La mamma single divorziata Mildred Pierce decide di aprire un'attività di ristorazione.La mamma single divorziata Mildred Pierce decide di aprire un'attività di ristorazione.La mamma single divorziata Mildred Pierce decide di aprire un'attività di ristorazione.
- Vincitore di 5 Primetime Emmy
- 26 vittorie e 44 candidature totali
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I was already a Kate Winslet fan, but this performance has put her on a very short list of those who I have ever been so moved, so filled with respect and admiration.
From the moment we first meet her skillfully making pies (old school like grandma) we see a woman who inspires respect. Her troubled marriage becomes apparent right off, but it's not the unreasonable, irrational type of modern day failed marriage relationship. They come to a mutual understanding that they are not happy married to each other, recognizing their own faults and personality differences that are not making for a happy marriage. He leaves her for another woman and while shocking to her, Mildred's inner strength gives you the feeling she'll find a way to manage, although at the most challenging time imaginable - depression era California! We watch as Mildred works hard to keep her 2 daughters cared for while trying to keep herself from falling into understandable depression.
I'll leave the rest for when the series finishes, but I have never seen better acting than in this series, and a large part of that is KW. I believe her performance brings this series to a level it would not have achieved without her. Of course I must credit the directing, writing, and the story itself, for all are wonderful. I could not imagine any fan of dramatic film not liking this series.
From the moment we first meet her skillfully making pies (old school like grandma) we see a woman who inspires respect. Her troubled marriage becomes apparent right off, but it's not the unreasonable, irrational type of modern day failed marriage relationship. They come to a mutual understanding that they are not happy married to each other, recognizing their own faults and personality differences that are not making for a happy marriage. He leaves her for another woman and while shocking to her, Mildred's inner strength gives you the feeling she'll find a way to manage, although at the most challenging time imaginable - depression era California! We watch as Mildred works hard to keep her 2 daughters cared for while trying to keep herself from falling into understandable depression.
I'll leave the rest for when the series finishes, but I have never seen better acting than in this series, and a large part of that is KW. I believe her performance brings this series to a level it would not have achieved without her. Of course I must credit the directing, writing, and the story itself, for all are wonderful. I could not imagine any fan of dramatic film not liking this series.
Although the performances of Kate Winslet, Guy Pearce and Evan Racel Wood were all top notch in this 2011 remake, I preferred the original 1945 film. I just found the updated version to be too long. And it really didn't explain things as well as the 1945 version, such as the real reason why Mr. Pierce left his family. I know they make it seem like it was because he had another woman. But in the 1945 movie, it explained why he sought companionship with another woman. He was getting into a lot of arguments with Mrs. Pierce spoiling their daughters--especially Veda. And that's another thing too. In the 2011 version, it really didn't explain why Veda was a spoiled brat. But in the 1945 version, Mrs. Pierce said that she wanted to give the best things for her daughters. Anyway, another reason I liked the 1945 version more was because it had more style. I liked the film-noirness of it. I found the 2011 version to be all so typical and common. Nothing special. I don't know why they even bothered remaking this movie since the original was so much better. 5/10
This is a good mini-series but has some flaws. But first I have to praise Kate Winslet and Evan Rachel Wood for their acting and chemistry (even if their characters nearly hate each other). But the thing is that the story gets sooooo stretched to fill the 5 episodes that from episode 3 on may feel a bit boring and kinda repetitive.
I get that we need to see Mildred's ups and downs but it just feels the same until the fifth episode. I haven't read the book yet but I think it wasn't structured to be adapted into a miniseries. Maybe a movie (I mean the one with Joan Crawford) but not a 5-hour series. Some dialogues are full of wit and deepness but, some feel very dull. Todd Haynes directed flawlessly but the scripts he co-wrote needed to be fixed or shortened.
Kate Winslet just nails every scene she's in and gives a powerful performance mostly in the scenes with young and adult Veda. The relationship between these feels so real even if it's a toxic one, a VERY toxic one. Kate gives us a character that has been beaten by life but, tries to go on and give her daughters a better life even if the world is falling down.
The sets and costumes are just brilliant. Anything you would expect coming from a period production.
It is a beautiful story and production, feminism at its best, but the writing needs some fixing.
I get that we need to see Mildred's ups and downs but it just feels the same until the fifth episode. I haven't read the book yet but I think it wasn't structured to be adapted into a miniseries. Maybe a movie (I mean the one with Joan Crawford) but not a 5-hour series. Some dialogues are full of wit and deepness but, some feel very dull. Todd Haynes directed flawlessly but the scripts he co-wrote needed to be fixed or shortened.
Kate Winslet just nails every scene she's in and gives a powerful performance mostly in the scenes with young and adult Veda. The relationship between these feels so real even if it's a toxic one, a VERY toxic one. Kate gives us a character that has been beaten by life but, tries to go on and give her daughters a better life even if the world is falling down.
