Lorax - Il guardiano della foresta

...in this case, changes from the book/original TV short. A lot of people have been lamenting the "frame story" this movie adds in, as well as the idea of making the Once-ler a human character. As far as the frame goes, it's done pretty well. It's a bit flat but perfectly enjoyable for younger kids. Making the Once-ler human, though? BRILLIANT. Hear me out. The original Once-ler was a faceless force of destruction, a shadowy embodiment of greed. This Once-ler is just a stupid kid with a dream, a guy who wants to change the world. He's not evil, but he lets his success get to his head, and that brings about his own downfall and the destruction of the forest. That's FANTASTIC, and here's why: that's how the world really is! Companies don't sit around all day cackling about how much smog they're pumping into the atmosphere; it's a process, and something that happened gradually. Obliviousness is just as dangerous as maliciousness, and that's a really powerful lesson. This can happen to YOU if you're not careful; anybody can hurt the planet if they don't pay attention. That's a rare lesson, and one I'm really pleased to see in this movie.

So, is it silly and stupid sometimes? Yes, of course. But it's colorful and exuberant, and in a lot of ways I think it really captured the "Seuss-ness" that similar remakes have missed. There's nothing offensive about it (besides the miserable marketing) and my little brother enjoyed it as a fun movie. I enjoyed it for giving us a deeper--and in my opinion, very powerful--character type: the accidental villain, the everydude who makes a horrible mistake that the environment suffers for. So take that as you will...but overall, I found myself liking this a lot more than I expected. Definitely worth a watch.

Instead, go in with and open mind and prepare to be entertained. The newest Seuss book to be adapted to film happens to be one of the great author's works that I enjoyed the most growing up, the Lorax. The first thing you'll notice about this film is the animation. The colors are bright and vibrant, and the animation is excellent. Another bright spot in the film is the musical numbers, the songs are catchy and creative and add a nice spice to the movie. The main thing about the movie though, is that it follows the book loosely. It is by no means a direct adaptation, but keeps the key plot elements while remaining a modern-day animated kids movie. Fans of the book shouldn't be disappointed, I certainly wasn't. I left the theater feeling satisfied and proud that one of my favorite Seuess stories was done justice on the big screen, as so many animated films don't deliver. But this is one worth seeing, and will be enjoyed by everyone from the youngest of Seuess fans to the very oldest.

Overall: 7/10

As far as the feature Dr Seuss adaptations go, the best by quite some distance was the animated Horton Hears a Who. The Grinch I also liked, even though it doesn't hold a candle to the 1966 animated version, though I can definitely see why people may dislike it. But I detested Cat in the Hat, a failure both as an adaptation and on its own terms. In all honesty I was very nervous about seeing The Lorax, I'd see anything to do with Dr Seuss but when I saw people likening it to propaganda and the more positive reviews getting overly defensive and condescending and making all kinds of annoying excuses it did lower my expectations. After seeing it, I don't think it was as bad as all that, calling it propaganda I think is unfair, but I don't think it is perfect either. It does pale in comparison to the original story and to the 1972 cartoon, but on its own merits, on which I do think generally a movie should be judged, I found it a perfectly decent movie. Perfect? No, the "hippy grandma" character did get on my nerves and the main subplot with Ted could have been better developed. My biggest reservation was that while the story did have its heart and charm it was rather stretched which loses the initial simplicity of the story. However, the animation is wonderful, very bright and whimsical as it should be with some pleasingly psychedelic moments also. The songs are suitably catchy with some deliciously playful lyrics. The writing is much better than I expected, I was expecting the toilet humour and fart jokes of Cat in the Hat but actually the humour is cheerful and amusing. The message is heartfelt and despite what you'd expect reading the plot summary I don't think it talked down to the audience that much. The ending is heartwarming and a nice change from the one of the more downbeat yet hopeful one of the 1972 cartoon. The characters on the whole are likable and personable, the best being the Lorax himself, and the animals are very cute. The voice acting is also fine, Danny DeVito does cranky brilliantly, and Ed Helms and Betty White are also amusing. Zac Efron and Taylor Swift may raise some eyebrows and I was initially perplexed at their casting, but actually both do spirited jobs. So all in all, while I can understand the disappointment of those who didn't like it as much I did enjoy The Lorax despite fears that I wouldn't. 7/10 Bethany Cox

If Dr. Seuss were alive, he would have been 108th on March 2nd, and this colourful adaptation of his 1971 illustrated children's book is just the befitting tribute to him. Not only is it joyous hilarity for the whole family, but it preserves the cautionary message at the heart of its source, combining the artistry of modern-day animation with the weird and wonderful elements of what was apparently Dr. Seuss' favourite book for a delightful and unexpectedly thoughtful experience.

