Aggiungi una trama nella tua linguaFollowing two indigenous Australian hunters to battle the last colony of vampires in the South-Australian desert.Following two indigenous Australian hunters to battle the last colony of vampires in the South-Australian desert.Following two indigenous Australian hunters to battle the last colony of vampires in the South-Australian desert.
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Visually great, and an interesting setting, but it sort of comes across as ultimately, your cliche bad guy vampires vs some good guy underdogs... not too different to the many straight to video vampire movies.
There's some very heavy handed politics tossed in from the start, (the white people that came to Australia were all vampires apparently) which is clumsy and really, may be of interest to some people, but seems to be oddly shoehorned into the whole thing and is a bit obvious. The messaging could of been done, but may be a bit more subtlely.
The photography and setting is great, and it has a mad max feel.
Storyline wise, its nothing special. Some of the acting isn't great, though overall its ok.
Vampires are a bit cliche.
Overall, could have been better if the villains were a bit less 2D, and if more importance was given to the story than the political messaging.
There's some very heavy handed politics tossed in from the start, (the white people that came to Australia were all vampires apparently) which is clumsy and really, may be of interest to some people, but seems to be oddly shoehorned into the whole thing and is a bit obvious. The messaging could of been done, but may be a bit more subtlely.
The photography and setting is great, and it has a mad max feel.
Storyline wise, its nothing special. Some of the acting isn't great, though overall its ok.
Vampires are a bit cliche.
Overall, could have been better if the villains were a bit less 2D, and if more importance was given to the story than the political messaging.
I don't know why so many haters on here. Are you expecting an Academy Award winning series or something? I guess most of the bad reviews are from those that enjoyed rubbish like Twilight.
This is a whole new slant on Vampires although some say it's been done before. Not like this it hasn't but seriously, how many different ways can you portray vampires?
I watched the first two episodes and find myself eagerly awaiting the third.
Bloody great way to pass the day.
This is a whole new slant on Vampires although some say it's been done before. Not like this it hasn't but seriously, how many different ways can you portray vampires?
I watched the first two episodes and find myself eagerly awaiting the third.
Bloody great way to pass the day.
Caveat - I've only seen one episode, so please take that into consideration when reading this review.
The show focuses on an Indigenous Australian father-daughter team of vampire hunters operating in the area of a series of abandoned opal mines in the Outback. And we have all the usual clichés: dad is a ne'er-do-well who loves his kid but leaves most of the parenting to her, the over-achieving daughter is openly bullied because of her race, the tough-but-kindly ex-girlfriend is picking up the slack, and the vampires were brought to Australia (along with guns and smallpox) by the evil British "colonizers" to subdue the indigenous population. It's a simplistic world view, but since the target audience for this show appears to be young adults, we shouldn't expect Tolstoy.
On the plus side, the acting is competent, the Outback is stunning and the show is at least as good as any of the other vampire-zombie-demon hunting shows out there. And this one has one big plus - it's not one of those shows aimed at young teenagers but peppered with f-bombs and sex scenes that would be inappropriate for the said-same audience.
I will probably update this review after I've had a chance to watch a couple more episodes. But so far I have to say that though it's not great, it's not terrible, either.
The show focuses on an Indigenous Australian father-daughter team of vampire hunters operating in the area of a series of abandoned opal mines in the Outback. And we have all the usual clichés: dad is a ne'er-do-well who loves his kid but leaves most of the parenting to her, the over-achieving daughter is openly bullied because of her race, the tough-but-kindly ex-girlfriend is picking up the slack, and the vampires were brought to Australia (along with guns and smallpox) by the evil British "colonizers" to subdue the indigenous population. It's a simplistic world view, but since the target audience for this show appears to be young adults, we shouldn't expect Tolstoy.
On the plus side, the acting is competent, the Outback is stunning and the show is at least as good as any of the other vampire-zombie-demon hunting shows out there. And this one has one big plus - it's not one of those shows aimed at young teenagers but peppered with f-bombs and sex scenes that would be inappropriate for the said-same audience.
I will probably update this review after I've had a chance to watch a couple more episodes. But so far I have to say that though it's not great, it's not terrible, either.
I like the premise of Firebite - its a great take on an old and well exploited trope - and no doubt a useful way to make use of old opal mines to boot.
There is a BUT though, and that relates to script development, which for me doesn't make the most of either the setup or characters. There is also an air of predictability, but I can forgive it for that - mostly.
With more work this show could have easily been an 8, but for me the script limitations hold back and compromise it - that being said I'll keep watching to see how it might improve.
There is a BUT though, and that relates to script development, which for me doesn't make the most of either the setup or characters. There is also an air of predictability, but I can forgive it for that - mostly.
With more work this show could have easily been an 8, but for me the script limitations hold back and compromise it - that being said I'll keep watching to see how it might improve.
The Alt-Right idiots are spewing fake reviews, and the lefties will praise the 'indigenous content' without even watching.
And, this is one to watch. Yes, there is a bit of 'hard done by' in the writing for the Koori characters, but it's not over done, and it's there to show the characters have depth and feeling.
Some of the characters have a little too much cliche - the white cop implying the witness to an attack was drunk in episode 3 for example - but on the whole, it's no more then you'd expect to hear if you were privy to private conversations, and that's situations you see the characters in, private places, or where they thought they weren't being heard, or just school bullies being dickheads,..
Some of the acting is stilted, no doubt due to the experience level of some of the more local actors, with this show being the only experience listed on their credits pages.
Rob Collins, Shantae Brown-Cowan, Tessa Rose and Ngaire Pigram all stand out as actors to watch, here and in the future.
As for the technical arts, the sound is crisp and dialog clean, the visuals are fantastic, and the editing keeps the show paced along just fast enough, all working together well to keep the view in the story, rather then noticing the hard work done to get this level of production quality.
It's well worth a watch, even if just to form your own opinion, rather then follow the political effluencers comments.
And, this is one to watch. Yes, there is a bit of 'hard done by' in the writing for the Koori characters, but it's not over done, and it's there to show the characters have depth and feeling.
Some of the characters have a little too much cliche - the white cop implying the witness to an attack was drunk in episode 3 for example - but on the whole, it's no more then you'd expect to hear if you were privy to private conversations, and that's situations you see the characters in, private places, or where they thought they weren't being heard, or just school bullies being dickheads,..
Some of the acting is stilted, no doubt due to the experience level of some of the more local actors, with this show being the only experience listed on their credits pages.
Rob Collins, Shantae Brown-Cowan, Tessa Rose and Ngaire Pigram all stand out as actors to watch, here and in the future.
As for the technical arts, the sound is crisp and dialog clean, the visuals are fantastic, and the editing keeps the show paced along just fast enough, all working together well to keep the view in the story, rather then noticing the hard work done to get this level of production quality.
It's well worth a watch, even if just to form your own opinion, rather then follow the political effluencers comments.
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