Sumotherhood

Sumotherhood seemed like it had good potential and the start of the film was promising, but it just got far too annoying from there.

Firstly the characters are just too out there. There's always a fine line with a parody film and this one crossed it. The lead characters Rico and Kane are way too overacted and loud and just not that fun to follow. None of the cameos really work either. It almost feels like a Red Nose Day special the amount of random and awkward cameos they shoehorned in.

The humour is fine but just so overdrawn. All of the jokes are dragged on for too long to the point where they just aren't funny anymore. They just didn't know when to stop.

Surprisingly the plot is actually fine. Nothing amazing but definitely not awful. Unfortunately it is let down by the points above, resulting in an awkward and tiresome film.

It's a shame because I think a lot of the core pieces of a good film are here but they are just presented really poorly.

You know how Home Alone 1 and 2 are timeless classics...and every other Home Alone after them have been absolute abominations...

Well that's exactly what we have here with 'Sumotherhood'. Kidulthood and Adulthood were brilliant, but every spin-off since has been pure garbage.

Appearing to be written by school kids on a bus home from school...unfunny, OTT stereotypes, forced, pointless cameos, almost zero story...the whole thing is just WACK!

I literally only laughed ONCE, during the Ed Sheeran scene...he was only on for about 45 seconds...and the fact that he was the best thing in the entire film, tells you all you need to know.

These guys are living in the past and trying way too hard to keep this franchise alive.

Get some professional writers, start a new project ..and move on!

I had looked forward to this film I knew what I was getting silly comedy nothing to serious. I liked anuverhood it was strong. Sadly there was to much shouting and swearing in this. Some of the characters are just silly they add nothing the cameo's add nothing really a lot of the lines are recycled from other films and it almost like a slight pause after saying them as if to say look what we just said.

I do think Adam Decon can write something better than this something stronger funnier.

It makes a change not to have all these hard hitting gang films though. If you want to remove ya brain and zonk out this film is for you you won't remember it a few days after seeing it.

This movie is the definition of that one student in secondary school whose whole humour consists of repeating and rinsing the same jokes over and over, but now attempts to make a full career out of it. I think due to this, as well as the fast pace, that some of the jokes land half ass or don't sink in very well leading to really dull segments. The forced in lingo gets tiresome within the first 20 minutes to the point making you think if the script was either AI generated or written by the same people who wrote the last season of Top boy. Fortunately there were moments within the movie(particularly the first half) where the jokes were genuinely funny.

Was gonna give it a 4 but it was genuinely good to see faces from the old YouTube 2011 era such as the two main characters themselves and others( Diary of a Badman, Smokey barbers and Black and Brown). Not to mention the acting is top notch and the budget was utilised well.

Overall it's a film I would recommend to watch once and not numerous times.

Aside from a rather fun cameo from Ed Sheeran that reminded me that he probably lived a street life not a million miles away from the characters here when he was younger and homeless, the rest of this is really rather disappointing. As you'd expect from Adam Deacon ("Riko"), the writing is break-neck paced and littered with humour, contemporary references and there is a definite chemistry between him and his sidekick (and co-writer) "Kane" (Jazzie Zonzolo). Petty criminals in just about every sense of the word, they find themselves £15k in the hole and desperate to raise the cash. Looks like a robbery is the solution - so they try. A wealthy gent in the toilet? A bank branch? Will they make the cash and escape with their lives? If you listen to the dialogue then it is certainly cleverly constructed with some potent observations contained within the relentlessness of the delivery. It's that last bit that I struggled with, though. It plays way too much to linguistic stereotypes and my brain actually felt more attacked by the constant verbal onslaught than entertained enough by it. I think if I had seen this on stage with just the two men, then it could have made for a belter of a two man show shining a light on their East London community, but as a film the visual comedic elements are all just a bit too predictable and I found the other characterisations - there are really only two of note - just a bit annoying. There's far too much soundtrack and I also felt Deacon just a bit too old to carry off the role very plausibly. It has it's moments, just not enough of them.