And that is really no small feat, as fans of the author can attest- Hollywood has had a hit-and-miss record with the Seuss, bungling terribly in recent years with Mike Myers' 'The Cat in the Hat', before redeeming itself with the 2008 animated 'Horton Hears A Who'. It's no coincidence therefore that the writers of 'Horton'- Ken Daurio and Cinco Paul- are once again the creative scripting force behind this adaptation, and once again the duo demonstrate their sharp Seussian sensibilities in what is possibly the author's most controversial work.

Indeed, the story of a reclusive hermit known as the Once-Ler (voiced here by Ed Helms) who recounts his encounter with a strange orange creature known as the Lorax that had huge yellow eyebrows and a moustache like Yosemite Sam was also a pro-conservation and anti- consumerist fable that courted its fair share of detractors when it was first published and still does so today. Of course, these are also different times today, when concerns about climate change and the environment have crept into both the social and political sphere.

To expand the short story to feature-length, there is now a backstory to the 12-year-old boy who visits the Once-Ler- named Ted (Zac Efron) as a nice nod to the Dr. Seuss (whose real name was Theodor Grissel), this jolly teenager has but one purpose, to get a living tree and win the affection of his sweet high-school age neighbour Audrey (Taylor Swift). Both Ted and Audrey live in the totally artificial town of Thneedville, where everything including the trees is made of plastic and the people are oblivious to the gray desolate wasteland outside of their cocooned city.

With some handy advice from a surprisingly sprightly Grammy Norma (voiced by Betty White), Ted sees firsthand the grim polluted world outside of Thneedville on his way to visit the Once-Ler. Once there, the Once-Ler recounts his folly as a young and ambitious entrepreneur who stumbled upon the beautiful Truffula Valley abounding with candy- coloured lollipop-style Truffula trees, Humming-Fish and cub-like Barbaloots. It's as far from the Truffula Ted's seen as can be, and director Chris Renaud pulls out all the stops to make sure that it is a gorgeous eye-popping visual feast.

The first tree Ted falls summons the Lorax, a guardian of nature who tells Ted that he speaks for the trees and implores him to spare a thought for the forest creatures whose livelihood depends on them. For a while, Ted appears to pay heed to the Lorax, but when his knitted garment he calls the thneed becomes an unforeseen sensation in town, greed takes over and it isn't long before the entire valley is decimated.

It is a cautionary eco-fable all right, and there is a clever metaphor here in how something so sought after like the thneed can be so quickly and easily forgotten. There is also added relevance in what happens after, as another entrepreneurial mind quickly takes over by supplying bottled fresh air to the people of Thneedville and becoming the town's unofficial mayor in the process. Opportunity presents itself in calamity, but how we make use of it is yet something else altogether- that is the lesson Daurio and Paul make as they set up O'Hare (Rob Riggle) and his two bulky bodyguards as the nemeses Ted has to defeat in a thrilling action-packed finish.

The additions will no doubt entertain the kids, but older audiences familiar with the books will be glad to know that the Seussian spirit is well and alive in this zany rollicking adventure. Reverential too is the visual cues that the movie takes from Seuss- both in terms of the curvy undulating lines and shapes as well as the bright colours- and like "Horton", you'll know when you see it that you're in his world.

Deserving of mention as well is the excellent voice cast assembled for the film. Efron conveys youthful naivety as much as Swift, while Helms gives the Once-Ler its necessary idiosyncrasies as well as an unexpected depth lamenting the folly of his past. But the true firecracker here is DeVito, returning after some years of being sidelined in Hollywood to tip-top form as the Lorax. There is verve and edge in every line of DeVito's delivery, crackling and popping as much as the colours do in every frame.

There is also plenty for the kids to embrace, especially the minion-like creatures of the forest courtesy most likely of Renaud- we dare you to resist falling in love with the three aptly named Humming-Fish and the Barbaloots. The stereoscopic treatment here is also a treat (and even more so in IMAX), lending the Seussian-scapes a lush vibrant feel and the action sequences an added dimension of excitement.

But of course this is nary just harmless diversion for the kids, and the true weight of this animation is its environmental message of conservation told in a simple- but not simplistic- manner to be understood by audiences of all ages. It is an adaptation Dr. Seuss would very likely be proud of if he were still around, in no small measure because it echoes Seuss' essential plea summarised right at the end: "Unless someone like you cares a whole awful lot, nothing's going to get better. It's not."

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I've only just got around to watching this film and I've got to say It's got a great message and this world needs to listen to it.

Overall it's roots were strong and it had a great sense of humour and also had a dark side to it.

Good animation