Riunire il pubblico con i personaggi televisivi con cui sono cresciuti introducendo commedie che saranno sicuramente seguite.Riunire il pubblico con i personaggi televisivi con cui sono cresciuti introducendo commedie che saranno sicuramente seguite.Riunire il pubblico con i personaggi televisivi con cui sono cresciuti introducendo commedie che saranno sicuramente seguite.
- Premi
- 1 candidatura in totale
Sfoglia gli episodi
Recensioni in evidenza
I thought this was supposed to be the history of sitcom. Instead it is a sloppy, quick run through some popular and lesser known sitcoms. It's basically a short interview, less than a minute, then footage from the show. The retrospective on the show are brief and poorly explained.
Each episode starts in the 50s and ends in present day. Each episode also complains about minorities, women, and homosexuals not being on TV or if they were it was shown in a very stereotypical form. I do agree with this idea, literally every episode devolves into this. They should have make one episode in the shunning of aforementioned groups. I would guess 60-70% of this series is complaints about how minorities were treated.
It's amazing that they had such an enormous body of work to comment on and they come up with this. Its not the worst documentary I have seen but given the production value and money behind the documentary It's amazing they go for such boring low hanging fruit.
If you are looking for any kind.
Each episode starts in the 50s and ends in present day. Each episode also complains about minorities, women, and homosexuals not being on TV or if they were it was shown in a very stereotypical form. I do agree with this idea, literally every episode devolves into this. They should have make one episode in the shunning of aforementioned groups. I would guess 60-70% of this series is complaints about how minorities were treated.
It's amazing that they had such an enormous body of work to comment on and they come up with this. Its not the worst documentary I have seen but given the production value and money behind the documentary It's amazing they go for such boring low hanging fruit.
If you are looking for any kind.
What should have been a fun and light hearted look back, with minimal social commentary sadly turned into a cringeworthy and often irrelevant , inaccurate over analysis that took all the air out of the balloon.
Rather too many people attempting to apply their on rather faulty and false social ethics to history that often simply made comedy for what it as, something to laugh at and with.
Many of these people had little or no direct involvement in the actual comedy creation process.
It seems as if CNN management sat round a table with a white board full of all the latest terms and words that had to be included in order to fulfil some false sense of diversity and wokeness.
But in the end, it delivered too much that made the viewer roll eyes, tut and sigh.
I tried so hard to look past the faux commentary and.enjoy reliving some moments from my past but the final straw came when Margaret Cho spoke of cultural appropriation and misogyny, not having a clue what each actually means and with such an airy tone that looked down upon the audience.
It is so ironic that what should be a celebration of comedy was too often used as an excuse to over analyse, make wholly subjective assumptions, presented as fact and completely forget the whole point of the exercise.
One of the frequent contributors was the editor in chief of the A. V. Club, that has a tagline 'Pop culture obsessives writing for the pop culture obsessed'.
Obsessed is correct but sadly, all the obsession has clouded the brain so much that the neurons cannot be seen for the grey matter.
Rather too many people attempting to apply their on rather faulty and false social ethics to history that often simply made comedy for what it as, something to laugh at and with.
Many of these people had little or no direct involvement in the actual comedy creation process.
It seems as if CNN management sat round a table with a white board full of all the latest terms and words that had to be included in order to fulfil some false sense of diversity and wokeness.
But in the end, it delivered too much that made the viewer roll eyes, tut and sigh.
I tried so hard to look past the faux commentary and.enjoy reliving some moments from my past but the final straw came when Margaret Cho spoke of cultural appropriation and misogyny, not having a clue what each actually means and with such an airy tone that looked down upon the audience.
It is so ironic that what should be a celebration of comedy was too often used as an excuse to over analyse, make wholly subjective assumptions, presented as fact and completely forget the whole point of the exercise.
One of the frequent contributors was the editor in chief of the A. V. Club, that has a tagline 'Pop culture obsessives writing for the pop culture obsessed'.
Obsessed is correct but sadly, all the obsession has clouded the brain so much that the neurons cannot be seen for the grey matter.
How do you do a show on the history of sitcoms and omit the longest running sitcom in TV history!?! It is part of pop culture and a family sitcom yet it was completely omitted from the first episode. I'm just boggled and I really don't think that I missed it because I even rounded when it came time for the 19 8990s era especially when they talk about fox launching their network and they missed so many great fox shows and they only showed married with children. This series just lost so much credibility with me because I just don't know how one makes this mistake. Especially when Homer is like the anti-Dad, but they're such a family unit wild.
With a series like this they could have done a marvelous job talking about society, the business, the actors, the networks, etc. Instead they do a half-based job on everything. Why do it?
The content of this show is interesting, which is why I rated it as highly as I did. Unfortunately, from the first 5 minutes of episode 1, the series is decidedly hard left, which is so unnecessary. Who wants to hear smug talking heads pontificate on how bad sitcoms were in the 50's, 60's, and 70's, because all the shows were about White people?
The hard left focus was a bit of a surprise to me, as I had seen CNN documentary series in the past, like the ones of the decades (e.g., 60's, 70's, 80's, 90's) as well as their History of Comedy series, and they were all pretty much down-the-middle without an overt political agenda. Why they chose to have such a strong progressive point of view for this series is sad, and shows how much CNN has drank the Kool-Aid.
Episode 2, ostensibly about the evolution of showing sex on sitcoms was instead about 75% about the plight of LGBTQ. In episode 3, "Friends" co-creator Marta Kauffman had to apologize on camera for all the main characters being White.
Normally, I would wait until I had seen the entire series, but now that I've seen six of the eight episodes, my opinion is already baked in. I look forward to watching the final two episodes and learning more about how straight White men are the bane of human existence...and the TV sitcom.
The hard left focus was a bit of a surprise to me, as I had seen CNN documentary series in the past, like the ones of the decades (e.g., 60's, 70's, 80's, 90's) as well as their History of Comedy series, and they were all pretty much down-the-middle without an overt political agenda. Why they chose to have such a strong progressive point of view for this series is sad, and shows how much CNN has drank the Kool-Aid.
Episode 2, ostensibly about the evolution of showing sex on sitcoms was instead about 75% about the plight of LGBTQ. In episode 3, "Friends" co-creator Marta Kauffman had to apologize on camera for all the main characters being White.
Normally, I would wait until I had seen the entire series, but now that I've seen six of the eight episodes, my opinion is already baked in. I look forward to watching the final two episodes and learning more about how straight White men are the bane of human existence...and the TV sitcom.
Lo sapevi?
- ConnessioniReferenced in Late Night with Seth Meyers: Amy Poehler/Joseph Gordon-Levitt/Kevin Smith (2021)
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How many seasons does History of the Sitcom have?Powered by Alexa
Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- L'histoire des sitcoms
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti