Sublime

Sublime is a beautifully understated film that captures the quiet intensity of unspoken emotions. Martín Miller and Teo Inama Chiabrando bring a raw, natural chemistry as Manu and Felipe, making every glance and hesitation feel achingly real. The film thrives in its silences, letting the tension and confusion of first love unfold organically rather than through dramatic declarations. Its strength lies in its authenticity-no forced tropes, just the delicate, sometimes messy process of realizing feelings you can't quite name. It's a film that doesn't shout its message but lingers in your mind, much like the first love it portrays.

It's not that bothered me somehow, it was just so empty and wordless that gets tired. This movie doesn't communicate nothing interesting during its entire history.

I have to admit that it does have sensibility scenes and a little bit of reflection, but it's still not enough to cover a repetitive and slow emotional pallets.

Instead of dreams demonstrating how Manu felt about Felipe, why not develop their relationship during the years and then how they should deal with challenges? It's just how I see a handful of ideas thrown into a melancholic and spiritless disappointing teenage drama.

However, it does have a right direction carried in long plans, with insufficient emotional charge.

Apart from the Hollywood world, which warms and warms up stereotype LGBTQ characters like Call Me By Your Name and brings them before us, more grounded scenarios from non-English speaking countries (especially Spanish speaking) are not at the box office, but are met by the audience at festivals and in the subsequent sales process.

A escondidas, Hoje Eu Quero Voltar Sozinho, Ete 85 and Close and Berdreymi, which are currently shown in cinemas and fertile, are some good examples of this.

Born in 1980, director Mariano Biasin (except for his previous short films and assistant directorships) is his directorial debut, Sublime, and is a very good Coming-Of-Age story.

Still circulating at festivals, Sublime is one of the productions you should add to your Watchlist this year.

The story of "Sublime" is quite simple and one-sided, yet well told. Eventhough the theme of exploring one's sexuality in their teenage years has already been filmed many times in recent years, "Sublime" offers a very unfussy and intimate insight into the life and mind of Manuel without much drama or a big unexpected twist - which I would say is a good quality in this case. Because it concentrates around the character of Manuel, a 16 year old boy who started having feelings for his male best friend, this film could be attractive for younger generation of viewers, who could easily see themselves being the main character in this film.

Despite some glowing reviews here, I simply cannot agree that this is a good film. A lot of screen time is spent on showing a band that has hopes for success. Perhaps they will, perhaps they won't. This sums up too the off and on platonic closeness between two teenage youths and despite yearning gay glances they pay rather lack lustre ' love ' attention to teenage girls. Like the music it is annoyingly repetitive and must have been annoying for at least one of the girls (if this was real life, as this film seems to aspire to that debatable state of reality.) I know that teenagers go through questioning agonies over their sexual orientation, but then a lot of so-called adults have the same problem. It comes with a lot of gay film territory, and as long as homophobia within and without continues it will continue to do so. There is one kiss (gay or perhaps platonic love ? Hard to tell as it had absolutely no give away signs as to feelings.) Not much more to say than this is an Argentinian film and the acting was adequate.