant. We are watching a parody of Turkey through the town. The first half is particularly spooky and exciting. I wish there weren't any forced scenes in the second half. Nevertheless, it is a very valuable film for today's cinema, especially for social sensitivity.

What's in the movie? 1. Sociological structure of eastern societies 2. Why are we a 3rd world country? 3. The sad end of non-individual societies. 4. Mass psychology and bigoted people 5. Generalization of Turkey over the town. 6. Difficulties in town life, depressing atmosphere.

Disturbingly real socio-political analysis of rural areas of central anatolia. It's really well processed and keeps you interested about the plot. A lot of drama emphasising also the corruption within the justice system. No law enforcement officer could actually perform its work under the shadow of politics and manipulated society. The chain of command was also reflected really well considering the judge, prosecutor and police triangle. It's definetly a must watch to understand the situation in Turkey. It's so underrated and should be promoted more. I don't think it gets the credit it deserves in Turkish media.

This is a very good film amidst all the drama surrounding the artistic product. In some ways, one can feel that the whole story was invented to bring us, the audience, to the masterfully symbolic ending of the movie. In a lot of ways that last 15 minutes is an encapsulation of last few years of Türkiye. Those being said, I did not find the relationship between the prosecutor and the journalist (which was quite central to the story) very realistic both in practical and aesthetic terms. Also, there were too many loose ends that were left open which can undermine the director's message. The movie will most certainly occupy an important place in Turkish cinematography, hopefully as a reminder of once crazy times.