The sets and costumes are just brilliant. Anything you would expect coming from a period production.
It is a beautiful story and production, feminism at its best, but the writing needs some fixing.
Lots of us are fans of the 1945 Crawford version, which was heavily condensed and changed from the novel. But Todd Haynes' miniseries IS the whole story as James M Cain described it, so those who felt the TV production is too long probably didn't like the book either. I was glad to see everything included----it made for a long watch, but an immensely satisfying one. Haynes has a real gift for recreating period feel; for realistic tones and colors, costumes, cars and sets, music, everything down to the dust on the furniture of the decaying Beragon mansion. You feel that you're actually watching people in the 1930's and '40's. The performances of the entire cast are wonderful---but, a caveat: a couple of scenes employ some brief and unnecessary nudity, so it's not for family hour. Other than that, this is one of the best book-to-film adaptations I've ever seen.
If you're one of the many people who read James M. Cain's novel Mildred Pierce and were utterly baffled by the changed made to the 1945 film adaptation, have no fear: the 2011 remake is so faithful to the book, it's as if someone's reading it aloud. Spread out in a 5-part miniseries, every detail of the long-suffering mother's journey is shown, from the dissolution of her marriage to her baby steps of adapting to the business world, to the sadness each of her daughters bring, and to her second chance at love with a young playboy. Kate Winslet takes the helm, and after her predecessor won a long-awaited Oscar for the original, Kate took quite a risk.
Since the two versions are so different, because of the story changes, Kate Winslet and Joan Crawford play two different women. Even if you love Joan Crawford, I think you'll still be able to appreciate Kate's interpretation and admit that she gives a heartfelt, exhausting performance. Kate modernizes the role, bringing her own brand of acting to Mildred's struggles, rather than trying to imitate Joan's stoic performance from the silver screen. She was rewarded, too, earning a Golden Globe for her work.
While in the original, the characters of Mildred's husband, friend, and suitor are stereotypes and rather boring, in the remake, Brian O'Byrne, Melissa Leo, and James Le Gros each bring realism into their respective roles. Mare Winningham joins the cast as a fellow waitress, and she's so realistic it's as if she's been slinging hash her entire life. Evan Rachel Wood takes on the villainous role of Mildred's oldest daughter, and while I am partial to Ann Blyth's original breakthrough performance, there are no flaws in Evan's. She does everything she's supposed to do and makes the audience hate her just as much as they're supposed to. Guy Pearce plays the handsome, spoiled playboy, and while he's always excellent in every role he takes on, if you watch this miniseries you might be too distracted to focus on his acting talents.
Since I've read the book, I thoroughly appreciated Todd Haynes' adaptation. This version is faithful from start to finish, and with several seasoned actors bringing the characters to life, it's very enjoyable to watch.
Kiddy Warning: Obviously, you have control over your own children. However, due to sex scenes and nudity, as well as upsetting scenes involving children, I wouldn't let my kids watch it.
Since the two versions are so different, because of the story changes, Kate Winslet and Joan Crawford play two different women. Even if you love Joan Crawford, I think you'll still be able to appreciate Kate's interpretation and admit that she gives a heartfelt, exhausting performance. Kate modernizes the role, bringing her own brand of acting to Mildred's struggles, rather than trying to imitate Joan's stoic performance from the silver screen. She was rewarded, too, earning a Golden Globe for her work.
While in the original, the characters of Mildred's husband, friend, and suitor are stereotypes and rather boring, in the remake, Brian O'Byrne, Melissa Leo, and James Le Gros each bring realism into their respective roles. Mare Winningham joins the cast as a fellow waitress, and she's so realistic it's as if she's been slinging hash her entire life. Evan Rachel Wood takes on the villainous role of Mildred's oldest daughter, and while I am partial to Ann Blyth's original breakthrough performance, there are no flaws in Evan's. She does everything she's supposed to do and makes the audience hate her just as much as they're supposed to. Guy Pearce plays the handsome, spoiled playboy, and while he's always excellent in every role he takes on, if you watch this miniseries you might be too distracted to focus on his acting talents.
Since I've read the book, I thoroughly appreciated Todd Haynes' adaptation. This version is faithful from start to finish, and with several seasoned actors bringing the characters to life, it's very enjoyable to watch.
Kiddy Warning: Obviously, you have control over your own children. However, due to sex scenes and nudity, as well as upsetting scenes involving children, I wouldn't let my kids watch it.
Lo sapevi?
- QuizDirector and screenwriter Todd Haynes decided that every scene should be from Mildred's perspective, and so required Kate Winslet to be in every single scene of the five hour miniseries. Winslet has publicly stated that this was her hardest shoot (around 18 weeks on set) since Titanic (1997).
- ConnessioniFeatured in Ebert Presents: At the Movies: Episodio #1.12 (2011)
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Мілдред Пірс
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 1h(60 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.78 : 1
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